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中国艺星网

艺星展讯
人类未来研究城+胜芳高峰论坛学术定位

Human future research city + shengfangfeng BBS academic positioning



中国艺星网/编发/自然

China Yixing network/braiding/nature



人类未来文明研究城总设计师探索宇宙文明图

The chief designer of human future civilization research city explores the map of cosmic civilization


2019年6月7日正式发布:启动“人类未来文明研究城”建设项目。位置白洋淀东淀区胜芳古镇。规划区106平方公里。建设期规划200年。建成“人类未来文明的摇篮”,引领、造福人类!

创始人:黄岩、艾彦旭、孙世海

发起人:孙世海

组织方式:只要愿意为“人类未来文明”做贡献的全球所有人都可以加入!共同研究!愿意加入的人欢迎随时联系我们!


On June 7, 2019, it was officially announced that the construction project of "Research City of Human Future Civilization" was launched. Location: Shengfang Ancient Town, Dongdian District, Baiyangdian. Planning area 106 square kilometers. The construction period is planned for 200 years. Build "the cradle of human civilization in the future", lead and benefit mankind!

Initiator: Sun Shihai

Founder: Huang Yan, Ai Yanxu and Sun Shihai

Organization: Everyone in the world who is willing to contribute to the "future civilization of mankind" can join us! Joint research! Anyone who wants to join us is welcome to contact us at any time.



2019胜芳第三届“浓情端午”文化节顶级艺术家云集

Top artists gathered at the 3rd Shengfang Dragon Boat Festival in 2019


时间标注公元2019年6月9日,文明是什么?人类文明是什么?我们人类文明在宇宙中的位置是什么?以公元纪元2019年6月9日为坐标,开始从1年到200年就是73000天,3153600000秒,这是宇宙尺度的时间维度,空间尺寸就是胜芳全境,25.87137英亩,再细分到平方米就是104700平方米,再分到平方毫米就是1.047e+17平方毫米,在以村落建制,就是31个行政村,以原住民标注就是17万人,原住民+聚集全球艺术家的N个新村落,人 类文明史研发建制,就是ss艺术家、艺术家群的加盟,200年的时间,人类编年史的切割,就会形成无数个人类史研究的点位效应,这里两个原爆点,一个是人类未来,一个是研究城,这是一个命题,首先200年对未来的切割,使未来变成无数个当下,这是人类大尺寸模板换算的最新标注,研究城输出的认知经验,在胜芳土地上,空间输出获得的收成不亚于人类另一个神话故事,伊甸园,上帝制造的伊甸园没有关于其空间长度、空间长短的描绘,而胜芳2019年6月9日的伊甸园事件,有具体的空间标注、时间标注,这是一个科技聚会、科技集会,每一位艺术家的气场和胜芳的传统百业和人类史的百业、百工相融,各种配方比例相加相减,加减乘除就会变成一个宇宙级的天文数字,这也是相配人类未来研究城概念的命名,人类传统的农耕文明、游牧文明、山水文明、海洋文明、大陆文明、海岛文明及我们人类的小小寰球的母星文明都会形成无数个业态的指标,这进而在人类传播学层面变成为人类互联下的每一个个体买单,解决一个终身就业问题,这也是对人类生死大限极限的挑战,我们人类的生命史浪费了无数的时光,浪费了太多的时光,200年的预设和埋伏,有理由使我们用姓氏标注的个人的名字,演绎每个生命体的自传,我们不再是上帝所说的迷途的羔羊,特朗普是一只迷途的羔羊吗?互联网是一只迷途的羔羊吗?美利坚合众国是一只迷途的羔羊吗?在胜芳未来研究城都会找到答案,2019年6月9日的人类未来论坛将以语言的方式,开启人类的未来,在在线平台上,后面支撑的是10亿艺术家的艺术种群,每一个叫“我”的加盟,使人类关于未来的经验呈现无数的真实现实,因而胜芳时间2019年6月9日,也是人类有史以来最具现实主义的大派对、大穿越……


黄岩写于北京工作室

2019年6月2日16点47分


The date is June 9, 2019. What is civilization? What is human civilization? What is the place of our civilization in the universe? Era on June 9, 2019 AD as coordinates, start from 1 to 200 is 73000 days, 3153600000 seconds, this is the time dimension, cosmic scales is shengfang across space dimension, 25.87137 acres, is subdivided into square metre is 104700 square meters, is assigned to the square millimeter e+17 1.047 mm2 again, in the village of organizational system, is 31 administrative villages, native to mark is 170000 people, the aboriginal + together global artist N new village, one kind of research and development of civilization system, is the ss group of artists, artists to join, 200 years, the chronicle of human cutting, can form point effect of countless human study, the two original point here, is a human in the future, one is the study of city, it is a proposition, the first 200 of the future, the future into the present, this is the big size the latest annotation template conversion, output cognitive experience study city, in shengfang land, space output gain harvest as human another fairy tale, the garden of Eden, god made in the garden of Eden no describe about the space length and space length, and shengfang Eden event on June 9, 2019, Have specific space notation, time mark, this is a gathering of science and technology, science and technology, every artist's aura of traditional and shengfang all sectors and all sectors, the harmony of human history, various formula ratio addition subtraction, subtracting becomes a cosmic astronomical, this also is to match the human future study of the concept of city, the traditional agricultural civilization and nomadic civilization, and civilization, ocean islands in civilization, Chinese civilization, civilization, our small the human starbase civilization forms an innumerable forms indicators, that, in turn, in the human communication level into human interconnection under each individual pay, A lifelong employment problem, which is also the challenge of the time limit for the life and death in humans, our human life wasted countless times, waste too much time, 200 preset and ambush, there is reason to make us personal name highlighted in last name, deduce each organism's autobiography, we are no longer stray lamb of god had said trump is a stray lamb? Is the Internet a lost sheep? Is the United States of America a lost sheep? Future research in shengfang town will find the answer, on June 9, 2019 BBS of the future of mankind will be in the form of language, open the future of humanity, on the online platform to support behind the artist's art's 1 billion population, every name is "I", make the human experience about future presents a myriad of true reality, thus shengfang time on June 9, 2019, is the human history the most realistic big party, through...


Written by huang yan in Beijing studio

At 16:47 on June 2, 2019



著名艺术家、音乐人、学者王麒诚先生

Mr. Wang Qicheng, a famous artist and musician


《胜芳最乡愁》


词曲 王麒诚


演唱  王麒诚


一条弯弯的河

穿过千年的古镇

古老的戏台上

吟唱着人间的

聚散悲欢

百年的牌楼

辉煌岁月悠长

文昌阁上

乾坤变换斗转星移

行遍天涯路

胜芳最乡愁


一条弯弯的河

抚慰沧桑的容颜

锦绣三千年

多少人间故事

情真意切

人来人往

胜水荷香万古留芳

花灯璀璨

光影婆娑笑语欢声

行遍天涯路

胜芳最乡愁


一条弯弯的河

载着你我的期盼

充满美好与祝福

满怀希望

繁华缤纷

花开花落又是一年

龙舟碧水飞渡

去向明天地阔天高

行遍天涯路

胜芳最乡愁

行遍天涯路

胜芳最乡愁

行遍天涯路

胜芳最乡愁


证明了胜芳的乡愁也是龙的传人的乡愁、也是人类的乡愁••••••


黄岩2019年5月31日零点十分完稿于北京工作室


From June 7 to 9, 2019, the third Dragon Boat Festival of Damei Shengfang Public Welfare Dragon Boat Competition Cultural Festival brought together top new literati artists from Beijing, China, to perform an unprecedented new dragon boat art action in Hetao, Hetao, Wetland and Shengfang with their multi-dimensional, cross-border and artistic weapons. Create "New Dragon Boat Eden Garden" in Shengfang ancient town. These artists'names are Shaoyan, Liu Jinglu, Wang Qicheng, Ai Yanxu, Sun Shihai, Huangyan and so on. This is the water art in the exhibition of the theme of "Dragon's heir + Shengfang Jinmu Shuihuo Art". We bring the photographic lens to the stage of Shengfang ancient town. Here, traditional Shengfang drama, stilts, dancers and Taiji inheritors are also with these arts. Art artists and new literati poets put on innovative new literati art drama, which combines the literature and martial arts with the mixture of gold, wood, water, fire and earth. This is another innovation that combines Shakespeare's drama with Guan Hanqing's drama. We will move the lens to the Millennium Ancient Temple, where we will also present the light and image presentation that combines Chinese Confucianism, Buddhism, Taoism culture and animation art, the launching ceremony of the future civilization research city of mankind, the Millennium Shengfang Ancient Town. We are here, our artists are all descendants of the dragon. The lyrics of Shengfang's most nostalgic song written by the artist Wang Qicheng are as follows:


Shengfang's Most Nostalgic


Wang Qicheng

Singing Wang Qicheng


A crooked River

Old Towns Throughout Millennia

On the Old Platform

Singing the world

Gathering and scattering

Centennial Archway

Long glorious years

Wenchang Pavilion

Qian-kun Transform Dou Shift

Travel all over the world

Shengfang's most nostalgic


A crooked River

To soothe the face of vicissitudes of life

Three thousand years of splendor

How many human stories

Genuine and sincere

People are hurrying to and fro

Shengshui lotus fragrance remains forever

Bright lantern

Light and shadow whisper with laughter and joy

Travel all over the world

Shengfang's most nostalgic


A crooked River

Carry your and my expectations

Full of Beauty and Blessings

Full of hope

Prosperous and colorful

Flowers blossom and fall in another year

Dragon Boat and Blue Water Ferry

Where to go tomorrow is vast and sky is high

Travel all over the world

Shengfang's most nostalgic

Travel all over the world

Shengfang's most nostalgic

Travel all over the world

Shengfang's most nostalgic


It proves that Shengfang's nostalgia is also the nostalgia of the descendants of the dragon and the nostalgia of human beings.


Huang Yan finished his draft at 0:10 on May 31, 2019 at Beijing Studio



反兑水墨  | 邵岩当代水墨艺术展

Shao yan ink art exhibition



Shao yan, with open-minded smile inclusive of everything.

邵岩,用豁达的笑容包容了一切。



混沌系列之八 | 53x63cm  2011

Shao yan's ink works  



璇霄丹阙 | 40x60cm  2018

Shao yan's ink works 


邵岩  | SHAOYAN  


1962年生,文化部国家画院研究员,中国书法家协会新文艺家群体工作部委员,文化部中国社会艺术协会中西方美术研究院研究员,中国民主促进会会员,中国汉字艺术中心主任,中国陶瓷艺术研究院副院长,景德镇陶瓷中外艺术家协会艺术总监,文化部青联书法篆刻委员会副秘书长,清华大学当代艺术专业特聘专家,中央美术学院、荣宝斋画院外聘教授、民进中央开明画院副秘书长,中国现代书法代表,30年历届国展现代书法大奖获得者,参加国内外重大展览80余次,出版专着十几本。作品被大英博物馆、美国《时代周刊》、华尔街日报社,意大利银行集团、香港艺术馆、中国美术馆、等国际重要机构收藏,独立汉字、水墨、陶瓷艺术家,现居北京。


Born in 1962, the ministry of culture national academies researcher, new writers and artists community work committee of Chinese calligrapher's association, the ministry of culture art association of Chinese society and western fine arts research institute researcher, member of China council for the promotion of democracy, artistic director of the center for Chinese language, Chinese ceramics art research institute, vice dean of jingdezhen ceramic art director of the Chinese and foreign artists association, the ministry of culture, deputy secretary general the youth calligraphy seal cutting, contemporary art professional distinguished expert at tsinghua university, central academy of fine arts, a: rongbaozhai academies of part-time professor and vice secretary-general of liberal art academies, the central committee of the Chinese modern calligraphy, 30 years of successive both modern calligraphy award winner, He has participated in more than 80 major exhibitions at home and abroad and published more than 10 books. His works have been collected by the British museum, time magazine, Wall Street journal, Italian bank group, Hong Kong art museum, China art museum and other international institutions.



当代艺术家、发明家刘景路先生

Mr. Liu Jinglu, Contemporary Artist and Inventor



当代艺术家、发明家刘景路荣登纽约时代广场

Contemporary artist and inventor Liu Jinglu Rongdeng Times Square, New York



(书法•雕塑•水墨)创始人刘景路(大路)作品欣赏

(calligraphy, sculpture, ink painting) founder liu jinglu (da da) works appreciation


刘景路(大路)

1965年生于山东临沂,当代艺术家、发明家。

中南海国礼艺术家、“意画”(书法•雕塑•水墨)创始人、山东省美协会员、美国纽约哈德逊美术家协会会员。

作品被中南海及有关单位收藏 , 更有美国、日本、东南亚、香港、台湾等国际、国内友人长期收藏其作品。

其作品的时代性、独立性、原创精神及自然品质必将影响和推动民族的本土艺术走向新的辉煌。


Liu Jinglu (Da Lu)

Liu Jinglu (Da Lu), a famous artist and inventor, was born in 1965 in Linyi of Shandong province. He is appointed as National Gift artist by Zhongnanhai. He is the originator of “ideological freehand ink painting and ideological calligraphy----sculpture” (The painting on the paper or canvas is transformed into three-dimensional sculpture),member of the artists association in Shandong province,member of the artists association in New York.His works are collected by Zhongnanhai and many other museums and galleries home or abroad, and by private collectors from America, Japan, South-east Asia, Hongkong, and Taiwan, etc. Liu’s works are distinguished in this era with their independent thoughts, original spirits and natural qualities, which have influenced and promoted the developing and flourishing of traditional Chinese art.


