网站首页 | 服务内容 | 加入收藏 | 客服电话:18531617186

艺星网

艺星展讯
国际著名彩墨画画家樊鸿宾个展

Solo exhibition of fan Hongbin, an internationally famous painter of Chinese ink paintings



 中国艺星网/编发/愉悦

China Yixing network/editor/Cheerful



樊鸿宾彩墨画的解析


樊鸿宾的彩墨画风格鲜明而独特,虚幻而淡雅,明实而阳光,无疑是对中国彩墨画的一种创新和发展。

彩墨画一般是指:以水墨画为基底,然后敷色,点彩,使画面比较水墨画中色彩是较为丰富,明快,鲜亮。

而樊鸿宾的彩墨画却是以色彩造型为主,水墨为辅,线条用之甚少。国画一般都是使用水墨线条来造型,而樊鸿宾主要是使用色彩进行造型。在色彩造型上,樊鸿宾继承和发展了国画的“没骨法”, 保留了宣纸与色彩特有的晕染浸润的肌理。国画中传统的“没骨法”往往运用在写意画。而樊鸿宾却将“没骨法”用于自己的写实与写意相结合的画风之中。这是一种大胆的尝试和创新。这种主基调的改变,使樊鸿宾的彩墨画明显区别于传统的彩墨画。

樊鸿宾的彩墨画中的色彩造型,还有一个特点,就是色彩的使用既有平涂,又有色分五彩,还有光影效应等多种施彩手段和方法。国画中平涂法很常见,一般常说墨分五色,光影效应则在国画中更为少见。而将这些手段和方法随机或混合使用,则显得难能可贵的。

色彩的使用,一般大多数画家都是使用自然色,即在大自然中看到什么颜色,就选用什么颜色。而樊鸿宾却采用了主观色。他依据西方色彩对比理论,根据作品画面的需要,凭借自己的主观感受,来施之颜色。天空可以施以绿色,面孔可以施以红色,野草可以施以蓝色等等。这样使他的画面炫丽,淡雅而和谐,同时更能表现出画家的内心情感状态和与众不同的画面效果。

樊鸿宾还将国画中的留白法,应用在他的作品中。樊鸿宾作品中如主体形象需要白色,则他会以留做白,而不是涂以白色,这是为了突出画面的主体,形成一种虚空而又结实的双重效应。这在彩墨画中是一种很巧妙的手法。

背景往往是国画中的容易被忽视的部分,樊鸿宾却对他的作品中的背景处理做足了文章,下足了功夫。绝不因为是背景,是次要部分而草率处置,也绝不喧宾夺主。这样的处置使樊鸿宾的作品既保持了统一的风格,又避免了雷同感。显示出他驾驭作品的能力和功力。

樊鸿宾在他的彩墨画中,精心构图,统筹布局,刻意安排,做到局部服从于全局,全局驾驭画面,背景衬托主体,形成整幅作品的风格统一而协调,不愧为彩墨画中的精品,创新之作。

著名艺术评论家林泽浩这样评论樊鸿宾的作品:在今天人类视域经验已经极为丰富的环境下,如何让线性的、单弦演奏的中国画发展为立体的、交响乐式的协奏,具有鲜明的当代特征?这便是樊鸿宾的色彩创新之路的重要意义。


——郭连章

An Analysis of Fan Hongbin's Color Ink paintings


Fan Hongbin's ink painting style is bright and unique, illusory and elegant, bright and bright, which is undoubtedly an innovation and development of Chinese ink painting.

Color ink painting is generally refers to: ink painting as the base, and then apply color, point color, so that the screen is more abundant in the color of ink painting, lively, bright.

However, Fan Hongbin's color ink painting is based on color modeling, supplemented by ink and wash, with little use of lines. Traditional Chinese painting generally uses ink lines for modeling, while Fan Hongbin mainly uses color for modeling. In terms of color modeling, Fan Hongbin inherited and developed the "no bones method" of Traditional Chinese painting, and retained the unique texture of rice paper and color infiltration. The traditional "no bones method" in Traditional Chinese painting is often used in freehand brushwork. Fan Hongbin, on the other hand, used the method of "no bones" in his painting style of combining realism and freehand brushwork. This is a bold attempt and innovation. This change of main tone makes Fan Hongbin's color ink painting obviously different from the traditional color ink painting.

The color modeling in Fan Hongbin's ink paintings has another characteristic, that is, the use of color is not only flat, but also colored, as well as light and shadow effect and other means and methods of using color. Plain painting is very common in Traditional Chinese painting, and it is often said that the ink is divided into five colors, light and shadow effect is even more rare in traditional Chinese painting. And the random or mixed use of these means and methods, it appears valuable.

