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中国艺星网

巨星世界
《幸存者诗刊》“跨界”栏目主编语

From the editor in chief of crossover at survivor's poetry



中国艺星网/编发/自然

China Yixing network/braiding/nature


作者/跨界艺术旺忘望 

Author/crossover ar



第1期

跨界栏目编者的话

旺忘望


《“跨界”杂感》

1.

世界变化多端

人对它的感受极其复杂


2.

创作是表达这种复杂

只有“不择手段”的多重表现

才能趋向微妙的存在感

才能准确地传达出

生命外在和内在的细腻信息


3.

眼、耳、鼻、舌、身、意是感觉系统

然而,表达这些感受

现已切分成各类“专业”


4.

视觉艺术、听觉艺术、

语言艺术、形体艺术、

味觉艺术、思想艺术等等


5.

本来

琴、棋、书、画、

诗、酒、茶、花、香

是一个人的全感官外化出的审美行为

是个体的精神活动

也是“全人”的体现

现在,一个人却做不到整全的表达


6.

一种手段的表达是局限的

得不到全感官的满足

一种职业的专功

屏蔽了“其它”的无限可能

因此,“跨界”显出必要和意义


7.

跨界

是观念

是表达欲

是好奇心

是兴趣

是手段

是借智

是综合

是拓展

是状态

是完满实现


8.

跨界

还是以点带面

“纵深”与“广博”的结合

是一专多能的全面发展与“全人”的复归


9.

新艺术最大特征是:

越域

多媒体

综合

交叉

无界

整体


10.

这源于生命表达的强烈欲望

也是时代到了“全人”表达的新境界



11.

人人都是感觉家

人人都是创造家

人人都多才多艺

这是上帝的形象

就像未来的智能人

它们有我们的形象


12.

表达是人的本质

文学和艺术的创造

是人创造性表达的高级显化


13.

然而,当机械化大生产

成为人类社会最主要生产形态后

人,便被限制在狭隘的职业领域内


14.

社会功利

教育体制

术业细分

资本意志

严重地闭锁了“全人”的创造性


15.

今日“跨界”的兴起

从个体层面上说

是强烈的表达欲和广泛的兴趣使然

从文化层面上说

是个体反对商品逻辑

反抗外在固化体制和权威的表现


16.

艺术是:创造与自由

现实是:界线与分别


17.

今天

唯有艺术创造

才能消解因细分带来的单调

也只有在创造和自由中

才能全感官、全方位地打开每个毛细孔

去灌溉“兴趣的缩水”

去破坏各类观念的梱绑,从而达到

自由意义上的“通才”



18.

“跨界”最大的障碍是

教育

恐惧

面子

功利

无知


19.

“术有专功”是教育在一开始

就暗示“你是这块料,干不了别的”

多少好奇心就这样泯灭了

多少才华从小就抑制了

多少可能性就此消失了


20.

“样样行,样样松”

这句贬损的话

又打击了多少兴趣广泛的成年人

教育没让人全面实现

反而带给人对创造的不自信和恐惧


21.

教育的最终结果

是让你学会忘记:

自己是“具有上帝形象”的一个人

是一个无所不能的创造者

和无比轻松的“宇宙玩家”


22.

人们往往对知识和技能有恐惧感

却忽视了:

生命内在的课堂大于外在的学府

无意识里的能量大于外在的技能

先验的自我早已埋下亘古的记忆


23.

很多东西是无师自通的

许多行业前世早就经历

自娱自乐时才会显天才

极度放松时就会现神通

无功利目的时就会通灵


24.

仅“专业”一词

就吓退了多少想尝试的人

仅“技术”不行

就不敢在“关公面前舞大刀”


25.

其实,专业的始终在学非专业的

大师始终在学孩子

似是而非,似懂非懂的业余状态

才可能出现无套路的生动作品


26.

不想成为大师

只为高兴而做

最终会出绝品


27.

感觉高于知解

即兴高于套路

灵感高于思维

放松高于职业

出位高于技能

专注高于显示


28.