所在团体


中国画家协会理事、中国书画艺术研究院院士、中国书画名家网艺委会副主席、中国国际书画名家研究院副院长、中国农民书画研究会理事、《中华名人》杂志理事、世界书画家协会副主席、世界华人美术家协会理事、红东方艺术国际理事会会长


Group


China artist association, member of Chinese painting and calligraphy art research institute, vice chairman of Chinese calligraphy and painting famous network writer, vice President of the China academy of international painting and calligraphy masters, farmers in China painting and calligraphy association, director of the Chinese celebrity magazine, world painter-calligrapher association, director of world Chinese artists association, vice President of international council President, red Oriental art


刘景路艺术年表


2019年5月水墨作品《巢回》系列亮相“新时代、新文人“中国第二届视觉艺术双年展 书画印空间 北京

2019年5月水墨作品“人”、《巢回》系列、《毕昇》、《水滴石穿》亮相“新时代、新莲池、新文人“中国第二届视觉艺术双年展 新莲池书院 保定

2019年4月“斑斓”当代艺术作品展 龙成国际艺术空间 北京

2019年4月受邀为中央七套《乡村大世界》组委会设计展演现场logo

2019年经中国文化艺术人才库研究决定授予艺术家刘景路2018年度艺术作品“和平艺术奖”(中国文化艺术人才管理中心、中国文化艺术人才库)

2018年12月15日受美国好莱坞首届国际青年电影节组委会邀请,“人”字装置作品亮相其中 洛杉矶 美国

2018年10月 由中国文化艺术人才库授予“文化传播大使”称号

2018年10月“巢回”(和平艺术展)--艺术与发明,刘景路(大路)艺术个展,主题“平衡、和谐、和平” 奥加美术馆 北京

2018年5月作品参加第二届中国视觉艺术双年展,2018首届中国•管窑国际陶艺邀请展,管窑•首届中国城市公共艺术展/国际青年装置艺术暨第三届栀香楚陶文化旅游节 蕲春管窑美术馆 湖北

2018年5月成为美国纽约州哈德逊艺术家协会会员 2018年5月 个展“意画”(雕塑、水墨)于美国哈德逊艺术中心举办 哈德逊艺术中心 纽约州

2018年5月 中美十人P.U.F国际艺术展在美国哈德逊艺术中心举办  哈德逊艺术中心 纽约州

2018年1月由中国诚信品牌万里行组委会(中国文化与教育诚信品牌联盟、2018全球华人春晚节目组委会)授予“2017年度中国诚信艺术家优秀作品创新奖”

2018年1月,受邀参加CCTV7央视农民春晚《亿万农民的笑声》 ,献“意画”《狗年旺旺》、《一帆风顺》 绵阳体育广场 四川

2017年5月,应邀出席”第四届世界和平艺术节----为和平付诸行动“主题活动,至今以”国礼艺术家身份”赠予来自76个国家使馆使节作品 大地艺术中心 北京

2017年4月,由北京新闻出版广电局、北京通州区人民政府举办的“2017年北京市知识产权宣传周版权保护宣传活动授予表彰,授予证书 上上国际美术馆 北京

2016年12月,应邀出席第三届世界和平艺术节----为和平付诸行动主题活动,以“国礼艺术家”身份赠送来自13个国家的使节  大地艺术中心 北京

2016年11月,由西班牙巴塞罗那市政府主办“一带一路”中西文化交流书画展,《一帆风顺》意画书法赠送给巴塞罗那市市长 巴塞罗那市政厅 西班牙

2016年11月,美国集邮集团以“美国国家名片”收录“人”字系列作品,庆祝中美建交37周年特别定制邮票,国际发行

2016年10月,雕塑作品《纤夫》、《青春的力量》、《人梯》、《众》系列之三参加“第八届亚洲艺术博览会”,中法艺术家交流  而已美术馆 北京

2016年10月,应邀参加“第二届世界和平主题活动”,以和平使者身份亮相现场,为各国使馆使节献书墨宝,内容“和平使者”与“和平长青” 大地艺术中心 北京

2016年9月,“汉字空间艺术”展,雕塑作品《人》、《义》、《青春的力量》、《毕昇》、《推敲》亮相展览现场,艺术家来自美国、韩国、日本、新加坡、香港 大地艺术中心 北京

2016年7月,人民美术报整版封面五版专题报道,《中国梦.盛世之歌》、《中国梦.富贵中华》等作品及文章

2016年6月,经中南海国礼中心专家委员会评议认定,聘为中南海国礼中心“国礼艺术家”

2016年5月,以特邀艺术家身份参加应邀参加“第一届世界和平主题活动”大地艺术中心 北京

2016年,“美育工程艺术万里行”启动仪式以及第二届艺术家跨年联欢晚会,作为唯一一位当代艺术家代表受主办方邀请上台致辞讲话,并代表中国艺术家支持“美育工程艺术万里行”活动签约 大地艺术中心 北京

2016年,庆祝中国共产党成立95周年,收录书画名家刘景路翰墨丹青耀中华作品

2016年,“人”字系列作品和意画水墨作品收录“中国名片(一带一路)--“光荣与梦想”

2016年1月,航美传媒分别在城市天津,广州,青岛,济南,厦门、郑州、西安等机场宣传意画书法-雕塑作品,“道”、“义”、“儒”

2015年,纪念抗战胜利70周年,中国当代书画•艺术大家邮品首发式特邀艺术家

2015-2016年,两届梅赛德斯奔驰迈巴赫新车发布会现场,特邀艺术家刘景路先生书写“礼待天下”大地艺术中心 北京

2014年,作品《好从荷来-莲荷》系列雕塑参加第十九届北京艺术博览会 农展馆 北京

2013年,作品选登《中国报道》,纪念改革开放35周年特别报道,刊物发行于两会期间

2013年,雕塑作品《人》参加“字元”国际汉字艺术展及学术研讨,今日美术馆 北京

2013年,雕塑作品《人》参加“首届宋庄艺术节”上上国际美术馆 北京

2012年艺术品价值标准评定作品(国画、书法)国内外市场推广、介绍(中华人民共和国文化部中乡办传统文化保护部)

2012年,“扶危济贫共筑和谐----艺术品慈善义卖”上海国际会议中心 上海

2012年,作品选登《中国元素》,同年参加中国首届艺术品产业博览会 农业展览馆 北京

2012年,“西北公益生态减碳林”艺术作品邀请展

2011年,庆祝中国共产党90华诞中国书画名家作品邀请展金奖

2010年,青海省美术家协会为其颁发捐赠证书,感谢为玉树灾区抗震救灾爱心捐赠作品、善款 “情系玉树,大爱无疆”

2010年,创作历史题材巨幅油画《广西西汉海上丝绸之路》系列之二“廉州府”

2009年,创作历史题材巨幅油画《广西西汉海上丝绸之路》系列之一“合浦郡码头

2009年,作品荣获“中华人民共和国成立六十周年中国书画名家作品展”一等奖,并载入《经典》集”

2009年作品被《中国产经新闻》报刊连载

2009年,作品刊登《中华名人》杂志第89期

作品《旭日》《思念》《乡月》《威震山河》《品诗图》在2007年《中国画家报》做专版发表。

作品《云静山间有人家》《夕阳无限》《墨色山村》《先是酸后是甜》《月明虎啸》等在2008年《中国画家报》做专版发表。

作品《汇流》(黄河壶口)、《虎》《三醉图》《思》分别刊登在中国民族美术出版社出版《中国当代美术家传世精品集》第一辑与第二辑。

2008年10月作品《大海》《五福临门》《宁静山村》《小桥流水人家》《秋山行云》参加韩国书画公开场旗面巡回展览并入选集。

2008年作品在"四川抗震救灾慈善献爱心"活动中获中国书画名家慈善贡献奖。

2008年作品荣获"迎奥运振兴中华文化全国书画名家作品展"优秀奖。

2008年,作品荣获“为奥运喝彩全国书画名家作品大赛”银奖

2007年,荣获年度“全国书画精英”创作成果金奖

2007年,第六界中国儿童慈善活动日“中华慈善书画名家爱心助学活动”拍卖作品 广州

2007年,“中国红十字会义演活动”捐献作品并获奖

2006年~2008年,在山东省、广西自治区举办“刘景路书画作品巡回展” 临沂美术馆 2005年6月,作品《金涛汇流》,入选“庆祝青海省文学艺术界联合会成立50周年美术、书法、摄影、唐卡展览

1998年,国画作品《汇流》被中南海珍藏,中藏字第0657号


   Liu jinglu art chronology


In May 2019, the series of ink and wash works nest back appeared in "new era, new literati", the second Chinese visual art biennale, calligraphy, painting and printing space, Beijing

In May 2019, ink works "man", "nest back" series, "bi sheng" and "water dripping through stone" appeared in "new era, new lotus pool, new literati" the second Chinese visual art biennale new lotus pool academy baoding

April 2019 "gorgeous" contemporary art exhibition longcheng international art space Beijing

In April 2019, he was invited to design the logo of the exhibition site for the organizing committee of the seventh set of "village world"

In 2019, China culture and art talent pool decided to award artist liu jinglu 2018 art work "peace art award" (China culture and art talent management center, China culture and art talent pool)

"Herringbone" installation works were exhibited at the invitation of the organizing committee of the first Hollywood international youth film festival in Los Angeles, us, on dec 15, 2018. [photo/VCG

In October 2018, he was awarded the title of "cultural communication ambassador" by the talent pool of Chinese culture and art

October 2018 "nest back" (peace art exhibition) -- art and invention, liu jinglu (da lu) art solo exhibition, theme "balance, harmony, peace" ojai art museum Beijing

Works in May 2018 are presented in the 2nd qichun art biennale of Chinese visual art, the 1st China guan yao international ceramics art invitational exhibition, the 1st China urban public art exhibition/international youth installation art and the 3rd qixiang qichun culture and tourism festival qichun guan yao art museum in hubei province

In may, 2018, she became a member of Hudson artists association of New York, USA

In May 2018, ten Chinese and American artists from P.U.F international art exhibition will be held at Hudson art center in New York state

In January 2018, the organizing committee of China honest brand wanlixing (China culture and education honest brand alliance, the organizing committee of 2018 global Chinese Spring Festival gala) awarded the "2017 Chinese honest artist excellent works innovation award".

In January 2018, he was invited to participate in CCTV7 farmers' Spring Festival gala "the laughter of hundreds of millions of farmers", and presented "painting" "want of dog year" and "plain life" in mianyang sports square, sichuan province

In May 2017, he was invited to attend the "fourth world peace art festival" -- themed activity of putting peace into action. So far, he has presented artworks of ambassadors from 76 countries to the earth art center in Beijing as a "national gift artist"

In April 2017, the "2017 Beijing intellectual property publicity week copyright protection publicity activity" organized by Beijing press, publication, radio and television bureau and Beijing tongzhou district people's government was awarded with commendation, and the certificate was awarded to the Beijing international art museum

In December 2016, he was invited to attend the third world peace art festival -- a theme activity of putting peace into action. As a "national gift artist", he presented to the earth art center of ambassadors from 13 countries in Beijing

In November 2016, the "One Belt And One Road" Chinese and western cultural exchange painting and calligraphy exhibition was held by the municipal government of Barcelona, Spain

In November 2016, the United States philatelic group issued a special stamp to celebrate the 37th anniversary of the establishment of diplomatic relations between China and the United States

In October 2016, the sculpture "boat tracker", "the power of youth", "human ladder" and "the crowd" series three participated in the "eighth Asian art fair", and the sino-french artists exchange art museum in Beijing

In October 2016, he was invited to participate in the "second world peace themed activity", and presented a letter of calligraphy to the ambassadors of various countries as a messenger of peace in Beijing

In September 2016, the "Chinese character space art" exhibition, sculpture "people", "justice", "the power of youth", "bi sheng", "deliberation" exhibition site, artists from the United States, South Korea, Japan, Singapore, Hong Kong land art center Beijing

In July 2016, the people's art daily published a special report on the cover page of the whole page with five pages, including works and articles such as "Chinese dream. Song of the prosperous age" and "Chinese dream

In June 2016, after the appraisal of the expert committee of zhongnanhai national ceremony center, he was appointed as the "national ceremony artist" of zhongnanhai national ceremony center.

In May 2016, she was invited to participate in the "first world peace themed activity" as a special invited artist

In 2016, as the only representative of contemporary artists invited by the organizer to speak at the launching ceremony of "art of aesthetic education engineering" and the second artists' New Year's eve gala, he signed a contract with the land art center in Beijing on behalf of Chinese artists to support the "art of aesthetic education engineering" activity

In 2016, to celebrate the 95th anniversary of the founding of the communist party of China, the collection of calligraphy and painting master liu jinglu Dan qingyao Chinese works

In 2016, "ren" series of works and Chinese ink painting works were included in "Chinese name card" (One Belt And One Road) -- "glory and dream".

In January 2016, hangmei media respectively promoted ideographic painting, calligraphy and sculpture works, "dao", "yi" and "ru" in tianjin, guangzhou, Qingdao, jinan, xiamen, zhengzhou, xi 'an and other airports.

In 2015, to commemorate the 70th anniversary of the victory of the war of resistance against Japanese aggression, China's contemporary calligraphy and painting art master stamp products debut invited artists

In 2015-2016, Mr. Liu jinglu, an invited artist, wrote "courtesy to the world" at the site of two new Mercedes maybach car launch

In 2014, the sculpture series "from Holland to lotus" was exhibited at the agricultural exhibition hall of the 19th Beijing art fair in Beijing

In 2013, selected works were published in China news, a special report to commemorate the 35th anniversary of reform and opening up. The publication was published during the two sessions

In 2013, the sculpture renren was exhibited in the international Chinese character art exhibition and academic discussion, today art museum, Beijing

In 2013, the sculpture "people" was exhibited in the "first songzhuang art festival" at the Beijing international art museum

2012 art value standard evaluation works (traditional Chinese painting and calligraphy)

In 2012, "helping the vulnerable and helping the poor build harmony together -- charity sale of artworks", Shanghai international conference center, Shanghai

In 2012, his works were selected in "Chinese elements". In the same year, he participated in the Beijing agricultural exhibition hall of China's first art industry expo

In 2012, "northwest public welfare ecological carbon reduction forest" art works invitation exhibition

In 2011, he won the gold medal in the invitational exhibition of Chinese painting and calligraphy masters to celebrate the 90th birthday of the communist party of China

In 2010, qinghai artists association issued a donation certificate to him, thanking him for donating his works and money to yushu disaster area.

In 2010, created a huge oil painting with historical theme, guangxi western han maritime silk road, part ii of series, "lian zhou fu".

In 2009, he created one of the historical oil paintings "guangxi western han maritime silk road" series "hepu county wharf"

In 2009, his works won the first prize in the exhibition of Chinese painting and calligraphy masters on the 60th anniversary of the founding of the People's Republic of China, and were recorded in the collection of classics.

His works were serialized by China sanjing news in 2009

In 2009, the work was published in the 89th issue of China celebrity magazine

His works "rising sun", "missing", "hometown moon", "weizhen mountain and river" and "poems" were published in the special edition of Chinese painter newspaper in 2007.

His works "there is a family among the clouds and quiet mountains", "the setting sun is infinite", "inky mountain village", "sour and then sweet" and "the bright moon and the roar of the tiger" were published in the special edition of Chinese painter newspaper in 2008.

His works "confluence" (the hukou of the Yellow River), "tiger", "three drunkenness" and "thoughts" were published in the first and second volumes of "Chinese contemporary artists handed down fine works" published by China national fine arts press.

In October 2008, his works "the sea", "five blessings in the gate", "quiet mountain village", "small bridge flowing water family" and "akiyama xingyun" were exhibited in south Korean painting and calligraphy exhibition.

In 2008, his works won the charity contribution award of Chinese painting and calligraphy masters in "sichuan earthquake relief charity".

In 2008, his works won the excellence award of "welcome the Olympic Games and revitalize Chinese culture, national exhibition of calligraphy and painting masters".