In the use of color, most painters generally use natural color, that is, they choose what color they see in nature. Fan Hongbin, on the other hand, adopted subjective colors. He applied color according to the western color contrast theory, according to the needs of the pictures of his works, and with his own subjective feeling. The sky can be green, the face can be red, the grass can be blue, and so on. In this way, his paintings are dazzlingly beautiful, quietly elegant and harmonious, and at the same time, they can better show the painter's inner emotional state and unique picture effect.

Fan hongbin also applied the method of white space in traditional Chinese paintings to his works. In Fan Hongbin's works, if the subject image needs white, he will leave it white instead of painting it white. This is to highlight the subject of the picture and form a double effect of emptiness and firmness. This is a very clever technique in ink painting.

Background is often an easy part to be ignored in traditional Chinese painting. However, Fan Hongbin has made great efforts to deal with the background in his works. It will never be taken lightly because it is the background, a minor part, nor will it usurp the dominant role. Such disposal not only keeps the unified style of Fan Hongbin's works, but also avoids the sense of similarity. It shows his ability and skill in handling works.

Fan Hongbin in his ink painting, careful composition, overall layout, deliberate arrangement, so that the part is subject to the overall situation, the overall control of the picture, the background sets off the main body, the formation of the whole work style unity and coordination, is worthy of the ink painting in the fine, innovative work.

Lin Zehao, a famous art critic, commented on Fan Hongbin's works in this way: In today's environment where human visual field experience has been extremely rich, how to make the linear, single-string Chinese painting develop into a three-dimensional, symphonic-style ensemble with distinct contemporary characteristics? This is the significance of Fan Hongbin's way of color innovation.

- Guo Lianzhang


国际著名彩墨画画家樊鸿宾个展作品

A solo exhibition by fan Hongbin, an internationally renowned Chinese ink painter


盗火鸟    彩墨    65X180cm    2015

Firebird color ink 65X180cm 2015


惊鸿舞    彩墨    68X68cm    2015

Red dance color ink 68X68cm 2015


赛装节    彩墨    65X180cm    2015

Color ink 65X180cm 2015


白裙子    彩墨    136X68cm    2020

White skirt color ink 136X68cm 2020


高山上的舞蹈    彩墨    136X68cm    2020

High mountain dance color ink 136X68cm 2020


傈僳少女    彩墨    136X68cm    2019年

Lisu girl color ink 136X68cm 2019


泼水节    彩墨    136X68cm    2020

Water-splashing Festival color ink 136X68cm 2020


天风   彩墨   136X68cm   2020

Sky wind color ink 136X68cm 2020


陽光少女    彩墨    136x68cm    2015年

Sunshine Girl color ink 136x68cm 2015


我从山中来    彩墨   136X68cm    2020

I'm coming from the mountains for color ink 136X68cm 2020


五彩裙   彩墨    136X68cm    2020

Five color skirt color ink 136X68cm 2020


又见山花开    彩墨    136X68cm    2019年

See also mountain flowers open color ink 136X68cm 2019


樊鸿宾

1960年生于宁夏,1982年毕业于宁夏大学美术系,1991年结业于中央美院中国画高研班。著名画家、陶瓷艺术家,中国民族工艺美术大师、中国工艺美术协会高级会员、樊鸿宾美术馆学术主持、中国香港艺术家协会艺委会主席,中国香港美术研究院院长,中国传媒大学客座教授,日本国际艺术研究院客座教授。