开创性的作品产自灵魂

原创性的作品出自天真

沟对、融合,才能出现陌生化的东西



29.

宇宙万事万物

都是相联接的

都是全息统一场

跨界首先要明白:事物与事物之间

都具有相似性和可通约性


30.

跨界

使用的共同方法是:

举一反三

触类旁通


31.

用“联想”快速把握

不同专业领域的核心理念和规则


32.

从绘画的

点、线、面

联想到音乐的

节奏、旋律、和声


33.

从书法的

提、按、顿、挫、

干、湿、浓、淡、

轻、重、快、慢

联想到电影的

推、拉、摇、移、

跟、甩、闪、晃


34.

从诗歌的

意象、节奏、

词素、隐喻

联想到设计的

意念构成、视觉传达、

符号效应、传播规划


35.

跨界

就是联想

就是对比

就是融会贯通

就是放开



36.

目前跨界分为:

艺术内部跨界

艺术与非艺术跨界

艺术与商业跨界


37.

互联网时代

跨界如虎添翼

更加明显、广泛


38.

艺术创造

融合多学科相互交叉渗透

混搭出另类语言


39.

不远的将来

是智能人的天下

那时将“无界”

因为任何专业技能

经过它的计算都能做


40.

但,有一点它永远跨不过去

那就是人类的“灵性”与“不确定性”思维

就像我们永远不能超越

创造我们的上帝

这就是“位格”


41.

因此,跨界是复归创造之始

是复归原始直感的灵动性


此次《幸存者》杂志复刊,专设了“跨界”版块。我们将在这个阵地上逐步推介出:诗人、画家、音乐家、小说家、导演、演员、舞蹈家、雕塑家、书法家、摄影家的诗、书、画跨界作品。展现不同领域中代表中国最具实力的跨界实践。

本期介绍的三位跨界人物都是兴趣广泛、通才敏思、性情勤密的重量级跨界艺术家。刘以林、车前子、张广天已在诗歌、绘画、雕塑、导演、音乐上取得了相当高的艺术成就。愿他们的优秀作品能启发更多的读者也进入跨界艺术实践,从而开发出自身的无限潜能。成为一个真正的具有创造力的“幸存者”!


1)

Cross-border column editor's words

Flourishing forget looking

"Crossover"

a

1.

The world is changing

People's feelings about it are extremely complex

2.

Creation is about expressing this complexity

Only "by hook or by crook" multiple performance

To a subtle sense of being

To get it across

Life's subtle messages, both external and internal

3.

The eyes, ears, nose, tongue, body and mind are sensory systems

However, express these feelings

Has been divided into various "majors"

4.

Visual arts, auditory arts,

Language art, body art,

Taste art, thought art, etc

5.

originally

Piano, chess, calligraphy, painting,

Poetry, wine, tea, flowers, incense

It is the aesthetic behavior that a person's whole sense organs externalize

It's individual mental activity

It is also the embodiment of "the whole person"

Now, a person can not do the whole expression

6.

One means of expression is limited

I don't get full sensory satisfaction

A professional qualification

It blocks the infinite possibilities of "other.

Thus, "crossing boundaries" becomes necessary and meaningful

7.

crossover

Is the idea

Is a monologue

Is curiosity

Is interested in

Is means

Is borrowed

Is a comprehensive

Is to expand

Is the state

It's a complete implementation

8.

crossover

Let's do it with a dot

The combination of "depth" and "breadth"

It is the comprehensive development of one subject and many functions and the return of "the whole person"

9.

The major features of art nouveau are:

The domain

multimedia

comprehensive

cross

unbounded

As a whole

10.

This comes from a strong desire to express life

It is also the time to "whole person" expression of the new realm

The second

11.

Everyone feels at home

Every man is a creator

Everyone has many talents

This is the image of god

Like the intelligent man of the future

They have our image

12.

Expression is the essence of human being

The creation of literature and art

It is the higher manifestation of human creative expression

13.