In 2008, his works won the silver award of "cheering for the Olympic Games, national painting and calligraphy competition"

In 2007, won the annual "national painting and calligraphy elite" creative achievements gold award

In 2007, the sixth China children's charity day "China charity painting and calligraphy masters love education activities" auction works guangzhou

In 2007, "Red Cross society of China charity performance" donated works and won awards

From 2006 to 2008, "tour exhibition of liu jinglu's calligraphy and painting works" was held in shandong province and guangxi autonomous region

In 1998, the Chinese painting confluence was collected by zhongnanhai



著名艺术家、音乐人王麒诚先生

Mr. Wang Qicheng, a famous artist and musician



王麒诚艺术作品欣赏

Wang qicheng works of art appreciation



王麒诚艺术作品欣赏

Wang qicheng works of art appreciation



王麒诚艺术作品欣赏

Wang qicheng works of art appreciation


王麒诚艺术作品


一、2019全球价值推荐


著名艺术家、音乐人

国际知名身心灵艺术导师

南开大学艺术系客座教授

中国国学院艺术院常务院长

全球使命家平台联合创始人

晓景国际美术馆执行馆长

世界生命艺术学创始人

他是一位享誉世界的艺术大师,在绘画、音乐、诗歌等多个艺术领域取得了卓越成就,在全球拥有广泛影响力。         他的艺术作品是北京奥运会、上海世博会两大国际顶级盛会及中国外交部的国礼艺术品。

出版作品被翻译成英、法、日、德、俄、西等十几种文字全球出版发行。

他是中国最大的英文媒体《中国日报》及《环球时报》联合整版专访向世界推荐的中国艺术家。CCTV、美国全美电视台等500余家中外媒体对他进行了专访和报道。

他在法国卢浮宫及美国、韩国、澳大利亚、俄罗斯等全球各地举办“对画世界”等形式多样的艺术展览及活动。作品被金庸、法拉利、旧金山等世界名人、机构和城市收藏。      

他的艺术作品在翰海、上合等国际拍卖上取得成功。在2018鸟巢盛典上,荣获中国收藏家协会颁发的“中国最具收藏潜力艺术家”称号。墨尔本全球论坛为他颁发了”全球杰出华人艺术家大奖”。2019年,美国加州政府为他颁发国际杰出艺术家贺状。首届旧金山全球

文化论坛为他颁发了全球文化杰出贡献人物金奖。

他还创作了千余首原创歌曲,制作了《青春万岁》等多张音乐专辑,2016年在韩国首尔举办了世界首张和平专辑《和平之光》的全球首发仪式,获得高度评价和广泛关注!2017年创作的《中国退役军人之歌》广受欢迎;2018年受邀创作墨尔本全球论坛主题曲《人类的明天》受到广泛赞誉;2019年受邀为首届全球幸福大会创作主题曲《幸福彼岸》。受邀为首届旧金山全球文化论坛主题曲《世界一家》。

他还多次受邀担任CCTV原创音乐歌曲大赛、国际禅舞大赛、全国大学生语言艺术大赛等国内大型文化赛事总评委,以其犀利睿智幽默风趣的个人风格广受欢迎。

他在法国卢浮宫和美国韩国澳大利亚及俄罗斯等全球各地举办“对画世界”等形式多样的艺术展览及活动。             他的作品在翰海等国际拍卖上取得成功,并在2018鸟巢盛典上,荣获中国收藏家协会颁发的“中国最具收藏潜力艺术家”称号。墨尔本全球论坛为他颁发了”全球杰出华人艺术家大奖”。美国加州政府为他颁发了杰出艺术家贺状,旧金山全球文化论坛为他颁发了全球文化贡献人物金奖。

他是一位卓越的国际身心灵艺术导师,在北大、清华等名校及美国澳大利亚等全世界发表演讲。他的艺术作品全部是在当下空性状态下完成,具有极高的生命能量。中国美协主席范迪安先生为他的作品题写了”传神之笔”的致辞。

 王麒诚是国际著名身心灵艺术课程《生命艺术学》的创始人,在北大、清华等名校及北京上海等全国各地巡回发表生命艺术演讲,获得热烈反响。墨尔本全球论坛、旧金山全球文化论坛等大型国际活动邀请他发表生命艺术演讲。他是全球使命家平台的核心导师和联合创始人,以感召更多生命找到自己的使命为使命!他发起成立了全球首个生命艺术传播交流机构——心光生命艺术大学,致力于将“做自己为他人利世界”和“你就是你生命的艺术大师”的生命艺术理念传遍世界!


Wang qicheng works of art

 

2019 global value recommendation


Famous artists and musicians

Internationally renowned physical and spiritual art instructor

Visiting professor, art department, nankai university

Executive dean of the school of art, China national university

Co-founder of global mission home platform

Xiaojing international art museum executive director

Founder of world life art

He is a world-renowned master of art, who has made remarkable achievements in painting, music, poetry and other art fields, and has a wide range of influence in the world. His works of art are the Beijing Olympic Games, the Shanghai world expo two top international events and the Chinese foreign ministry's national art.

The published works have been translated into English, French, Japanese, German, Russian, Spanish and other languages for global publication and distribution.

He is one of the Chinese artists recommended to the world by China Daily and global times. He has been interviewed and reported by more than 500 Chinese and foreign media, including CCTV and us national television.

He has held various art exhibitions and activities in the Louvre in France, the United States, South Korea, Australia, Russia and other parts of the world. Works by Louis cha, ferrari, San Francisco and other world celebrities, institutions and cities collection.

His works of art in hanhai, Shanghai and other international auction success. At the 2018 bird's nest gala, he won the title of "China's most potential collector" issued by the Chinese collectors association. Melbourne global BBS presented him with the "global outstanding Chinese artist award". In 2019, the California government of the United States awarded him a certificate of international outstanding artist. First San Francisco global

BBC culture 0 awarded him the gold medal for outstanding contribution to global culture.

He also wrote more than one thousand original songs and produced many music albums, such as long live youth. In 2016, the world's first peace album light of peace was held in Seoul, South Korea, which won high praise and wide attention. Song of China's ex-servicemen, written in 2017, has been hugely popular; In 2018, he was invited to create the global BBS theme song "the future of mankind" in Melbourne, which was widely praised. In 2019, he was invited to create the theme song "beyond happiness" for the first global happiness conference. Invited for the first San Francisco global culture BBS theme song "the world is one".

He has also been invited to serve as the chief judge of CCTV original music song competition, international zen dance competition, national college students language art competition and other large cultural events in China. He is widely welcomed for his sharp, wise, humorous and humorous personal style.

He has held various art exhibitions and activities around the world, such as "painting the world", in the Louvre museum in France, the United States, South Korea, Australia and Russia.

His works have achieved success in hanhai and other international auctions, and won the title of "China's most collectable artist" issued by the Chinese collectors association at the 2018 bird's nest gala. Melbourne global BBS presented him with the "global outstanding Chinese artist award". The government of California has presented him with a tribute to outstanding artists, and San Francisco global culture BBS has awarded him a gold medal for his contribution to global culture.

He is an outstanding international physical and spiritual art mentor, giving speeches in prestigious universities such as Peking University and tsinghua university, as well as in the United States, Australia and other countries around the world. His works of art are all completed in the state of emptiness, with high life energy. Mr. Fan dian, President of the Chinese artists association, wrote a speech for his work entitled "the pen of life".

Wang qicheng is the founder of the internationally renowned body and soul art course "life art". He has made speeches on life art in prestigious universities such as Peking University and tsinghua university and in Beijing, Shanghai and other places in China, which has received warm responses. Melbourne global BBS, San Francisco global culture BBS and other large international events invited him to give a speech on the art of life. He is the core mentor and co-founder of the global mission home platform, whose mission is to inspire more lives to find their own mission! He initiated and established the world's first communication and exchange organization of life art -- heart light life art university, which is committed to spreading the life art concept of "be yourself and benefit the world" and "you are the art master of your life" all over the world!


二.艺术作品拍卖记录

 

1.翰海2014秋拍

2.上合春拍

3.上合秋拍

 

Auction records of artworks

1. Hanhai 2014 autumn photography

2. Shanghe spring pai

3. Shanghe autumn photography


三.艺术作品全球价格(人民币)


1.一平尺 (33×33cm )       3万

2.四尺三开  (68×45cm )    5万

3.四尺对开  (68×68cm )    8万

4.四尺整纸  (68×136cm )  15万

5.八平尺(122×244cm )     30万

6.丈二整纸(144×366cm)    50万


Iii. Global price of art works (RMB)

1. One square foot (33 33cm), 30,000 yuan

2. Four feet three open (68 45cm) 50,000

3. Four feet apart (68 68cm) 80,000

4. Four feet of paper (68 136cm) 150,000

5. Eight square feet (122 244cm) 300,000

6. Zhang er whole paper (144 366cm) 500,000


作品名称:《水观音》

作者:王麒诚

作品年代:2017

作品尺寸:小品  33×33cm  1平方尺

作品价格:3万


Work title: water goddess of mercy

Author: wang qicheng

Year: 2017

Artwork size: sketch 33 33cm 1 sq ft

Price: 30,000 yuan


作品名称:《观》

作者:王麒诚  作品年代:2017

作品尺寸:四尺三开  68×45cm  2.8平方尺

作品价格:5万


Work title: view

By wang qicheng by wang qicheng date: 2017

Artwork size: 4 '3 "68 45cm 2.8 ft

Price: 50,000 yuan


作品名称:《寿》

作者:王麒诚  作品年代:2017

作品尺寸:四尺对开斗方  68×68cm  4平方尺

作品价格:8万


Work title: longevity

By wang qicheng by wang qicheng date: 2017

Artwork size: 4 feet square, 68 68cm, 4 square feet

Price: 80,000 yuan


作品名称:《厚德》

作者:王麒诚     作品年代:2017

作品尺寸:四尺整纸  68×136cm  8平方尺

作品价格:15万


Title: houde

By wang qicheng by wang qicheng date: 2017

Artwork size: 4 feet paper, 68 136cm, 8 sq ft

Price: 150,000 yuan


作品名称:《道冲而用之或不盈》

作者:王麒诚  作品年代:2019

作品尺寸:八尺整纸  122×244cm  27平方尺

作品价格:30万


Title of the work: daochong with or without surplus

Author: wang qicheng date: 2019

Artwork size: 8 feet paper 122 244cm 27 sq ft

Price: 300,000 yuan


四.艺术展览

 

2011 大同世界 王麒诚个展     中国西安

2011 天下民生 王麒诚个展     中国西安

2012 福文化艺术个展    俄罗斯雅库茨克

2013 众妙之门道文化艺术个展  中国北京

2013 佛的世界佛文化艺术个展  山西五台山

2014 中国俞源现代水墨艺术大展  浙江俞源

2014 心经百米漫书艺术长卷创作展 河南济源

2014 和文化艺术个展            河南林州

2014 长春当代艺术双年展        吉林长春

2014 首届新京派艺术双年展      中国北京

2015 对画世界法国艺术活动      法国巴黎

2015 澳大利亚国际双年展        澳大利亚

2016 海南国际艺术双年展        海南三亚

2016 对画世界韩国艺术活动      韩国首尔

2016 齐长城国际艺术双年展      山东淄博

2016 ”悦”王麒诚艺术个展        中国北京

2017 天津国际艺术季            中国天津

2018 禅非禅艺术个展            中国北京

2018 东方神韵美国艺术个展      美国洛杉矶

2018 对画世界美国艺术活动      美国洛杉矶

2018 舞魂水墨艺术个展          辽宁盘锦

2018 春天王麒诚澳大利亚艺术个展 澳大利亚

2018 对画世界澳大利亚艺术活动   澳大利亚

2019 圣心王麒诚旧金山水墨个展  美国旧金山

2019 第二届中国视觉艺术双年展莲池展 河北保定


Art exhibitions

 

2011 datong world wang qicheng solo exhibition xi 'an, China

2011 China minsheng wang qicheng solo exhibition xi 'an, China

2012 fu culture and art solo exhibition in yakutsk, Russia

2013 zhongmiao mendao culture and art solo exhibition, Beijing, China

2013 world Buddha culture and art solo exhibition in mount wutai, shanxi

2014 China yu yuan modern ink art exhibition in zhejiang yu yuan

2014 heart classic 100 meters long scroll art creation exhibition in jiyuan, henan province

2014 culture and art solo exhibition in linzhou, henan

2014 changchun contemporary art biennial, changchun, jilin

The first new Beijing art biennale 2014 Beijing, China

2015 French painting on the world art activity in Paris, France

2015 Australia international biennale Australia

2016 hainan international art biennale, sanya, hainan

2016 south Korean painting world art activity in Seoul, South Korea

2016 qicheng Great Wall international art biennale, zibo, shandong

2016 "yue" wang qicheng art solo exhibition in Beijing, China

2017 tianjin international art festival tianjin, China

2018 zen and non-zen art solo exhibition, Beijing, China

2018 Oriental verve American art solo exhibition in Los Angeles, USA

2018 draw on the world art activity of the United States in Los Angeles, USA

2018 dance soul ink art solo exhibition liaoning panjin

Spring 2018 wang qicheng Australian art solo exhibition in Australia

The 2018 world painting festival is an Australian art event

2019 sacred heart wang qicheng ink solo exhibition in San Francisco, USA

Lianchi exhibition, the second China visual art biennale in 2019, baoding, hebei province



河北龙煜旅游开发有限公司总经理艾彦旭先生

Mr. Ai Yanxu, General Manager of Hebei Longyu Tourism Development Co., Ltd.



河北龙煜旅游开发有限公司总经理艾彦旭先生(右)

Mr. Ai Yanxu, General Manager of Hebei Longyu Tourism Development Co., Ltd.



河北龙煜旅游开发有限公司总经理艾彦旭先生(右)

Mr. Ai Yanxu, General Manager of Hebei Longyu Tourism Development Co., Ltd.



河北龙煜旅游开发有限公司总经理艾彦旭先生(右)

Mr. Ai Yanxu, General Manager of Hebei Longyu Tourism Development Co., Ltd.



东淀澜庭会馆

Lanting Hall, Dongdian



东淀澜庭会馆

Lanting Hall, Dongdian



东淀澜庭会馆

Lanting Hall, Dongdian



东淀澜庭会馆

Lanting Hall, Dongdian



东淀澜庭会馆

Lanting Hall, Dongdian



东淀澜庭会馆

Lanting Hall, Dongdian



东淀澜庭会馆

Lanting Hall, Dongdian



东淀澜庭会馆

Lanting Hall, Dongdian



东淀澜庭会馆

Lanting Hall, Dongdian



东淀澜庭会馆

Lanting Hall, Dongdian



东淀澜庭会馆

Lanting Hall, Dongdian



东淀澜庭会馆

Lanting Hall, Dongdian



东淀澜庭会馆

Lanting Hall, Dongdian



河北龙煜旅游开发有限公司开发的2500年历史的胜芳古镇

Shengfang Ancient Town with 2500 Years History Developed by Hebei Longyu Tourism Development Co., Ltd.



