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端木祥功 为世界女神画肖像 《奥黛丽 · 赫本》

Duanmu xiangong painted the portrait of the world goddess "Audrey Hepburn"



中国艺星网/编发/自然

China Yixing network/braiding/nature




  个人简介

端木祥功 男 1964年1月出生于南京,师从王飞飞、胡宁娜,国家一级美术师,江苏省美术家协会会员,九三学社江苏画院会员,江苏省华侨书画院理事,中华书画研究院副院长,中华宗教书画协会副主席,美国书画艺术研究院南京院副院长兼秘书长,澳大利亚塔州中国佛教学院艺术教授,美国国会议员表彰为美中文化交流做出了杰出的贡献,江苏省美术家协会第4次新人美术作品展览,作品(启命维新---金陵丹青大师群像)获一等奖,作品(启命维新---金陵丹青大师群像)被江苏省国画院收藏,作品(宋文治先生)素描肖像被宋文治艺术馆收藏,作品(大师群像)被南京市太平天国历史博物馆收藏,作品被邮政部发行邮票和明信片,版画作品被电信部门采用电话卡充值卡画面,并向全国发行以美丽中国为主题的纪念邮册,作品《等》获得第二届世界华侨华人美术书法展"佳作奖",油画作品(克林顿与希拉里)被北美画派收藏。端木光影画派创始人。

Personal profile

DuanMuXiangGong male in January 1964 was born in nanjing, from wenjun li, Hu Ningna, the national level artists, jiangsu artists association, member of the jiusan society member academies in jiangsu, jiangsu overseas Chinese academy director, vice President of the Chinese painting and calligraphy institute, the Chinese religious painting and calligraphy association, vice chairman of the American academy of painting and calligraphy art nanjing institute vice President and secretary-general of Chinese buddhist art professor, school of Australia's states of the U.S. congress for made outstanding contribution to the cultural exchange, artists association of jiangsu province fourth new art exhibition, works (rev vitality - jinling master painters group) won the first prize, Works (rev vitality - jinling master painters group) is in jiangsu province of the collection, works (Mr) Song Wenzhi sketch portrait was Song Wenzhi museum of art collection, works (master group) by nanjing history museum of the taiping heavenly kingdom, works issued by the ministry of postal stamps and postcards, engraving works by telecom departments use phone card prepaid phone CARDS, and to issue with beautiful China as the theme of the national honor, mail, work "and" won the second session of the world overseas Chinese art ShuFaZhan "honourable mention", oil painting (with Hillary Clinton) was painting collection of North America. Founder of duanmu school of light and shadow painting.






奥黛丽·赫本说:女人的魅力不在于外表,真正的美丽折射于一个女人灵魂深处,在于亲切的给予和热情。一个女人的美丽随着岁月而增长。

Audrey Hepburn said: the beauty of a woman is not in a facial mode, but the true beauty in a woman is reflected in her soul. It is the caring she lovingly gives, the passion she shows. The beauty of a woman grows with the passing years.






作著:吴起秀

端木祥功是富有才華和創新精神的中年畫家,近年來因作品多次獲獎並被眾多機構收藏而在畫壇嶄露頭角。

他的油畫語言樸實,不追求色彩的絢麗多姿,也不刻意描繪人與物象的表面張揚,而是注重觀察生活,感受人性和物性的內在真實,進而以質樸的筆調表現由內到外的形態和精神之美。這就大大開拓了他與眾不同的畫境視野和廣深的審美思考。他多以灰色調或黑白映襯的色調營構畫面,用平民生活的真實來創造藝術形象,如勤勞善良的《母親》,在河邊若有所思的少女(《等》),打穀場上擊鼓唱歌,樂而忘憂的婦女(《目腦豐收節》)和修建寺廟、席地休憩的《藏民》,均以樸實的線條和色塊,真實的人性形象,厚實的情境蘊意,向讀者展開一幅幅質樸生動的民族風情畫卷,散發出原生態、原住民的純樸之美。這種看似平淡,內蘊深厚的畫境,是畫家堅持返璞歸真之藝術理念和體用中西之創作方法,長期深入生活,采風寫生的藝術成果。這些觀察寫真,沒有停留在表像的怪異獵奇,而是對內在精神進行體驗提煉,並依此積累豐厚的創造和思想力量,構建其樸實真實和厚實的繪畫風貌。

端木為人厚道實在,訥於言而敏於行。有了奇思妙想,不是先說,而是先做。這使他的藝術創作,能在不斷琢磨學習和勤奮實踐中漸入佳境。他善畫人物,尤擅觀察人的精神和性格神態,傾心在藝術形象中表現個性情感。這在他的《鄉村組畫》、《少數民族組畫》、《大師群像》中,均有不同時空背景下的生動展現。