However, when mechanized mass production

After becoming the most important mode of production in human society

People are confined to a narrow field of occupation

14.

Social utility

The education system

The technique breakdown

Capital will

It severely blocks the creativity of the whole person

15.

The rise of "crossover" today

On an individual level

This is due to a strong desire to express and a wide range of interests

Say from culture level

It's the individual against the commodity logic

Resistance to external systems and authority

16.

Art is: creation and freedom

The reality is: boundaries and separation

17.

Today,

Only artistic creation

To eliminate the monotony brought by subdivision

Only in creation and freedom

In order to fully sensory, all - around the opening of each capillary hole

To irrigate "the shrinkage of interest"

Kun tied to destroy all kinds of ideas, so as to achieve

"Generalist" in the sense of freedom

three

18.

The biggest obstacle to "crossing the line" is that

education

fear

face

The utilitarian

ignorance

19.

"Technical expertise" is the beginning of education

It says, "you can't do anything else because you're cut out for this."

So much curiosity died

Many talents have been suppressed since childhood

So many possibilities are gone

20.

"Everything goes, everything goes."

This derogatory remark

And hit how many adults with broad interests

Education is not fully realized

Instead, it gives people a sense of diffidence and fear of creation

21.

The end result of education

Is to let you learn to forget:

I am a person "in the image of god"

He is an omnipotent creator

And the incredibly relaxed "cosmic player."

22.

People tend to have a fear of knowledge and skills

But ignored:

The inner classroom of life is greater than the outer institution of learning

The unconscious energy is greater than the external skills

The transcendental self has already buried the everlasting memory

23.

A lot of things are self-taught

Many industries have been here before

Genius is found in playing for yourself

Psychic powers occur when you are extremely relaxed

Channeling occurs when there is no utilitarian purpose

24.

The word "professional" only

It scares off a lot of people who want to try it

Technology alone won't do

I dare not dance the broadsword in front of guan gong.

25.

Actually, major is learning from beginning to end blame major

The master was always learning from the child

The state of being in a state of amateurism

Can appear without the vivid work of routine

26.

Don't want to be a master

Just for fun

It will be out of this world

27.

Feeling is superior to knowing

Improvisation above routine

Inspiration over thinking

Relaxation over career

Outclass over skill

Focus over display

28.

Groundbreaking works are born of the soul

Original work comes from innocence

Ditch on, integration, to defamiliarization things

four

29.

Everything in the universe

It's all connected

They are holographic unified fields

The first thing to understand when crossing boundaries is: between things

They are both similar and commensurable

30.

crossover

Common methods used are:

The lines

One instance

31.

Use "association" to grasp quickly

Core concepts and rules in different areas of expertise

32.

From the drawing

Dot, line, surface

Think of music

Rhythm, melody, and harmony

33.

From the calligraphy

Lift, press, pause, file,

Dry, wet, thick, light,

Light, heavy, fast, slow

Think of the movie

Push, pull, shake, move,

Follow, shake, flash, shake

34.

From the poem

Image, rhythm,

Morphemes, metaphors

Think of design

Idea formation, visual communication,

Symbol effect and communication planning

35.

crossover

Is lenovo

Is the contrast

That's mastery

Is to let go

five

36.

Currently, the crossover is divided into:

The inner boundary of art

The boundary between art and non-art

Art and business cross over

37.

Internet age

Cross the border like a tiger with wings added

More obvious and extensive

38.

Art creation

Integration of interdisciplinary intercross penetration

Mix and match alternative languages

39.

Near future

It is the world of intelligent people

There will be no boundaries.

Because of any expertise

You can do all the calculations

40.

But there is one thing it will never cross

That is the human "spirit" and "uncertainty" thinking

Just like we can never surpass

Our creator god

That's the place.

41.

Therefore, transboundary is the beginning of restoration creation

It is the flexibility of returning to the original sense

The reissue of survivor magazine features a "crossover" section. We will gradually promote in this position: poets, painters, musicians, novelists, directors, actors, dancers, sculptors, calligraphers, photographers poetry, calligraphy, painting crossover works. To demonstrate the most powerful cross-border practices in different fields representing China.