河北龙煜旅游开发有限公司开发的2500年历史的胜芳古镇

Shengfang Ancient Town with 2500 Years History Developed by Hebei Longyu Tourism Development Co., Ltd.



河北龙煜旅游开发有限公司开发的2500年历史的胜芳古镇

Shengfang Ancient Town with 2500 Years History Developed by Hebei Longyu Tourism Development Co., Ltd.



河北龙煜旅游开发有限公司开发的2500年历史的胜芳古镇

Shengfang Ancient Town with 2500 Years History Developed by Hebei Longyu Tourism Development Co., Ltd.



河北龙煜旅游开发有限公司开发的2500年历史的胜芳古镇

Shengfang Ancient Town with 2500 Years History Developed by Hebei Longyu Tourism Development Co., Ltd.



河北龙煜旅游开发有限公司开发的2500年历史的胜芳古镇

Shengfang Ancient Town with 2500 Years History Developed by Hebei Longyu Tourism Development Co., Ltd.



河北龙煜旅游开发有限公司开发的2500年历史的胜芳古镇

Shengfang Ancient Town with 2500 Years History Developed by Hebei Longyu Tourism Development Co., Ltd.



赛龙舟纪实图片

Photo of dragon boat racing



庙会纪实图片

Documentary pictures of temple fairs


东淀澜庭会馆简介


东淀澜庭会馆,位于美丽的燕赵大地北部---河北省霸州市胜水荷香之地,隶属于丽华国际集团有限公司餐饮板块,是胜芳首家五星级温泉生态养生型会馆。

会馆总投资约12亿元,占地1000亩,营业面积7000多平方米,在建筑风格和装修设计上充分体现了中国传统文化的内涵与精髓---具有传统四合院及中式园林特色,是一家集餐饮娱乐、温泉养生、保健足疗、胜芳河蟹养殖、果蔬采摘为一体的综合性多功能时尚休闲私人会馆。

会馆外观庄重、华贵,庭院中砖雕、木刻、石舫与锦鲤相互辉映,随处可见,大厅古朴自然,雍容华贵。交通便利,地处环渤海经济圈京、津腹地,北距北京120公里,1.5小时内可直达北京机场;东距天津仅35公里,1个小时内可直达天津港口。112国道毗邻胜芳,省级廊大公路南北向贯穿全镇,保津高速公路在胜芳设有出口,北部13公里有连接天津的津霸铁路货站。

会馆有七进大宅,简称“七进院”。七进院可分可合,每个进院可单独将餐饮、住宿、泡池为一体,亦可同时开通。会馆约有200个餐位,可同时容纳约200人用餐,席间设有茶文化展示、中国茶艺表演等。会馆设有各类幽雅舒适的超大面积特色中欧式客房6套,依山傍水而建,合山穹之势,助商海之澜,是顾客从事高端商务活动的最佳选择。传统的四合院布局及中式园林,古朴的中国红木家具,典雅的国画、书法、玉器等装饰,无处不体现魅力四射的“中国文化元素”,“民族的,世界的”将在此得到充分的演绎。

休闲别墅位于景色优美的湖中央,拥有特色湖景房7套,真实写照了现代烟雨江南景色,湖景房与碧水蓝天相衬托,创造了一个远离城市喧嚣、释放精神压力、恢复身体体能的安静场所。别墅区可容纳20人进餐,是您与合作伙伴探讨社会趋势、经济态势、切磋茶艺的社交天堂。同时还配备天然采摘、游泳、健身等休闲娱乐项目。

相信我们先进完善的设施、科学成熟的管理、热情细致的服务必将带给您愉快的休闲生活和难忘的商旅经历。


联系人:娄燕      电话:0316-5667166      手机:18632655997

公司地址:河北省霸州市胜芳镇芳清道

公司邮箱:hblihuajituan@126.com

公司网址:http://www.hblhjt.com(暂时不能看正在调整过程中)

胜芳镇(百度百科)http://baike.baidu.com/view/1242425.htm

廊坊胜芳古镇亮相上海世博会:

http://hebei.hebnews.cn/2010-07/22/content_329625.htm

温馨小提示:

北京到胜芳乘车路线:

路线1:北京木樨园长途车站直达胜芳      车程:2个半小时

发车时间(约):10:00、12:30、14:30、16:00  票价:28元

路线2:北京—霸州:火车或943(943北京南站发车时间:早7:20,快车全程1.5个小时)

霸州—胜芳:客运汽车。15分钟一趟,车程约1个小时10分钟

路线3:北京—廊坊:火车或客车或高铁(车次较多)

廊坊—胜芳:客运汽车。15分钟一趟,车程约1个小时20分钟

廊坊到胜芳乘车路线:

路线1:廊坊长途车站直达胜芳。  车程:1.5小时

发车时间(约):早6点半开始,15分钟一趟  票价:15元

路线2:廊坊私人车站直达胜芳。  车程:1.5小时

发车时间(约):早5点55开始,15分钟一趟  票价:15元

天津到胜芳乘车路线:

路线1:天津西站(大胡同)车站直达胜芳。  车程:1.5小时

发车时间(约):早7点半开始,15分钟一趟  票价:15元

路线2:自驾车(津保高速胜芳口)或天津—杨柳青—王庆坨—堂二里---胜芳


Introduction to dongdian LAN ting association hall


Dongdianlanting clubhouse, located in the beautiful northern part of yanzhao land -- the land of shengshui and hexiang in baigou city, hebei province, belongs to lihua international group co., LTD.

Hall with a total investment of about 1.2 billion yuan, covers an area of 1000 mu, the business area of more than 7000 square meters, decorated in the architectural style and design fully embodies the connotation and essence of Chinese traditional culture - a traditional courtyard houses and Chinese garden features, is a collection of entertainment, hot springs health promotion pedicures, shengfang river crab breeding, harvesting is a body comprehensive multi-functional fashion leisure private halls.

In the courtyard, brick carving, wood carving, stone boat and koi reflect each other, everywhere, the hall is simple and natural, elegant and elegant.。 With convenient transportation, it is located in the hinterland of Beijing and tianjin in the bohai economic circle. East of tianjin only 35 km, 1 hour can be direct access to tianjin port. National highway 112 is adjacent to shengfang, provincial langda highway runs through the town from south to north, baojin expressway has an exit in shengfang, 13 kilometers to the north there is tianjin tianjin railway freight station.


Hall has seven into the mansion, referred to as "seven into the courtyard." Seven into the hospital can be divided and closed, each into the hospital can be separate catering, accommodation, bubble pool as a whole, can also be open at the same time. The hall has about 200 seats and can accommodate about 200 people at the same time. The tea culture exhibition and Chinese tea art performance are arranged during the meal. The hall is equipped with 6 sets of characteristic Chinese and European guest rooms with various elegant and comfortable oversize area, which are built beside the mountain and the water. It is the best choice for customers to engage in high-end business activities. Traditional quadrangle courtyard layout and Chinese garden, ancient Chinese mahogany furniture, elegant Chinese painting, calligraphy, jade and other decorations, everywhere embodies the charm of the "Chinese cultural elements", "national, world" will be fully interpreted here.

The leisure villa is located in the middle of the beautiful lake, with 7 sets of characteristic lake-view houses, which are the true portrayal of the modern jiangnan scenery of misty rain. The lake-view house sets off the clear water and blue sky, creating a quiet place away from the hustle and bustle of the city, releasing the mental pressure and restoring the physical strength. The villa area can accommodate 20 people for dinner, which is a social paradise for you to discuss social trends, economic situation and tea art with your partners. Also equipped with natural picking, swimming, fitness and other recreational activities.

We believe that our advanced and perfect facilities, scientific and mature management, warm and meticulous service will bring you happy leisure life and unforgettable business travel experience.

Contact person: louyan tel: 0316-5667166 mobile phone: 18632655997

Company address: fangqing road, shengfang town, bazhou city, hebei province

Company email: hblihuajituan@126.com

Company website: http://www.hblhjt.com

Shengfang town (baidu encyclopedia) http://baike.baidu.com/view/1242425.htm

Langfang shengfang ancient town unveiled at Shanghai expo:

http://hebei.hebnews.cn/2010-07/22/content_329625.htm

Tips:

Beijing to shengfang bus route:

Route 1: a 2-1/2 hour drive to shengfang from muxiyuan long-distance railway station in Beijing

Departure time: 10:00, 12:30, 14:30, 16:00 ticket: 28 yuan

Route 2: Beijing - bazhou: train or 943 (943 Beijing south railway station departure time: 7:20 am, express journey 1.5 hours)

Bazhou - shengfang: passenger bus. It takes about 15 minutes to get there. It takes about 1 hour and 10 minutes to get there

Route 3: Beijing - langfang: train or passenger train or high-speed train (more trains)

Langfang - shengfang: passenger bus. It takes about 15 minutes to get there, and it takes about 1 hour and 20 minutes to get there

Langfang to shengfang bus route:

Route 1: langfang long-distance station goes straight to shengfang. Drive: 1.5 hours

Departure time (approx.) : 6:30 a.m., 15-minute ticket: 15 yuan

Route 2: from langfang private station to shengfang. Drive: 1.5 hours

Departure time (approx.) : starts at 5:55 a.m. A 15-minute trip costs 15 yuan

Tianjin to shengfang bus route:

Route 1: tianjin west railway station (grand hutong) is directly to shengfang. Drive: 1.5 hours

Departure time (approx.) : 7:30am, 15-minute ticket: 15 yuan

Route 2: drive (tianjin bao high-speed shengfangkou) or tianjin - Yang liuqing - wang qingtuo - tang erli - shengfang



中国艺星网董事长、“人类未来文明研究城发起人”孙世海先生

Mr. Sun Shihai, Chairman of China Arts Star Network and Founder of the Research City of Human Future Civilization

打造人类未来艺术文明大师图

Create human future art civilization master map



中国艺星网董事长、“人类未来文明研究城发起人”孙世海先生

Mr. Sun Shihai, Chairman of China Arts Star Network and Founder of the Research City of Human Future Civilization

研究人类未来文明图

Study the future map of human civilization


艺术明星的舞台——中国艺星网


不是艺术明星没资格上的艺术平台——中国艺星网


不是艺术明星不敢上的艺术平台——中国艺星网


不是艺术明星不给上的艺术平台——中国艺星网


中国艺星网欢迎市级、省级、国家级、国际级艺术明星上线把优秀作品展示给世界人民!!!!!!


www.中国艺星网.com或者www.zgyxwzh.com


Stage for art stars -- China art star network

It is not an art platform that art stars are not qualified to go on -- China art star network

It is not the art platform that art stars dare not go on -- China art star network

It is not an art platform that art stars don't give

China art star network welcomes municipal, provincial, national and international art stars to display their excellent works to the people of the world!!!!!


www.yixing.com or www.zgyxwzh.com



新京派艺术研究院院长、“十墨”之涂墨、大都会典藏艺术家、著名当代艺术家黄岩先生

Mr. Huang Yan, Dean of New Beijing School Art Research Institute, Painting of "Shimo", Metropolitan Collection Artist and Famous Contemporary Artist



新京派艺术研究院院长、“十墨”之涂墨、大都会典藏艺术家、著名当代艺术家黄岩作品欣赏

President of New Beijing School Art Academy, Painting of "Shimo", Metropolitan Collection Artist and Famous Contemporary Artist Huang Yan's Works Appreciation



新京派艺术研究院院长、“十墨”之涂墨、大都会典藏艺术家、著名当代艺术家黄岩作品欣赏

President of New Beijing School Art Academy, Painting of "Shimo", Metropolitan Collection Artist and Famous Contemporary Artist Huang Yan's Works Appreciation



新京派艺术研究院院长、“十墨”之涂墨、大都会典藏艺术家、著名当代艺术家黄岩作品欣赏

President of New Beijing School Art Academy, Painting of "Shimo", Metropolitan Collection Artist and Famous Contemporary Artist Huang Yan's Works Appreciation


  1966 年 4 月 14 日生于中国吉林省吉林市船营区大东门 1 分部院内。 父亲,黄万明,1931 年 9 月 22 日出生于吉林省敦化县,母亲,刘秀春,1938 年 7 月 16 日出生于吉林省长春市。

    1967 年,1 岁,由姥姥于桂贤照顾。

    1968 年,2 岁,开始读图、由姥姥讲一些小人书和满族的故事,妹妹黄兰出生。

    1969 年,3 岁,父母两地分居,父亲工作在长春防化学院,母亲在吉林市 209 医院,经常随母亲去省城长春看父亲,父亲经常带着黄岩在长春人民文化宫看样板戏。

    1970 年,4 岁,父亲从省城长春防化学院也调来 209 部队医院工作,弟弟黄山出生。

    1971 年,5 岁,举家从吉林市大东门迁往吉林市江南 222 部队大院家属宿舍,上吉林市 222 医院幼儿园,经常随弟弟妹妹去 222 部队大院边的机场养牛场打牛奶,并开始学习音乐、绘画。

    1972 年,6 岁,父亲爱好广泛精通小提琴、大提琴、手风琴、口琴、父亲还爱好无线电,经常自己组装半导体,这对黄岩影响极大。

    1973 年,7 岁,上 46 军部队八一小学,这是一个寄宿学校,每周末由母亲骑自行车接送,开始过一种集体生活,同一宿舍的同学经常有一些小的摩擦,这对少年的黄岩影响极大。

    1974 年,8 岁,转上吉林市 24 小学,班主任刘老师,开始在田间地头学习数学和语文,当时部队大院的同学玩伴有张文、李忠、范军等。 1975 年,9 岁,开始画画,受母亲影响,画和临摹一些小儿书中的图像,开始练习书法,“批林批孔”进入高潮,在小学的教室内涂写“批邓”的大字报。 1976 年,10 岁,画熊猫的作品参加吉林市昌邑区少年美术作品展,获一等奖,经常在夜晚等待部队电影院大门外蹭票看电影。

    1977年,11岁,开始学习绘画,经常去临江门姨姥家,那是一个满汉族杂居的地方,过年也去老姨在九站的家,跟同班的同学联系密切,开始有一些收藏的嗜好,如烟纸、古钱币,经常扒一些部队大院的垃圾, 这成为黄岩的嗜好。

    1978 年,12 岁,先就读于吉林市 29 中,父亲母亲从吉林解放军 222 医院转业到长春,父亲分到长春铁路医院、母亲分到吉林省新华印刷厂,黄岩开始就读于长春市 92 中学,同年拜省城长春山水画名师 王淮学习山水画,王淮家住南关棚户区,酒量大苦临名画,给黄岩留下深刻印象。