人類有喜新厭舊的一面,也有厭新懷舊的另一面。尤其對“失去的美好”多有刻骨銘心的懷念。在市場大潮變革萬千世界的同時,也帶來千萬人信仰和情感的變革。人們從拆遷的喧囂和建設的熱浪中,從糠籮跳進米籮,從農村走進城市之後,驀然回首,開始思考在得到美好的同時,又永遠失去了哪些美好。端木感受到這種反思的脈搏。在《牧歸》中,他描繪了飛鳥投林,牛羊歸圈的山林村莊,自然恬靜,一派“不知有漢,無論魏晉”的田園畫境,寄寓著身居鬧市的民眾對生存環境的追思和憂慮。

在《老人與花》中,畫家通過一位苗族老婦苦等情郎到老的淒美形象,表現底層民眾對真情的執著守望,傾注了無限悲憫的人性關懷。在其成名作《啟命維新——金陵丹青大師群像》中,畫家取捨簡練,通過光影、黑白、濃淡的豐富變化,創造出各具風采的大師形象。把慈祥、深邃、滄桑、孤傲的各家個性精神,統一在真實、厚實的藝術情境之中,對讀者是深沉的追思和敬仰,對畫家則昇華為勵志追慕的精神動力。

中國傳統美學以自然為美,講求“丹漆不文,白玉不雕”(孔子語)。西方美學提倡以真實為美,認為“在藝術中,能表現真實性格的作品,才算是美好的”(羅丹語)。

端木以自然和生活為師,感受時代真實,思考生命悲歡,用屬於自己的繪畫語言表現真善美。這種有真實性格的藝術追求,應該是成果可賀,前景可期。


Author: wu qixiu

Duan mu xiangong is a talented and innovative middle-aged painter. In recent years, his works have won many awards and been collected by many institutions.

His oil painting language is simple, not the pursuit of colorful colors, nor deliberately depict the surface of people and objects publicity, but pay attention to observe life, feel the inner truth of human nature and physical nature, and then with a simple style of expression from the inside to the outside of the form and spirit of beauty.This greatly opened up his distinctive vision of painting and deep aesthetic thinking.Him more in gray or black and white tonal constructed images, set off to create art with civilian life of the real image, such as diligent and kind of "mother", a thoughtful girl (etc) in the river, on the threshing floor drum singing, music and lotus women (MuNao harvest festival) and built temples, sees the tibetans have a rest, with simple lines and colors, the real image of human nature, thick context information and expand to the readers elegantly simple vivid nationality character and style picture scroll, send out a native original, the beauty of simplicity.This seemingly insipid and profound painting environment is the result of the artist's artistic concept of returning to nature and his artistic creation methods of Chinese and western styles, which have been deeply rooted in life for a long time.These observations and pictorial portraits do not stop at the weird and wonderful appearance, but refine the inner spirit and accumulate abundant creative and ideological power, so as to construct its simple, real and thick painting style.

Duanmu is honest, slow in speech and quick in action.When you have a great idea, don't say it first, do it first.This makes his artistic creation, can be in ceaseless consider study and diligent practice get into good condition gradually.He is good at painting people, especially good at observing people's spirit and manner of personality, and devoted to the expression of personal feelings in the artistic image.This is vividly demonstrated in his group paintings of villages, group paintings of ethnic minorities and group portraits of masters in different time and space backgrounds.

There is a side to human boredom, and a side to nostalgia.Especially for the "lost good" more memorable memories.While the market tide changes the world, it also brings about the change of faith and emotion of tens of millions of people.From the hustle and bustle of demolition and construction, people jump from rice basket to rice basket. After entering the city from the countryside, they suddenly look back and start to think about what they have lost when they have gained something beautiful.Duanmu felt the pulse of this reflection.In "the return of the shepherd", he depicted the natural and tranquil villages where the birds flew into the forest and the cattle and sheep returned to the fold. It was a kind of idyllic painting of "no matter in the han dynasty or in the wei and jin dynasties", which reflected the memories and worries of the people living in the downtown.

In the old man and flower, the artist expresses the bottom people's persistent and watchful attitude towards the truth through the sad and beautiful image of an old miao woman waiting for her lover.In his famous work "life and reform -- group portraits of master danqing in jinling", the painter made a simple choice and created a master image with various elegant demeanor through rich changes of light and shadow, black and white, and shade.The kind, profound, vicissitudes of life, and solitary and proud individual spirits are unified in the real and solid artistic situation. They are deep memorial and admiration for readers, and sublimate to the spiritual power of inspirational admiration for painters.

Traditional Chinese aesthetics takes nature as its beauty, and stresses that "red paint does not have text, while white jade does not have carvings" (the language of Confucius).Western aesthetics advocates the truth as beauty, believing that "in art, only works that can show the true character are considered beautiful" (rhodamian).

Duanmu takes nature and life as the teacher, feels the reality of The Times, thinks about the joys and sorrows of life, and expresses the truth, goodness and beauty with his own painting language.This kind of artistic pursuit with real character should be fruitful and promising.


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