The three crossover artists featured in this issue are all crossover artists with broad interests, versatile, sensitive and diligent temperament. Liu yilin, che qianzi and zhang guangtian have made quite high artistic achievements in poetry, painting, sculpture, directing and music. I hope their excellent works can inspire more readers to practice crossover art, so as to develop their infinite potential. Be a true creative survivor!




第3期

跨界栏目编者的话


旺忘望


折腾是为了表达

表达是为了自由

自由是无所不为的创造

创造才证明了我的存在


所以 曼若成为全球化浪荡子

所以 贾平凹 老村进入了水墨的情节

所以 梁和平用色彩 点线面演绎音乐

所以 杨典 精灵般地穿梭在语词 旋律 线条中

所以 许德民不讲道理地将诗变成视觉艺术


只有自由的欲望

才能放大表达的界域


世间本无界

只是文化多了

就形成了界


世间本无所谓跨

只是限制多了

就有了跨


本期介绍的六位

是自由的人


(3)

Cross-border column editor's words


Flourishing forget looking


The toss is for expression

Expression is about freedom

Freedom is the creation of all things

Creation is the proof of my existence

So manor became a globalist

So jia ping wa old village into the ink plot

So liang ping deduces BBB 0 with color dot line plane

So Yang dian fairy like shuttle in the words melody line

So xu demin unreasonably turned poetry into visual art

Only the desire for freedom

To amplify the bounds of expression

There is no limit to the world

It's just more cultural

It forms a boundary

There is no straddling the world

It's just more restrictive

There will be a cross

The six featured in this issue

He is a free man



第5期

跨界栏目编者的话

旺忘望


诗人爱写毛笔字是自然的事。诗,离不开书写,诗也始终是书法最核心的美学元素。最感人的书法作品都是个人风格与内容完美的结合。纵观古今,诗人书法家比比皆是,仅宋代四大家苏、黄、米、蔡,就有三位大诗人:苏东坡,黄庭坚,米芾。诗书不分家,始终互相辉映。


书法与其它艺术相比:突破传统具有原创性是非常难的。因为传统过于深厚,法度过于森严。能在笔法、字法、构法、章法、墨法、笔势上有小小的创新就非常难得了。


所以,书法要脱胎换骨具有原创性,是一定要进行跨界交融才能最终“突围”。书法也更需要升华到观念变革的高层次上,才能使无言的诗,无行的舞;无图的画,无声的乐成为脱离记录功能和传统束缚的“汉字艺术”  。


本期“跨界”栏目,推出八位诗人书法家。欧阳江河、于明荃、陆健、唐晓渡、李亚伟、万夏、肖凌、旺忘望。他们分别在“写什么”、“书写的日常性”、“反字”、“观念书法”、“立体书写”、“地景书写”、“现成品书写”、“装置书法”等方面尝试以一种标新立异的姿态,呈现新的审美意境。


本期还介绍了美术批评家杨卫的跨界实践,他的诗歌、油画、文章都有很高的境界。


还介绍了诗人万夏的观念图片。他把照片打很多圆孔,使二维的平面空间增升为三维的立体空间。


5

Cross-border column editor's words


Flourishing forget looking


It is natural for poets to love writing with brush strokes. Poetry is inseparable from writing, and poetry is always the core aesthetic element of calligraphy. The most touching calligraphy works are the perfect combination of personal style and content. Throughout the ancient and modern times, poets and calligraphers can be found everywhere. Only in the song dynasty, there were three great poets: su dongpo, huang tingjian and mi fu. Poetry and calligraphy do not separate, always reflect each other.

Compared with other arts, calligraphy is very difficult to break through the tradition and be original. Because tradition is too deep, the law is too strict. It is very rare to have a little innovation in brushwork, calligraphy, composition, composition, ink-brush style and brushwork.