    1979 年,13 岁,在学习山水画的同时,住在铁路医院公共家属宿舍、性格开始孤僻,开始读一些文言文的传统书籍,如《金刚经》,在书籍中对世界有了一些基本的认识。

    1980 年,14 岁,开始在铁路医院的院子里画一些写生的绘画、那是一个伪满时期的日本医院的格局,院子里长满了樱花、桑树、丁香,一到春天院子里都是各种花,黄岩沉浸在这种花海中,与写生为伴、 绘画成为他排泄自己孤独的一种方式,开始认知八大、扬州八怪、齐白石等。

    1981 年,15 岁,上长春市艺术高中开始画石膏像、几何形体,正规接收现代美术教育。

    1982 年,16 岁,开始接触西方现当代艺术,遇到恩师王长百,与同班同学王景新、徐勇赞等人开始画一些现代主义的水彩、水粉作品,开始在长春老虎公园写生。

    1983 年,17 岁,在长春市宽城区吴淞路 9-5-206 室铁路医院新分的住宅中画一些超现实主义和表现主义结合的绘画。

    1984 年,18 岁,考上长春师范学院,开始泥版绘画,并做了一批有超现实主义色彩的,将禅宗理念与西方艺术结合的油画、同一年开始在大学里写诗,并组织了诗社流放地,姥姥于桂贤去世。

    1985 年,19 岁,创作长诗 -“人界”,这首诗是八十年代汉语诗歌的一个事件。同一年,跟同学汪涤洋、徐赢经常去校园边的庄稼地写生,开始创作一批泥版绘画,并创作受包豪斯、构成主义影响的风 格史研究的水粉画。

    1986 年,20 岁,诗歌走向越来越极端,创作了很多图形诗、语义诗、也作了一些墨拓的实验,跟王长百越来越密切,经常在他的家里讨论那时的文化问题、艺术问题、哲学问题,并在创作中和王长百完 成了泥版向版像的转型,并和同班同学张铁梅热恋。

    1987 年,21 岁,毕业分配到长春大学特殊教育学院,在同年在长春大学闲置的体育馆里,和王长百作了两个月的泥版、非泥版拓印实验,在视觉上为 1988 年的“版像艺术展”提供了各种成型的拓印符号。 恋人分配到吉林市工艺美术研究所,黄岩在一年的时间里经常往返于长春、吉林市两地。

    1988 年,22 岁,和张铁梅结婚,4 月在东北师范大学组织参加了“版像艺术展”,经常和王长百、路明、关大我、王力、朱方相聚,讨论艺术、哲学,长春的八五美术新潮运动进入高潮。

    1989 年,23 岁,3 月儿子黄墨出生,和儿子渡过了一年慢时光,经常陪儿子在长春儿童公园里玩耍,王长百去深圳,这一年和李静群、朱方、关大我、杜跃春、贾涤非等人组织了长春 80 年代最后的现代 艺术的展览,随后长春的现代艺术进入低潮。 

    1990 年,24 岁,黄岩和关大我、王长百做了中国最早的泥版画商业推广,那时深圳、广州、北京、上海已经出现了画廊,黄岩发明了一些泥版拓印植物和昆虫的新技法,并发明了套色泥版技法。

    1991 年,25 岁,5 月参加“北京西三环艺术研究文献资料展”中国北京西三环中国画研究院,开始关注流行文化、城市问题。

    1992 年,26 岁,10 月参加“九十年代中国首届艺术双年展”油画部分获提名奖,(中国广州会展中心 ),11 月“首届亚洲艺术博览会”(中国香港艺术中心),开始在长春市吴淞路 9-5 号 206 室制造“邮 件艺术”——毛泽东诞辰一百周年系列和邮件装置。

    1993 年,27 岁,开始在长春市宽城区吴淞路、上海路等街区实施拓印拆迁建筑物行为,第一次用城市考古学的方式,用传统拓碑的方式,以长春城市为半径实施的艺术行为。

    1994 年,28 岁,黄岩在长春市卫星路长春大学宿舍内第一次将山水画在自己的脸上,1 月参加“后 89 中国新艺术展”英国伦敦马勃洛画廊,12 月“黄岩等八人摄影版画联展 ”在中国香港汉雅轩画廊举办。

    1995年,29岁,在长春大学教室里完成了雕凿一把椅子的行为,同一年还完成了地景作品《包》,“邮件艺术”开始用不同的形式,信封也是不同的尺寸,并在自己的邮件艺术内容增加了文学创作、章回小说、 雾里看花,开始制造“黄岩新闻”。

    1996 年,30 岁,以长春市斯大林大街为中轴线实施了捡垃圾的行为,拓印拆迁建筑的城市有北京、西安、贵阳、重庆、上海、苏州、南京,3 月 14 日生日当天虚拟自杀,以电子图像仿照片的方式制造了 卧轨自杀现场,这成为那一年最轰动的艺术事件。

    1997 年,31 岁,5 月 “黄岩 1997 邮件艺术个展”(中国北京当代美术馆),实施行为艺术 -“死亡的 108 种方式”,用手电光开始拍摄观念摄影 -“蜜月房间”,用电子虚拟技术改造老照片 -“中国克 隆技术在 1949”,拍了一系列 VIDIO 作品。9 月举办“新影像观念摄影艺术展”,开始频繁来往于北京、长春两地,入选冯博一编写的《黑皮书》,认识艺术家庄辉、苍鑫、邱志杰、焦应奇、艾未未等。

    1998 年,32 岁,在长春市卫星路实施“新静物”行为,和“肉 .-22℃”, 参加 11 月“偏执艺术展”(中国北京私人空间),“传统,反思艺术展”(中国 北京德国使馆),12 月“影像志异—中国新观 念影像艺术展”(中国上海大学美术学院画廊),“中国汉字艺术展”(美国 纽约 Bard 学院美术馆),在长春组织策划了“0431-1998 录像电脑艺术展”,和南京艺术家金锋、周啸虎相聚在长春。

    1999年,33岁,参加1月 “开放的真实中国观念摄影”(泰国曼谷大学美术馆),加拿大精艺轩,3月 “媒体的干预”(中国香港艺术公社),9月 “红色中国”(英国维多利亚博物馆),9月 “异质的书写方式”(中 国 南京师范大学美术馆 ),12 月“传统视觉影像” ( 中国上海大学美术学院画廊 ),12 月“世纪之门 1979—1999 中国艺术邀请展”( 中国 成都现代艺术馆 )。 

    2000 年,34 岁,参加 3 月 “反思传统个展” ( 中国 香港汉雅轩画廊 ),2 月“艺术大餐”( 中国 北京私人空间 ),5 月“人与动物展” ( 中国长春 竞技神酒吧 ),7 月“中国魅力展”( 中国 上海 东廊 ), 7 月“现代四人摄影展”( 英国 伦敦 中国当代艺术画廊 ),8 月“人文山水展”( 中国 广西桂林 ),9 月“后物质展”( 中国 北京红门画廊 ),10 月独立策划“第三性网络艺术展” ( 中国 北京 北大在线 ), 10 月“不合作方式”( 中国 上海 东廊 )。

    2001 年,35 岁,参加 3 月 " 虚拟未来 " 艺术展 ( 中国 广州,广东美术馆 ),4 月 " 数码艺术展 " ( 中国北京 藏酷新媒体艺术中心 ),4 月 " 煲 " 中国当代艺术展 ( 挪威,奥斯陆艺术家中心 ),5 月 “火 红,火红”中国当代艺术展,( 中国北京红门画廊 ), 6 月 " 新媒体、新感觉 " 中国新媒体艺术活动周,( 中国北京 北京大学,藏酷,歌德学院 ),9 月 " 重新洗牌 " ( 中国 深圳雕塑院 ),10 月 ART FORUM 艺术博览会,( 德国柏林 ),10 月“失重”( 德国, 柏林 ),11 月 " 方案艺术展 "  ( 中国上海海上山艺术中心 ),12 月“知识就是力量”( 中国北京西单图书大厦 ),12 月“ 对话 ”( 意大利米兰 ),12 月“成都双年展”( 中国成都现代美术馆 )。

    2002 年,36 岁,参加 1 月 “第三状态”艺术展  ( 意大利米兰 ),2 月 “澳大利亚、阿德雷德国际艺术节”( 澳大利亚 阿德雷德 ) ,4 月 “造梦、肖像群像”  ( 中国、上海东廊 ),5 月 “放大、中 国新媒体艺术”( 中国北京大学 ),7 月 “与你有关影像装置展”( 中国、天津、文化实践空间),7 月 “首届北方独立影像展”(中国、北京藏酷新媒体空间),9 月 “长春国际独立影像展”(中国长 春、东北师范大学),9 月 “长春当代艺术年度邀请展”(中国 长春远东艺术馆),9 月 “首届中国艺术三年展”(中国、广州艺术博物馆),9 月 “墨尔本艺术博览会”(澳大利亚墨尔本),9 月 “巴 黎,北京” (法国巴黎),10 月“广州艺术三年展”(中国、广州美术馆),10 月“以色列影像双年展”(以色列 特拉维夫),10 月“山水精神”黄岩个展 (中国厦门欧洲艺术中心),开始和策展 人赵树林合作,在一些中国城市的公共空间、大学里做影像艺术节。

    2003 年,37 岁,参加 1 月 “影像中国黄岩个展”(美国 纽约),1 月“中以影像艺术展”(中国 北京以色列大使馆),2 月“赶集”(中国 北京香格里拉艺术公社),3 月“瞳距测量,深圳录像艺术节” (中国 深圳),4 月“波兰国际录像艺术节” (波兰 华沙),5 月“意大利国际录像艺术节”(意大利 罗马),5 月“延伸与突破”陶艺展 (中国 广东美术馆),6 月“布拉格双年展”(捷克 布拉格), 7 月“幻影天堂”展  (捷克 布拉格), 9 月“中国第四届国际行为艺术节”(中国 长春),9 月“穿越中国国际影像艺术节”(中国 北京,长春,哈尔滨等地),9 月“中国,以色列录像艺术展” (中国 以色列大使馆 ),10 月“巴西圣保 罗影像双年展” ( 巴西  圣保罗 ),12 月黄岩《山水故事》个展 ( 中国 北京红门画廊 )。  

    2004 年,38 岁,参加 1 月“中国艺术现在代”MARELLA 画廊 ( 米兰  意大利 ),2 月 Bologna 艺术博览会   ( 意大利博洛尼亚 ),4 月“身体中国”法国马赛现代艺术博物馆,5 月“过去与未来之间—来 自中国的新摄影及影片”国际摄影中心及亚洲协会美国纽约 ,5 月“亚洲工厂”   ( 意大利博洛尼亚现代美术馆 ),5 月“过去与未来之间—来自中国的新摄影及影片”国际摄影中心及亚洲协会美国纽约。

    2005 年,39 岁,参加 3 月“喻体与镜像”  北京新锐艺术计划 798 北京,5 月英国当代黄岩个展  英国伦敦,5 月“M.Sigg 收藏展” 伯尔尼美术博物馆   瑞士,5 月“上班下班”   北京上下班书院     798 北京,5 月“临界—0 工厂”    ( 李向群工作室  798 北京 ),7 月 “悟” 黄岩个展   ( 北京红门画廊 ),8 月“构筑寓言”展   ( 李向群工作室   798  北京 0,9 月“瓷”展  (玛斯德比当代艺 术中心 798  北京),12 月‘界 两端’ 当代实验艺术设计展, (何香凝美术馆, 深圳),12 月“后书法”展  (玛斯德比当代艺术中心 798 北京),在河南林州创立林州水墨艺术博物馆、林州国际 碑林艺术博物馆。

    2006 年,40 岁,参加 2 月 “禅画”黄岩个展  (北京 798 玛斯德比当代艺术中心),3 月“后电子影像”展  (玛斯德比当代艺术中心 798  北京 ),4 月“摄影世家 – 我、父亲、儿子三代人摄影联展” ( 玛斯德比当代艺术中心 北京 ),5 月“无边界的停顿”雕塑展 ( 玛斯德比当代艺术中心 798  北京 0,5 月‘兵临城下 – China/ 拆那’建筑艺术展,(706 空间东区,中国北京),5 月“中国的边缘” 来自上海,北京的新录像艺术,文选电影档案室,纽约,“废墟展”伊洛瓦艺术中心,芝加哥,7 月  黄岩个展  北京 798 程昕东国际艺术工作室,8 月 渡 当代水墨方式 天津美术学院美术馆,8 月 东北当代艺术展,(广东美术馆),9 月 上海"风水"艺术活动 ( 上海证大美术馆九间堂别墅区,东北当代艺术展 广东美术馆 ),10 月 黄岩个展  ( 荷兰 VIPS 国际艺术画廊 )

    2007 年,41 岁,参加 2 月“黄岩个展" ( 加勒比 Hotel Eden Rock, Saint Barth Island),2 月 “我们主导未来,第二届莫斯科双年展”,(俄罗斯,3 月 西班牙马德里 ARTIUM 当代摄影展),5 月“黄 岩个展” (皇城艺术馆  中国 北京),6 月“中国新陶瓷艺术展” (芬兰赫尔辛基国家美术馆),“威尼斯双年展 P.P.P 行为 – 纸 – 计划”( 威尼斯),7 月 “漫游 1- 黄岩个展”  (上海朱屺 瞻艺术馆  中国 上海),7 月”中国当代艺术的准则 视觉和表现法“ (罗马 意大利),9 月“漫游 2- 黄岩个展”( Open 实现艺术中心),9 月“漫游 3- 黄岩个展”  (玛斯德比当代艺术中心),9 月 “北京制造 1—韩国宏益大学现代美术馆学术展览”  (韩国宏益大学现代美术馆),9 月 “北京 BS1 当代美术馆 2007 年度艺术提名展”    (上海朱屺瞻艺术馆  北京皇城艺术馆),10 月 “北京 制造 2”   (上海多伦现代美术馆),11 月“底层人文”当代艺术家二十一方案展(宋庄 北京),12 月“天行健 - 中国当代艺术前沿展”  (亚洲艺术中心 北京) 