2006年,深圳市诚信德拍卖有限公司在深圳成功举办樊鸿宾绘画精品专场拍卖。

2007年,由深圳市罗湖区文化局设立的“樊鸿宾美术馆”揭幕。

2009年至2015年,陶瓷作品五次荣获“中国工艺美术百花奖”金奖。

2010年,中国(深圳)第六届国际文化产业博览会举办“樊鸿宾绘画、陶瓷艺术精品专项展及个人作品专场拍卖会”。

2011年,青花瓷作品《春梦》以人民币700万元拍卖成交。

2011年,绘画作品《花开时节》荣获广州国际艺术博览会金奖。

2011年,水墨画《论语》公益广告荣获“第六届设计之都(中国-深圳)特别大奖。

2012年,中国(深圳)第八届国际文化产业博览会举办“樊鸿宾绘画、陶瓷艺术精品专项展”。

2013年,中国(深圳)第九届国际文化产业博览会举办“樊鸿宾绘画、陶瓷艺术精品专项展”。

2016年,在中国国家画院举办个人画展。

2017年,应北京大学邀请,做中国画与陶瓷艺术创新学术讲座。

2018年5月,国画作品巜赛装节》荣获第十四届中国(深圳)国际文博会金奖。

2018年11月荣获“联合国文化大使”荣誉称号。

2018年12月参加三亚首届中国名家国画双年展。

2018年12月在澳门威尼斯人酒店举办樊鸿宾新彩墨画展。

2019年4月,新彩墨作品《阳光高原》荣获在日本东京都美术馆举办的巜第十三届国际绘画大赏展》唯一金奖。

2019年8月,受邀在罗马尼亚阿尔巴尤利亚国家博物馆举办”中国艺术家欧洲行——樊鸿宾/邹明中国画作品展”,作品《祈福》被该馆收藏,并特邀参加了国际艺术家创作营的创作采风活动。

2020年8月,“樊鸿宾陶瓷•绘画艺术展”暨樊鸿宾美术馆(珠海)开馆仪式在珠海举行。

2020年12月,应邀参加在北京炎黄艺术馆举办的“匠心墨色——全国中国画名家学术邀请展”。

FanHongBin

He was born in Ningxia in 1960, graduated from the Fine Arts Department of Ningxia University in 1982, and graduated from the Advanced Study Class of Chinese Painting in the Central Academy of Fine Arts in 1991. Famous painter, ceramic artist, Chinese national arts and crafts master, senior member of China Arts and Crafts Association, academic host of Fan Hongbin Art Museum, chairman of art Committee of Hong Kong Artists Association of China, dean of Hong Kong Fine Arts Research Institute of China, Visiting professor of Communication University of China, visiting professor of Japan International Art Research Institute.

In 2006, Shenzhen Chengxin De Auction Co., Ltd. successfully held a special auction of fine paintings by Fan Hongbin in Shenzhen.

In 2007, Fan Hongbin Art Museum was opened by Shenzhen Luohu District Bureau of Culture.

From 2009 to 2015, the ceramic works won the gold medal of "Hundred Flowers Award of Chinese Arts and Crafts" five times.

In 2010, China (Shenzhen) sixth International Cultural Industry Expo held "Fan Hongbin painting, ceramic art special exhibition and personal works auction".

In 2011, blue and white porcelain work "Spring Dream" sold at auction for 7 million yuan.

In 2011, the painting flower Season won the gold medal of Guangzhou International Art Fair.

In 2011, ink painting "Analects of Confucius" public service advertisement won the "Sixth Design City (China - Shenzhen) Special Award.

In 2012, the 8th International Cultural Industry Expo of China (Shenzhen) held "Special Exhibition of Fan Hongbin's Paintings and Ceramic Art".

In 2013, the 9th International Cultural Industry Expo of China (Shenzhen) held "Special Exhibition of Fan Hongbin's Paintings and Ceramics art".

In 2016, he held a personal exhibition at the National Academy of Chinese Painting.

In 2017, I was invited by Peking University to give an academic lecture on innovation of Chinese painting and ceramic art.

In May 2018, Chinese painting Works "Decoration Festival" won the gold medal in the 14th China (Shenzhen) International Cultural Fair.

In November 2018, he won the honorary title of "UN Cultural Ambassador".

In December 2018, it participated in the first Biennial Exhibition of Famous Chinese Paintings in Sanya.

In December 2018, Fan Hongbin's new color ink painting exhibition was held at The Venetian Macau.

In April 2019, "Sunshine Plateau", a new color ink work, was awarded the only gold medal in the 13th International Painting Appreciation Exhibition held in Tokyo Art Museum, Japan.

In August 2019, he was invited to hold the exhibition of Chinese Artists in Europe -- Fan Hongbin/Zou Ming's Chinese Painting works in The National Museum of Albajulia, Romania. His work Blessing was collected by the museum, and he was specially invited to participate in the creation collection activity of the International Artists' Creation camp.

In August 2020, "Fan Hongbin Ceramics • Painting Art Exhibition" and the opening ceremony of Fan Hongbin Art Museum (Zhuhai) was held in Zhuhai.

In December 2020, he was invited to participate in "Craftsmanship Ink Color -- Academic Invitation Exhibition of National Chinese Painting Masters" held at The Yanhuang Art Museum in Beijing.


主办:中国香港艺术研究院

Journal of Hong Kong Academy of Arts, China

中国艺星网

China Art Star Network

新国际艺术网络论坛

New International Art Network Forum

策划:郭连章

Planning: Lianzhang Guo


关于我们 | 免责声明 | 隐私保护 | 法律顾问 | 联系我们
艺星网 版权所有 冀ICP备19031654号-1