Therefore, in order to break out of the "encircle", it is necessary for calligraphy to be original. Calligraphy also needs to be sublimated to a higher level of conceptual change, in order to make wordless poetry, no-line dance; Without pictures, silent music becomes the "art of Chinese characters" which breaks away from the function of recording and the bondage of tradition.

This issue of "crossover" column, launched eight poet calligraphers. Ouyang river, yu mingquan, lu jian, tang xiaodu, li yawei, wan xia, xiao ling, wang forwang. They try to present a new aesthetic conception in the aspects of "writing what", "writing routine", "reverse characters", "conceptual calligraphy", "three-dimensional writing", "landscape writing", "ready-made writing" and "installation calligraphy".

This issue also introduces the art critic Yang wei's crossover practice, his poetry, oil painting, articles have a very high realm.

Also introduced the poet wan xia's concept picture. He made a lot of circular holes in the photos to make the two-dimensional plane space become three-dimensional space.



第7期

跨界栏目编者的话

旺忘望


本期介绍三位优秀的女诗人画家:她们是潇潇、安琪、张爽。她们都是诗歌界熟悉的老名人了,但绘画作品看到的人并不多。应该说她们都很自由,都属灵性类的画家。潇潇的画,想象童趣,大平涂,色彩对比强烈,有梦幻意境。安琪的团块构图,装饰构成,黑白疏密的对比,使画面极精致、现代。张爽的扎实造型能力和高级灰的色彩控制,以及综合技法的娴熟,都显示出是受过训练的专业级画家。从她们三位身上可以看出一种无所为刻意跨界的姿态,而是自然而然的生活方式带来的轻松,这种感觉强烈地区别于职业艺术家的焦虑和功利。


本期还介绍了三位诗人兼跨界文化平台的建构者和组织者:老贺,云浩,沉睡。他们除写诗、画画、摄影、搞音乐、做视频,更主要的是根据自己的兴趣和热情在那鞍前马后的张罗文化活动的事,为文化人穿针引线,为他人做嫁衣裳。有时还倒贴钱建立了一个个很纯粹的文化平台;主持了一个又一个的专项文化议题。经常把北京众多的“文化散户”和“超级巨星”聚集在一个平台上进行文化沟通与交流。这种民间活动使北京的人文星火始终“暗流涌动”没能泯灭!“猜火车文化沙龙”、“北京新青年影展”,“好食好色文学刊物”、“云端大学堂”、“蓝云论坛”,“问城论坛”、“云间文会”、“云论坛”等等。在他们辛勤的运作下都有很好的文化影响力和口碑。未来也一定会原子裂变具有更大的放射力。


北京最具跨界文化交流的优势,而这个优势是绝对离不开热情的和充满能量的幕后推手。在这个功利时代,注意力都投向了利益、权威、明星而忽略了幕后英雄的工作和存在,今天,在此追认这些“文化媒婆”们,正是他们的工作才有很多的“幸存者”存活下来。在此借《幸存者诗刊》向他们真诚的致敬!


7

Cross-border column editor's words


Flourishing forget looking


This issue introduces three outstanding female poets and painters: they are xiaoxiao, anqi and zhangshuang. They are old celebrities familiar to the poetry circle, but not many people see paintings. It should be said that they are very free, are spiritual kind of painter. Xiaoxiao painting, imagine tong qu, big flat tu, color contrast is intense, have dreamy artistic conception. Angie's group composition, decorative composition, black and white contrast of density, make the picture extremely delicate, modern. Zhang shuang's solid modeling ability and advanced gray color control, as well as the comprehensive skills of the skilled, are shown to be trained professional painter. It can be seen from the three of them that there is no deliberate gesture of crossing the boundary, but the ease brought by the natural lifestyle, which is strongly different from the anxiety and utility of professional artists.