    2008年,42岁,参加3月“人体艺术” (美国山麓艺术中心  美国),3月 “哥德式入侵和不能命名”  (命题画廊),3月“互涉视界-中国当代艺术前沿展”   (上海多伦现代美术馆 上海 中国),3月  “临 界质量”  (黄岩当代艺术中心  中国 北京),4 月 “自由中国”  (瑞士基金会 卢加诺 瑞士),5 月“中国……前进!” (莫斯科 TSUM 百货大楼  莫斯科),6 月  “漫游 4- 黄岩个展”  (上海 朱屺瞻艺术馆  中国 上海),6 月 “十二生肖 - 黄岩油画个展”  (三尚艺术 . 北京空间),6 月 “2008 艺术巴黎”  (巴黎大宫  法国 巴黎),7 月 “逻辑的有限性 - 中国当代艺术” (798 根尚 艺术 中国 北京),7 月 “版 -20 世纪 80 年代长春新艺术运动”  (上海朱屺瞻艺术馆  中国 上海),7 月 “漫游 5- 黄岩个展”  (玛斯德比当代艺术中心  中国 北京),8 月  “我的 logo 当代艺 术展”  (亚洲当代艺术博物馆  中国 北京),8 月  “衍生的表象”   (伏墨空间  中国 北京),9 月  “北京 BS1 当代美术馆 2008 年度艺术提名展” ( 亚洲当代艺术博物馆  中国 北京),9 月  “两个端点 – 2008 华人当代艺术”  (甫力薩克宮  托美宙市  意大利),9 月  “啊 ! 我们—中国三十年当代艺术展”  (国家大剧院   中国 北京),9 月  “大俗大雅”   (地下 798   中国北 京),9 月  “上海艺术博览会”  (上海世贸商城  中国 上海),9 月  “虚城记”  (原弓美术馆  中国 上海),9 月  “移花接木”  (何香凝美术馆, 深圳),9 月  “转世肉身 / 越界之身”  (德 国柏林 Tope 艺术中心  德国 柏林),9 月  “釜山双年展”   (韩国),10 月 “第四届中国 • 宋庄文化艺术节 宋庄进行时”  ( 中国 北京 ),10 月 " 艺术慈善中国 -2008 中国当代艺术国际巡回展 " ( 中央美术学院美术馆  日本伊斯特艺术馆  香港展览中心)。 12 月 “符号学水墨 2008 年第一回”  (玛斯德比当代艺术中心中国北京),12 月  “指鹿为马 - 黄岩个展”  (亚洲当代艺术博物馆  中国 北京)。

    2009 年,43 岁,参加 1 月 " 黄岩个展 "  ( 米歇尔 Mosko 艺术画廊  美国 丹佛 ),1 月  " 身体艺术 "  (基石艺术中心  美国  科罗拉多斯普林斯),1 月  “重庆黄桷坪艺术节”  (重庆 501 当代艺 术馆  中国 重庆),9 月  “第一届燕格柏国际艺术节”  (燕格柏现代艺术博物馆  中国 承德),12 月  “后文人”  (玛斯德比当代艺术中心”中国 北京) ,12 月  “中国水墨双年展” (上海 多伦美术馆 中国 北京 、上海、林州、等 8 地巡展),开始转向中国当代水墨史的研究,并重新认识 20 世纪西方艺术史,有了构建中国新水墨艺术的理念,提出来“后文人艺术”。

    2010 年,44 岁,参加 3 月 “中国演艺” (美国 纽约),3 月 “后文人 2”( 美国 纽约 ETHAN COHEN 艺术中心),5 月 “瑞典行为艺术节” (瑞典 斯德哥尔摩国家美术馆),5 月 “巴黎博物馆之 夜” (法国巴黎 丹麦 艺术中心),6 月 “德国 2010 北方国际艺术节” (德国彼得尔斯多夫),7 月 “第二届燕格柏国际艺术节”  (燕格柏现代艺术博物馆  中国 承德),8 月 “798 多媒体艺术节” (中国 北京 798 创意广场),8 月 “草场地双年展” (中国 北京 草场地美术馆),9 月 “第 11 届 open 国际行为艺术节” (798 创意广场),10 月“2005-2010 黄岩回顾展”  (香港艺术中心), 12 月策划“来自中国的新水墨艺术” (美国迈阿密)。

    2011 年。45 岁,参加 5 月“书法 NO.1 群展”(上海多伦现代美术馆),5 月“水墨 NO.1 群展”(上海水墨艺术博物馆),5 月“中国荣宝斋拍卖展”(中国北京)。7 月“21 世纪中国新水墨艺术的十个 个案”(上海多伦现代美术馆),在上海成立水墨艺术博物馆,出版 800 艺术杂志,开始推动中国当代水墨艺术,做了一系列的中国文人艺术和西方硬边艺术结合的新水墨活动。

    2012 年,46 岁,参加 2 月“中国第一届国际水墨双年展”(大芬美术馆深圳),5 月 “江山如画 - 黄岩个展”( 北京德易家艺术生活空间),9 月“第一届林州国际和平友好艺术节”(河南林州),9 月“中 国钢雕国际艺术节”(北戴河),10 月“青梅竹马艺术展”(上海狮语画廊),12 月“新诺亚方舟展”(北京德易家艺术生活空间),提出了“量艺术”、“微艺术”等新艺术观念,并做了大量新艺术的实验。

    2013 年,47 岁,参加 4 月“第二届林州水墨双年展”(河南林州),4 月“新京派上海首展”(上海漾艺术空间),4 月“新京派上海展”(上海水墨艺术博物馆),4 月“水墨伊甸园”(上海礼园), 6 月“2013“启”新京派当代水墨北京首展”(北京怡达艺术收藏馆),6 月“首届中国长城国际当代艺术双年展”,9 月“草场艺术运动”(北京草场美术馆),9 月“第二届林州国际和平友好艺术节” (河南林州),10 月“十墨第一回之白庙”(北京宋庄白庙),10 月“十墨第二回之潮白河”(北京宋庄),11 月“第一届中国装置双年展”(北京当代美术馆),11 月“中国俞源现代水墨艺术节”(浙 江俞源),12 月“水墨:当代中国的过去即现在”(美国纽约大都会博物馆),12 月“第一届新京派艺术双年展”(北京新京派美术馆),这一年新京派正式命名,在一年的时间里在北京、上海、山东、 河南、浙江等地策划实施了一系列的不同于西方工业艺术的水墨艺术展览和艺术活动。

 
    On April 14, 1966, was born in China's jilin province jilin city ship big east gate 1 division hospital in the camps. Father, Huang Wanming, was born on 22 September 1931, jilin dunhua county, mother, xiu-chun liu, born on July 16, 1938 in changchun city of jilin province.


    1, 1967 years old, by my grandma in GuiXian care.


    In 1968, 2 years old, began to read the figure, the grandmother tell the story of some picture books and manchu, sister champak was born.


    In 1969, three years old, parents' separation and father work in changchun institute of chemical defense, mother in jilin city 209 hospital, often with his mother to go to provincial capital changchun to see father, father often watch model operas with huangyan in changchun people's cultural palace.


    In 1970, four years old, his father from the provincial capital changchun institute of chemical defense also transferring 209 army hospital work, brother huang shan was born.


    In 1971, five years old, the family from jilin city east moved to jilin city jiangnan unit 222 family members of the dormitory courtyard, jilin 222 hospital on kindergarten, often with the brother and sister go to airport, on the edge of unit 222 compound cattle milk, and began to study music and painting.


    In 1972, 6 years old, my father hobby is widespread is proficient in the violin, cello, accordion, harmonica, father love radio, often semiconductor assembly, the strong impact of huangyan.


    In 1973, seven years old, 46 army troops on bayi elementary school, it is a boarding school, every weekend from mother ride a bicycle transport, began to live a collective life, the same dormitory students often have a few small friction, the great influence on the young huangyan.


    Jilin city on 1974, 8 years old, turn to 24 primary school, the teacher in charge teacher liu, began to study math and language in the fields, when troops compound classmates play with Mr Zhang, sasihorfswe, Fan Jun etc. In 1975, nine years old, started painting, affected by the mother, copying the image in some children's books, paintings and began to practice calligraphy, "paying" in full swing, scrawled on elementary school classroom "deng" of posters. In 1976, 10, painting panda in jilin city changyi district youth art exhibition, won the first prize, often at night waiting for forces the cinema gate tickets for the movie.


    In 1977, 11 years old, began to study painting, often go to aunt linjiang door basking home, it is a place full of han mixed, New Year's day also to old aunts home at nine station, is closely related with her classmates, began to have some collection of hobbies, e.g. paper, ancient COINS, often pick some troops compound of garbage, which become a hobby of huangyan.


    In 1978, 12 years old, 29 in the first study in jilin city, the father mother turned to changchun from jilin people's liberation army 222 hospital, father assigned to the changchun railway hospital, the mother assigned to the jilin province xinhua printing plant, huangyan began to study in changchun city, 92 middle school in the same year thanks to the provincial capital changchun landscape painting masters Wang Huai study landscape painting, Wang Huai live can shantytowns, heavy drinker paintings in the bitter, impress huangyan.


    In 1979, at the age of 13, at the same time of learning landscape painting, in public railway hospital family dormitory, personality began to withdrawn, started to read some classical Chinese traditional books, such as the "diamond sutra", in the books have some basic understanding of the world.


    In 1980, 14 years old and began to draw some sketches in railway hospital yard of painting, it is a Japanese puppet period the pattern of the hospital, the yard filled with cherry blossom, mulberry, clove, one is all kinds of flowers in spring yard, huangyan immersed in this kind of flowers, and painting company, painting as a way to discharge his lonely, begin to cognitive eight, yangzhou eight eccentrics, qi baishi, and so on.


    In 1981, at the age of 15, changchun art high school began to draw on the plaster model, the geometric form, receives the modern fine arts education.


    In 1982, 16 years old, began to contact with western modern and contemporary art, u have met teacher wang, and classmates jing-xin wang xu and people began to draw some modernist works of watercolor, gouache, began to sketch in changchun tiger park.


    In 1983, 17 years old, in room 9-5-206 wide wusong city of changchun city railway hospital house painting of some new points and expressionist painting surrealism.


    1984, 18, admitted to changchun normal college, and began to paint mud version, and made a batch of surreal, combines zen philosophy and western art of oil painting, the same year began writing poetry at the university, and organize the exile group, grandma died GuiXian.


    In 1985, 19 years old, long poems - "form", this poem is an event of the Chinese poetry in the eighty s. That same year, her classmates Wang Diyang and xu win often go to the edge of the campus sketch, the ground began to paint to create a batch of clay tablets, Bauhaus, constructivism and creation by the influence of the wind case study of the history of gouache.


    1986, 20 years old, poetry to more and more extreme, created a lot of graphics poetry, semantic, also made some ink in the experiment, with king long more and more closely, frequently at his house to talk about at that time the culture, art, philosophy, and in the creation and the king long finish A mud version to version as transformation and madly in love and classmates tie-mei zhang.


    1987, 21 years old, graduated from assigned to special education college of changchun university, idle in the same year in changchun university gymnasium, and king long the two months of mud, the mud version rubbings experiment, on the vision for the 1988 "version like art" provides a variety of molding the rubbings of symbols. Lovers are assigned to jilin institute of arts and crafts, huangyan often in the course of a year from changchun, jilin.


    In 1988, 22 years old, married tie-mei zhang, April in northeast normal university organizations participated in the "version like art exhibition", often and king long hundred, LuMing, clearance, wang li, Zhu Fang harmoniously together, discuss art, philosophy, changchun weaving art fashion movement in full swing.


    In March 1989, 23 years old, son born yellow ink, and son spent a year spent in slow, often with son in changchun children's park to play, king long to shenzhen, this year and Li Jingqun, Zhu Fang, I close, Du Yuechun, Jia Difei people organized changchun last exhibition of modern art in the 80 s, then changchun modern art into the low tide.


    In 1990, 24 years old, huangyan and shut me, king long hundred of China's earliest mud prints business promotion, then shenzhen, guangzhou, Beijing, Shanghai has a gallery, huangyan invented some mud version of rubbings of plants and insects new techniques, and tinted mud techniques.


    In May 1991, 25, to participate in the study of "Beijing west ring art literature exhibition" China west ring of Beijing Chinese painting research institute, began to focus on popular culture, urban problems.


    In October 1992, 26, to participate in "China's first art biennale" in the ninety s oil painting some mention, (guangzhou, China, convention and exhibition center), "the first Asian art expo" in November (China), Hong Kong arts centre, in changchun wusong road, room 206, 9-5 manufacturing "mail bag art" - the one hundredth anniversary of the series of MAO zedong and email device.


    In 1993, 27 years old, began in changchun city wide wusong road, Shanghai road building blocks implementing rubbing demolition, such as behavior, for the first time with urban archaeology with traditional billiton tablet in changchun city for the radius of art behavior.


    In 1994, 28, huangyan in changchun satellite LuChangChun university dormitory for the first time the landscape painting in his face, in January after the "89 China's new art exhibition" Ma Boluo gallery, London December "huangyan etc. Eight people photography art exhibition" held in Hong Kong, China, han ya xuan gallery.


    1995, 29 years old, in changchun university of finished carving a chair in the classroom, in the same year also completed the landscape works "package", "art" email with different forms, the size of the envelope is different, and in your own email art content increased the literary creation, zhanghui novel, hazy, began to make "huangyan news".


    In 1996, 30 years old to changchun for Stalin street central axis to implement the behaviour of picking up trash, rubbing the demolition and relocation of buildings city Beijing, xi 'an, guiyang, chongqing, Shanghai, suzhou, nanjing, on March 14th birthday virtual suicide, in the form of electronic image copy pictures made throwing themselves in front of the scene, the most sensational in that year of art events.


    In May 1997, 31, "huangyan 1997 mail art solo exhibition" contemporary art museum, Beijing, China), the implementation of performance art - "108 ways of death", using a torch light began filming conceptual photography - "the honeymoon room", to transform old photos with electronic virtual technology - "China g technology" in 1949, took a series of VIDIO works. "New image conceptual photography art exhibition" held in September, began to frequent to and from Beijing, changchun, included in the "black book" prepared by feng boyi, zhuang hui know artists, pale xin, qiu zhijie, coke should be odd, ai weiwei, etc.


    In 1998, 32, in the implementation of the satellite of changchun city "still life", and "meat. - 22 ℃", in the November "paranoid art exhibition" (China) Beijing private space, "tradition, reflect on art exhibition" (China) the German embassy in Beijing, December "image log vision - China's new concept of reading image art exhibition" (China Shanghai university academy of fine arts gallery), "Chinese characters art" (Bard college art museum in New York, USA), organizational planning in changchun "0431-1998 computer video art exhibition", and nanjing artist XiaoHu products, weeks together in changchun.


    In January 1999, 33, to participate in the "open real conceptual photography in China" (national art museum of university in Bangkok, Thailand, Canada, fine arts, march "media intervention" (China) Hong Kong art commune, "red China" September (British museum Victoria), September in the writing of "heterogeneous" (in nanjing normal university art museum), December "traditional visual image" (university of Shanghai, China academy of fine arts gallery), December the door of the 1979-1999 "century Chinese art invitational exhibition" (China chengdu modern art gallery).


    In March 2000, 34, to participate in "rethinking the traditional solo exhibition" (China Hong Kong han xuan gallery), feb. "art feast" private space (Beijing, China), "people and animals exhibit" may god (changchun, China sports bar), July "charm" exhibition in China (Shanghai, China, east gallery), July "modern four exhibition" China contemporary art gallery (London), August "humanities landscape exhibition" (China's guangxi guilin), "material" exhibition after September red gate gallery (Beijing, China), October independent planning the "third sex network art exhibition" online) of Peking University (Beijing, China, October "no way" east gallery, Shanghai, China).


    In March 2001, 35, to participate in the "virtual future" ART exhibition (China guangzhou, guangdong museum of ART), April "digital ART" keep cool new media ART center (Beijing, China), "pot" of Chinese contemporary ART exhibition in April (Norway, Oslo artists center), may "fire red, red" in Chinese contemporary ART exhibition, red gate gallery (Beijing, China), June "new media, new feeling" Chinese new media ART cycle, (Peking University, Beijing, China, keep cool, Goethe institute), September "reshuffle" (China) of the shenzhen sculpture, ART FORUM ART fair in October, Berlin (Germany), the "weightless" (Berlin, Germany) in October, November "scheme ART exhibition" sea mountain ART center (Shanghai, China), December "knowledge is power" (Beijing xidan book building), "dialogue" in December (milan, Italy), December "chengdu biennale" (chengdu, China modern ART museum).


    In January 2002, 36, to participate in the "third state" art exhibition (milan, Italy), "Adelaide, Australia, the international art festival" in February (Adelaide), "dreaming, portraits of portrait" April (China, Shanghai east gallery), may "amplification, new media art in China" (Beijing university of China), July "image device associated with your exhibition" (China), tianjin, cultural practice space, "the first independent north images show" July keep cool new media space) (China, Beijing, September "changchun international independent images show" (long spring, northeast normal university of China), September "changchun annual invitational exhibition of contemporary art" (far east gallery in changchun, China), September "three years of the first China art exhibition" (China), guangzhou art museum, in September "art fair in Melbourne Melbourne (Australia)," September "Paris, Beijing" (Paris), October "guangzhou art triennale" (China), guangzhou art gallery, October image biennale "Israel" (tel aviv), October "landscape spirit" huangyan solo exhibition (China) European art center in xiamen, the start and curator People zhaoshul cooperation in some of China's urban public space, university image art festival.


    In January 2003, 37, to participate in the "image of China huangyan solo exhibition" (New York, USA), January to image art "in" the Israeli embassy (Beijing, China), "fair" in February (China) Beijing shangri-la art commune, march "pd measurement, video art festival" in shenzhen (China) in shenzhen, "polish international video art festival" in April (Warsaw), "the Italian international video art festival" in May (Rome, Italy), may the extension and breakthrough "TaoYiZhan (China guangdong museum of art), June" Prague biennale "(Prague in the Czech republic), July paradise" phantom "exhibition (Prague in the Czech republic)," the fourth China international performance art festival "in September (changchun, China), September" through China international video art festival "(in Beijing, changchun, Harbin and other places)," China, Israel, video art exhibition "in September (Israel embassy in China), October" Brazil SAN bao image biennale "(Sao Paulo), December huangyan scenic story solo exhibition red gate gallery (Beijing, China).


    In January 2003, 37, to participate in the "image of China huangyan solo exhibition" (New York, USA), January to image art "in" the Israeli embassy (Beijing, China), "fair" in February (China) Beijing shangri-la art commune, march "pd measurement, video art festival" in shenzhen (China) in shenzhen, "polish international video art festival" in April (Warsaw), "the Italian international video art festival" in May (Rome, Italy), may the extension and breakthrough "TaoYiZhan (China guangdong museum of art), June" Prague biennale "(Prague in the Czech republic), July paradise" phantom "exhibition (Prague in the Czech republic)," the fourth China international performance art festival "in September (changchun, China), September" through China international video art festival "(in Beijing, changchun, Harbin and other places)," China, Israel, video art exhibition "in September (Israel embassy in China), October" Brazil SAN bao image biennale "(Sao Paulo), December huangyan scenic story solo exhibition red gate gallery (Beijing, China).

 

    In January 2004, 38, to participate in the "Chinese art now generation" MARELLA gallery (milan, Italy), Bologna art fair in February (Bologna, Italy), April to "China" in marseille museum of modern art, may "between the past and the future - to new photography and video from China" international center of photography and the Asia society, New York, USA, may "Asian factory") (Bologna's museum of modern art and may "between past and future: new photography and video from China" international center of photography and the Asia society, New York, USA.


    In March 2005, 39 years old, to participate in "metaphors and mirror" Beijing new art Beijing 798 plan, the British contemporary huangyan solo exhibition in May London, may art museum collection show, "" Margaret spellings igg Bern in Switzerland," work "Beijing commuter college May 798 in Beijing," critical - 0 factory "in May 798 Beijing studio (lee), July" enlightenment "huangyan solo exhibition red gate gallery (Beijing)," construct fable "exhibition in August (0, 9 month" porcelain "lee studio 798 Beijing exhibition (hamas' Derby contemporary art center, Beijing 798), December 'on both ends of the world of contemporary experimental art design exhibition, (he xiangning art museum, shenzhen), December after" calligraphy "exhibition center for contemporary art (hamas' Derby 798 Beijing), founded in henan linzhou ink art museum in Lin, Lin international forest of steles museum of art.


    In February 2006, 40 years old, to participate in the "zen painting" huangyan solo exhibition 798 hamas' Derby center for contemporary art (Beijing), march after "electronic image" exhibition center for contemporary art (hamas' Derby 798 Beijing), April "photography family - I am, father, son, three generations of photography exhibition" (hamas' Derby center for contemporary art Beijing), may "borderless pause" sculpture exhibition (hamas' Derby center for contemporary art Beijing 798 0, 5 months 'enemy at the gate - China/open the architectural art, (706 east space, Beijing, China), on the edge of the "Chinese" may come from Shanghai, Beijing's new video art, an anthology film archive, New York, - "ruins" exhibition art center, Chicago, July Huangyan solo In August 798 Cheng Xin east international art studio in Beijing, crossing the contemporary ink painting Tianjin academy of fine arts gallery, in August Northeast China contemporary art, art gallery, guangdong), September "feng shui" art activities in Shanghai (Shanghai zendai museum hall between nine villa, the northeast contemporary art Guangdong museum of art), oct Huangyan solo exhibition (VIPS in the Netherlands international art gallery)


    In February 2007, 41 years old, to participate in "huangyan solo exhibition" (the Caribbean Hotel Eden Rock, Saint Barth Island), February, "we are dominant in the future, the second Moscow biennale", (Russia, march Madrid ARTIUM contemporary exhibition), may "yellow rock solo exhibition" (house of emperor city art In June in Beijing, China), "new ceramic art in China" (Helsinki, Finland, national gallery), "Venice biennale P.P.P behavior - paper - plan" (Venice), July 1 - huangyan solo exhibition "roaming" (Shanghai zhu Qi deep art museum Shanghai, China), July "Chinese contemporary art on the basis of the visual and performance method" (Rome, Italy),


    On September 2 - huangyan solo exhibition "roaming" (Open to achieve art center), September 3 - huangyan solo exhibition "roaming" Derby center for contemporary art (hamas), September 1 - "made in Beijing academic guo-hong han yi university's museum of modern art exhibition" (guo-hong han yi) university's museum of modern art, in September "BS1 contemporary art museum in Beijing 2007 art exhibition of nomination" (zhu qizhan art museum in Shanghai Beijing imperial city art museum), October "Beijing manufacturing 2" (Shanghai duolun modern art museum), November 21 plan exhibition "the humanity" contemporary artist songzhuang (Beijing), December "day line - the forefront of Chinese contemporary art exhibition" (Asia art center Beijing)


    In March 2008, 42, to participate in "human art" (piedmont art center in the United States "Gothic invasion in March) in the United States, and can't named" proposition (gallery), march "mutual involvement horizon - Chinese contemporary art exhibition of frontier" (Shanghai duolun of modern art Shanghai, China), march "in the world quality" (huangyan center for contemporary art In April in Beijing, China), "free China" (foundation in lugano, Switzerland, Switzerland), may "China...!" (Moscow TSUM department store building Moscow), June 4 - huangyan solo exhibition "roaming" (zhu qizhan art museum in Shanghai Shanghai, China), June "zodiac - huangyan oil painting exhibition" (three is art. Beijing space), June "2008 art Paris" (Paris palace in Paris, France), July "logic limited - Chinese contemporary art" (798 root is art in Beijing, China), July "version - changchun new art movement in the 1980 s" (zhu qizhan art museum in Shanghai Shanghai, China), July 5 - huangyan solo exhibition "roaming" (hamas' Derby center for contemporary art Beijing, China), August logo contemporary art exhibition of "I" (the museum of contemporary art in Asia In August in Beijing, China), the appearance of "derivative" (v ink space In September in Beijing, China), named "BS1 contemporary art museum in Beijing 2008 art exhibition" (the museum of contemporary art in Asia Beijing, China),


    September "two endpoints - 2008 Chinese contemporary art" (FuLi Isaac palace torme zhou city to Italy), September "! We - thirty years of contemporary Chinese art "(the national grand theater in Beijing, China)," DaSuDaYa "in September 798 Beijing China (underground)," Shanghai art fair in September in Shanghai, China (Shanghai mart), September "empty city" (the original arch gallery Shanghai, China), September "substitute stealthily" (he xiangning art museum, shenzhen), September "body" of the reincarnation of the body/cross-border (Germany Berlin Tope art center Berlin, Germany), September "busan biennale" (South Korea), "October 4th China songzhuang, culture and art festival Songzhuang "(Beijing, China), October" art charity - 2008 China international exhibition of contemporary art in China "(central academy of fine arts gallery Japan's east art museum Hong Kong exhibition center). December "semiotics ink in 2008, the first time" (hamas' Derby contemporary art center in Beijing, China), December "misrepresentation - huangyan solo exhibition" (the museum of contemporary art in Asia Beijing, China).


    In 2009, 43, participate in January "huangyan solo exhibition" (michelle Mosko art galleries Denver), jan "body art" (foundation art center In January), Colorado springs "chongqing Jue huang ping arts festival" (in chongqing 501 contemporary art museum in chongqing, China), "the first YanGeBai international arts festival" (September YanGeBai museum of modern art China chengde), 12 months after the "literati" (hamas' Derby contemporary art center "in Beijing, China)," the Chinese ink painting biennale "December (Shanghai duolun museum of Beijing, Shanghai, China, etc. 8 to tour in Lin), turning to the research on the history of contemporary Chinese ink painting, and rediscover the western art history in the 20th century, with the construction of a new Chinese ink painting idea, put forward" after the literati art ".


    In March 2010, 44 years old, to participate in the "Chinese art" (New York, USA), "2" literati after march (New York, USA ETHAN COHEN art center), may "Sweden behavior arts festival" (Stockholm, Sweden, national gallery), may "night at the museum in Paris" (Paris, France, Denmark art center), June "northern Germany 2010 international arts festival" (Peter, much of Germany), "the second YanGeBai international arts festival" (in July YanGeBai museum of modern art August '798 China chengde), multimedia arts festival "(China Beijing 798 creative square), August" caochangdi biennale "caochangdi art gallery (Beijing, China), on September the 11th open international performance art festival" (798) creative square, October "huangyan retrospective" in the 2005-2010 (Hong Kong arts centre), December planning "from the new ink painting of China" (Miami).


    In 2011. 45 years old, may participate in "calligraphy NO. 1 group exhibitions" (Shanghai duolun modern art museum), may "ink NO. 1 group exhibitions" ink painting art museum (Shanghai), may "a: rongbaozhai auction" exhibition in China (Beijing, China). "July 10 cases of new Chinese ink painting in the 21st century" (Shanghai duolun modern art museum), ink was established in Shanghai art museum, 800 art magazine published, began to promote the contemporary Chinese ink painting, made a series of Chinese literati art and western hard edges in combination with new ink painting activities.


    In February 2012, 46, "China's first international ink painting biennale" (shenzhen dafen art museum), jiangshan picturesque - huangyan's solo exhibition in May (Beijing DE yi's art life space), in September the first international peace and friendship art festival "in Lin (henan linzhou)," China steel diao international art festival "in September (beidaihe), October" childhood sweethearts art exhibition "(Shanghai lion gallery)," new "Noah's ark in December (Beijing DE yi's art life space), put forward the" art ", "art" and other new art concept, and done a lot of new artistic experiment.


    In April 2013, 47, attend the second ink painting biennale "in Lin (henan linzhou), April first exhibition of" new Beijing Shanghai (Shanghai Yang art space), April "new Beijing" exhibition in Shanghai, Shanghai art museum), April "ink and the garden of Eden" (Shanghai li garden), June "2013" and "new Beijing contemporary ink painting exhibition in Beijing" (Beijing's art collection), June, "the China Great Wall international contemporary art biennale", "pasture art movement" September pasture gallery (Beijing), in September the second international peace and friendship art festival "in Lin (henan linzhou), October the first time in the" ten ink white temple "(songzhuang white temple), October the second time the chaobai river" "ten ink (songzhuang), November the 1st China device biennale" contemporary art gallery (Beijing), "China YuYuan modern ink painting art festival" in November (zhejiang Jiang Yu source), December "ink painting, contemporary China's past is now" (the metropolitan museum of art in New York, USA), December the first "new Beijing art biennale" new Beijing art gallery (Beijing), the new Beijing officially named after a year, in the course of a year in Beijing, Shanghai, shandong, henan, zhejiang and other places plan implemented a series of different from the western industrial ink painting exhibition of art and art activities.