This issue also introduces three poets and the constructors and organizers of the cross-culture platform: Lao he, yunhao and deep sleep. They in addition to writing poetry, painting, photography, engage in music, do video, the more important is based on their own interests and enthusiasm in the back of the zhang zhang cultural activities, for cultural people to thread the needle, do for others to marry clothes. Sometimes they even put up money to establish a very pure cultural platform; Hosted one after another of the special cultural topics. Beijing's numerous "cultural retail investors" and "superstars" are often gathered on a platform for cultural communication and exchange. This kind of folk activities make Beijing's cultural spark always "undercurrent surging" not devoid! "Trainspotting culture salon", "Beijing new youth film festival", "good food and erotic literature publication", "cloud college", "blue cloud BBS", "ask city BBS", "cloud intercultural club", "cloud BBS" and so on. Under their diligent operation, they all have good cultural influence and reputation. In the future, atomic fission will definitely have greater radioactivity.

Beijing has the most advantage in cross-cultural communication, and this advantage is absolutely inseparable from the enthusiasm and energy behind the push. In this utilitarian age, attention is paid to interests, authority and stars, while the work and existence of the behind-the-scenes heroes are ignored. Today, we recognize these "cultural matchmakers", and it is their work that many "survivors" survive. I would like to pay my sincere tribute to them through survivor's poetry.



吹琴中的旺忘望

I forget to look while playing the piano


作者简介:旺忘望,设计师,诗人,画家。目前是中国最具实力的跨界艺术家。1962年生于沈阳。1979年考入甘肃省工艺美术研究所,从事仿古画,刻砚,盆景工作。1984年考入中央工艺美术学院书籍艺术系(现清华大学美术学院)1988年任解放军出版社美术编辑。曾任《中国专家人名辞典》编委。北京大学资源美术学院设计系主任。现任《中国美术报》视觉总监。文化部中国社会经济文化交流协会常务理事。中央美术学院城市设计学院客座教授,辽宁文学院客座教授。旺忘望被公认为中国新时期最重要的平面设计家。以文化设计著称。曾设计大量的中国文化巨星的平面形象如莫言,崔健,张艺谋,王朔,铁凝,贾平凹,余华,王蒙,刘心武,刘震云,芒克,陈丹青,周国平等等。 2007年转型创作当代艺术。从海报创作转化为现代图像制造。被益为安迪.沃霍尔式的中国当代艺术家。2007年,作家出版社出版《放电--旺忘望的诗歌与插图》上下集。2007年获中国当代诗歌高峰年会独立诗歌奖。2010年获中国诗书画高峰论坛(诗歌组)金奖。2010年获“纪念圆明园罹却150周年大型青年诗会”优秀奖。


Author profile: wang forwang, designer, poet, painter. At present, he is the most powerful crossover artist in China. Born in shenyang in 1962. In 1979, he was admitted to gansu arts and crafts institute, engaged in antique painting, ink-stone carving, bonsai work. In 1984, he was admitted to the book art department of the central academy of arts and crafts (now the academy of fine arts of tsinghua university). He was once the editor of the dictionary of Chinese experts' names. Director of design department, school of resources and fine arts, Peking University. Currently, he is the visual director of China art news. Executive director, China association for social, economic and cultural exchanges, ministry of culture. Visiting professor, school of urban design, central academy of fine arts, liaoning university. Wang forwang is recognized as the most important graphic designer in the new era of China. It is famous for its cultural design. Has designed a large number of Chinese cultural superstar plane image such as mo yan, cui jian, zhang yimou, wang shuo, tie ning, jia pingwa, yu hua, wang meng, liu xinwu, liu zhenyun, munk, Chen danqing, zhou guoping and so on. 2007 transformed the creation of contemporary art. From poster creation to modern image production. He was acclaimed as an Andy warhol-style contemporary Chinese artist. In 2007, the author publishing house published the first and second volumes of "discharge -- poetry and illustrations of wangwangwang". In 2007, he won the independent poetry award of China contemporary poetry summit annual meeting. In 2010, he won the BBS (poetry group) gold award of China poetry and calligraphy summit. In 2010, he won the excellence award of "large-scale youth poetry club to commemorate the 150th anniversary of yuanmingyuan".


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