    黄岩在 20 世纪末,21 世纪初中国当代艺术运动中,在几个领域的交汇点上,都有他的痕迹,成为许多艺术领域的拓荒者。 像观念摄影,交互艺术、行为艺术,油画、雕塑、纪录片、装置等等。黄岩作为新京派的领军人物,早在 1978 年就拜长春的艺 术家王淮学习传统山水画、花鸟画、人物画,1979 年至 1981 年,学习四王和文革名家,如钱松喦、宋文治,1981 年黄岩运用 拓墨法创造了一批墨绘山水作品,并开始受西方现代思潮的影响参加 85 新潮美术运动,长春这时一个重要的艺术事件是发明了 一种新的版画成像系统——《泥版画》,这场发生在 20 世纪 80 年代长春的新版画艺术运动,彻底的改写了中国建立在西方启 蒙艺术基础上的艺术运动方向,是中国后文人艺术最早落地,具有里程碑意义的艺术革新。请记住这些新版画艺术运动的艺术 家名字:王长百、黄岩、路明、关大我、王力、朱方、张喜忠、赵勃等等,最典型的方式是泥版、油拓、水拓,这给了中国新 绘画一个技术层面的承载,其学术标志是 1988 年 4 月在中国长春东北师范大学美术馆举办的《版象艺术展》,其中事件之一是 黄岩将盲人领进展厅,它解决了 20 世纪 80 年代中国先锋艺术整体上对西方后现代主义艺术的期待,展览涉及语言学、符号学、 人类学、日常生活、大地艺术、行为、观念、场域、整体艺术、城市、反命名,这一展览在方法论上为后来中国绘画,中国新 艺术运动勾画了一个轮廓,是中国文人艺术结合美国工业艺术在中国落地的一个范例。


    90 年代黄岩在长春单枪匹马的制造了邮件艺术,黄岩在 90 年代以长春城市为根据地,以实物拓印的方式,以邮寄的方式 研究长春城市系统的社会变迁,长春的半径成为黄岩观念艺术,整体艺术的一个地理概念。自中国改革开放以来,以艺术的名 义对一个城市系统地进行艺术研究这是第一个案例。它不同于西方的邮寄艺术与一般的观念艺术,是一次中国本土化的中国艺 术制造的混搭。他这两件作品的内容涉及社会事件、新闻、笔记、工作、生活、性别、社会的方方面面,还是在这一时间段, 1998 年 10 月黄岩在长春工业大学策划了中国第一个新媒体艺术“0431.1998 录像、电脑艺术展”,开了中国新媒体艺术的先河。

 

    2000 年以后,黄岩来到北京,入驻中国第一个由厂房改造的艺术区——香格里拉艺术公社,随后入驻 798 艺术区和宋庄艺术区。 在 798 艺术区成立了艺术非盈利机构玛斯德比艺术中心,做了一系列关于城市亚文化的艺术活动和艺术展,如“独生一代展”、 “涂鸦艺术周”、“动漫艺术在中国”、苏非舒的“一吨诗”等。2000 年 10 月在北大在线实施了中国第一个网络交互艺术展—— “第三性艺术展”,2004 年在草场地艺术区策划了《@ 车艺术活动》,环铁亚洲艺术公社举办了“极限写作”艺术活动等等。 2000 年以后,黄岩的影像作品参加了一系列代表中国的国际性大展,最知名的是将山水图形画在人的身体上的影像作品。 中国古代天人合一的文人艺术第一次和人的主体合二为一,在当代艺术层面,黄岩完成了一次主客体的混搭,这是黄岩对工业 艺术的修正,黄岩这一作品始于 1994 年,他将山水画画在自己的脸上。


    2008 年以后,黄岩关注艺术的绘画系统、书写系统,开始在符号学层面与西方当代艺术对接,做了“国画研究系列”、“指 印系列”。黄岩将传统文人画的美学拆解成点和线、用乱线、点(指印)模仿梅兰竹菊,传统文人艺术中的人物画、山水画、 花鸟画的细节都蒙上了概念的色彩,2009 年在中国林州举办的第一届林州水墨双年展上,黄岩提出了“后文人艺术”的概念, 这一展览是中国 30 年现当代水墨艺术的一次学术路线图。2010 年以后,黄岩在上海多伦现代美术馆举办的 10 个水墨个案艺术 展上,将多伦美术馆做成水墨实验室,进行了一系列现场展示的实验,黄岩将现场的温度、湿度对画的影响作为一个重要的指标, 包括力量、重量等等被西方艺术史忽略的因素作为影响艺术的重要方式,这可以看作是“量艺术“的开始,“变量艺术”的开始。 随后在上海 800 美术馆,上海水墨艺术博物馆,黄岩和胡又笨、邵岩、张朝晖、成浦云、任芷田、张铁梅、大相、韩伟华做了 一系列的水墨艺术实验,这些实验涉及到食物,建筑材料等大量的生活用品,开使用量化的方式记录作品的生产方式与呈现方式, 自然的光、风、雨直接用于作品的呈现,这一方式在 2012 年深圳举办的国际水墨双年展达到一次整体爆发,像黄岩用砂纸涂墨, 晒宣纸的作品等等。这次展览是”变量艺术“的一次整体亮相,是中国文人艺术与西方硬边艺术、工业艺术结合,混搭的一个 案例。黄岩 2012 年 12 月在德易家艺术生活空间也做了砂纸涂墨系列、晒纸系列,黄岩的作品反复强调在时间、力量作用下艺 术作品的变量,如在一个皮筋上面书写的字,随着力量的不同,每一个字都存在着变量,这是一次社会书写与科学直接的对话, 黄岩甚至将在德易家艺术生活空间每天吃的食物都作为影响他作品的一个因素,这种来自日常身体有关的艺术变量,是中西艺 术美学混搭的具体案例。

 

    2012 年 4 月份,在林州举办的“第二届林州水墨双年展”上黄岩提出了“地景水墨”概念,是“变量艺术”对中国古代文 人借景的一个发挥,也将中国水墨艺术上升到地景艺术的一个大的范畴,并制造了中国书法之外的另一种水墨造景,这既是传 统的,又是传统文人艺术所不具有的一种艺术道场,从新水墨、新山林到德易家艺术生活空间的新水墨、新城市、新生活方式 以城市家居为背景,完成了当代水墨实验两个方向上的突围。自然与人工城市内部艺术结构的突围,山林是借景,城市是隐藏, 一露一藏,传统文人艺术,在这样的实验中完成了整体上的突围。


    黄岩总结自己变量艺术的三个结点,一是“身体水墨”,二是“拉链绘画”,三是“皮筋山水”。这也成为中国“后文人艺术”、“个 人定制艺术”、“个人消费艺术”方法论的具体案例。1995 年黄岩创作了拉链山水架上作品,这张画在油画布上的传统山水画, 黄岩采取手卷的方式,这张画的革命性在于黄岩将绘画的观看方式作为艺术的主体,而不是绘画本身。他在绘画中发现的藏露 是典型的中国方式,古代手卷的观看方式,不过黄岩是运用美国硬边艺术的方法去呈现,黄岩在单色的黑画面中用拉链的方式 隐藏着内容丰富的中国山水图式或中国书法,这种形式主义的无中生有、有中归无的绘画,一方面使绘画获得了运动影像的呈 现效果,使静象变成了动象,另外它的意义主要不是界定这件作品的两维特征或者三维特征,也不是他的中西美学相融的哲学 背景,而是艺术的主体由绘者向观者的转移,黄岩在绘画中是一个导演,每一个观众才是演员,每一个观者的观看都是作品的 一部分,观者不是被动的观看,观看本身是作品的本质。黄岩在信息时代用一种最原始的方式超越了美国的硬边艺术。从 1994 年的身体水墨到 1995 年的拉链山水,再到 2009 年的皮筋山水“皮筋水墨”,黄岩完成了新京派艺术美学的三级跳,身体水墨 提供了一种新的艺术主客体的再现方式,拉链山水将艺术的主体位移,提供了安迪·沃霍尔之后消费艺术的一种新的可能性。 皮筋艺术又回到了艺术的本体,不过这种绘画尺寸可变的结果,皮筋的伸缩性将绘画的图形变成可流变的图形,每一次展出一 幅作品可呈现不同的尺寸展示效果,并相应的改变了图形呈现效果。这提供了丰塔纳之后西方平面艺术突围的一个路线图,这 是黄岩建立的后文人艺术系统理论在实验中的具体案例,这是在互联网背景下黄岩用架上绘画材料完成艺术突围的学术路线图, 也是黄岩提出微艺术、量艺术的自我实验的学术路线图。

 

    Huangyan at the end of the 20th century, the early 21st century Chinese contemporary art movement, in several areas of intersection, has his traces, as many of the pioneers in the field of art. As conceptual photography, interactive art, behavior art, painting, sculpture, documentary, devices, and so on. Huangyan as the leading character in the new Beijing, changchun, as early as in 1978, they worshiped the art Home Wang Huai learning traditional landscape painting, flower and-bird painting, figure painting, from 1979 to 1981, study four king and masters of the cultural revolution, such as Qian Song rock, Song Wenzhi, huangyan using extension, many 1981 created a batch of ink painting landscape works, and influenced by the thoughts of modern western to participate in the 85 trendy art movement, changchun, then an important art event is invented a new print imaging system, the mud prints, which the changchun new print art movement in the 1980 s, completely changed the established in western and Chinese art on the basis of art movement direction, is the Chinese literati art after the first landing, the landmark of artistic innovation. Remember these new print art movement of the artist name: wang long hundred, huangyan, LuMing, shut me, wang li, Zhu Fang, xi-zhong zhang, Zhao Bo, etc., is the most typical way of mud, oil company, water company, giving the new Chinese painting a bearing on the level of technology, its academic mark is in northeast normal university in changchun, China, April 1988 "edition as art gallery, one of the events is huangyan will be brought into the exhibition hall for the blind, it solved the Chinese vanguard art overall in the 1980 s the anticipation that the western postmodern art, exhibition related to linguistics, semiotics, anthropology, daily life, the earth art, behavior, concepts, field, the overall art, city, the naming, the exhibition on the methodology for the later, Chinese painting, Chinese new art movement sketch an outline, is Chinese literati art combined with an example of the use of the industrial art in China fall to the ground.

   

     90 s huangyan in changchun single-handedly created the mail art, huangyan is home in changchun city, in the 90 s, in the form of physical rubbing research in changchun city in the form of mail system of social change, the radius of the changchun into huangyan concept art, a geographical concept of art as a whole. Since China's reform and opening up, with the name of art righteousness to a city systematically art study this is the first case. It is different from the western mail art and general idea of art, is a Chinese localization of the art manufacturing mashup. He this two pieces of content involved in social events, news and notes, all aspects of the work and life, gender, social, or in this time period, in October 1998, huangyan in changchun university of technology planning for China's first new media art "0431.1998 video, computer art exhibition", opened the first of China's new media art.


    After 2000, huangyan came to Beijing, in China's first by the building art district - shangri-la art commune, songzhuang art district in 798 art district and subsequently. Founded in 798 art district arts non-profit organization's Derby art center, made a series of urban subculture of art activities and art, such as "one-child generation exhibition", "graffiti art week", "anime art" in China, sufi shu "a ton of poetry", etc. In October 2000 in Peking University launched China's first online network interactive art - the "third sex art exhibition", caochangdi art district planning in 2004 @ car art activities, iron ring held Asian art commune "extreme writing" art activities, and so on. 2000 years later, the image of huangyan attended a series of works on behalf of the Chinese international exhibition, is one of the most famous landscape graphic painting on the person's body image. The unity of nature and literati art in ancient China for the first time, and the body of the people together, in the contemporary art level, huangyan completed a mix of subject and object, this is huangyan correction of industrial arts, huangyan this work began in 1994, the landscape painting in his face.


    After 2008, huangyan focus on art of painting, writing system, began to dock with the western contemporary art semiotics, made "the traditional Chinese painting study series", "refers to the series". Huangyan traditional literati painting aesthetic apart into points and lines, with disorderly line and point (fingerprint) imitate chrysanthemum patterns, traditional literati art of figure painting, landscape painting, flower and-bird painting details are on the color of the concept of linzhou in China in 2009 at the first session of ink painting biennale in Lin, huangyan, puts forward the concept of "literati art" after the show China's 30 years of modern and contemporary ink painting academic line at a time. After 2010, huangyan in modern Shanghai duolun museum of 10 cases ink art show, duolun museum of art to make ink lab, conducted a series of field experiments show, huangyan will be the scene of the influence of temperature and humidity on the painting as an important index, including strength, weight and so on are affected by factors of western art history to ignore as the important way of art, it can be seen as a "mass art" in the beginning, the beginning of the art of "variables". Later in 800 Shanghai art museum, Shanghai art museum, huangyan and hu and bulky, Shao Yan, zhang zhaohui, ChengPuYun Ren Zhitian, tie-mei zhang, and, wei-hua han made a series of ink painting experiment, these experiments involving food, building materials and so on a large number of articles for daily use, open to use quantitative way to record the work mode of production and presentation, natural light, wind, rain directly used in the present work, the way in 2012, shenzhen international ink painting biennale held to reach a whole eruption, like the huangyan sand coated ink, sun paper works, and so on. The exhibition is "variable art" an overall appearance, is China's literati art with western hard edges, industrial art, a case of mashup. Huangyan in December 2012 in living space also did sandpaper DE yi's art paint ink series, sun paper series, huangyan work repeatedly under the effect of time, strength, art works of variables, such as a word written on the elastic, as the power is different, every word there is variable, it is a social and scientific writing direct dialogue, huangyan and even the life space in DE yi's art every day to eat food as influence a factor in his works, the art from daily body related variables, is the art of Chinese and western aesthetics, mix the specific case.

 

    In April 2012, held in linzhou "second ink painting biennale" in Lin in huangyan put forward the concept of "landscape painting with", is a "variable art" of the ancient Chinese people borrow scene in a play, will the Chinese ink painting to rise to a large category of landscape art, and made another landscape painting with Chinese calligraphy, which is both traditional and traditional literati art does not have a dojo, the new ink painting, new living space of the mountain to DE yi's art new ink painting, the new city, the new way of life Against the background of urban household, completed the contemporary ink painting experiment both directions to break. Natural and artificial urban internal structure to break, mountain forest is borrow scene, cities can be hidden, a dew Tibetan, traditional literati art, in such experiments completed the breakthrough on the whole.


    Huangyan to summarize variables are the three nodes of art, one is the "ink painting", the second is "zipper painting," three is "string" landscape ". It also become China's "after the literati art", "custom art", "art of personal consumption" methodology of specific case. Huangyan created zipper landscape frame works in 1995, the painting on the canvas of the traditional landscape painting, huangyan manuscripts, the picture of the revolutionary is to huangyan will watch painting form as the main body of art, rather than the painting itself. He found hidden in the painting is typical of the Chinese way, ancient folios way of watching, but huangyan is the method that USES the hard edge art to present, huangyan in monochrome black screen in the way zipper hidden content rich Chinese landscape pattern or Chinese calligraphy, the formalism of out of nothing, have no in painting, on the one hand, the moving images, painting is now effect, make static like the like, and it not primarily defines the meaning of the work of two dimensional or three dimensional characteristics, nor his aesthetic harmony of Chinese and western philosophy background, but the main body of art from the painting to the transfer of the viewer, huangyan is a director in the painting, each audience is the actor, every viewer to watch are part of the works, the viewer is not passive watch, watch is the nature of the work itself. Huangyan in the information era in one of the most primitive way beyond the hard edge of art in the United States. Body ink painting from 1994 to 1995 in zipper landscape, to the string "landscape" string "ink" in 2009, huangyan completed a new Beijing art aesthetic triple jump, body ink provides a new way of art subject and object representation, zipper displacement of the main body of landscape art, provides the Andy warhol after consumption of art a new possibility. Elastic art goes back to the ontology of art, but this painting size variable as a result, the elastic scalability drawing graphics into rheological graphics, every display show the size of the picture can present different effects, and the corresponding change the graphics rendering. This provides fontana after western graphic arts to break a roadmap, after it is established in huangyan literati art system theory in the specific case of the experiment, it is under the background of Internet huangyan complete artistic breakthrough academic road map with easel painting materials, and huangyan proposed micro amount of art, art of self academic roadmap to experiment




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