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2018 art and culture festival of the first road of China's industrial integration zone and the entry form of master craftsmen


China Yixing network/braiding/nature





宜兴有天土,吴门出陶人。吴氏紫砂艺术馆品牌有:(吴氏金鼎)百年老字号。品牌商标有(吴门婷婷)(壶海龙)(吴海龙)(商标)第五代传承人吴海龙,继陶瓷、紫砂已成国艺。一盈把 握,诸子尽在一掬之间,上兑庄老之露、下泡儒佛之泉。禅意不看红尘事,一捧紫砂释天机。宜兴吴门,百年传承。吴氏陶艺历吴余清及吴门第五代传人吴海龙,早慧,幼随父习艺,自幼薰艺家风,承前启后,把吴氏绝艺发扬光大!他从小就乐于收藏,从家藏老壶中传承并创新,他设计的紫砂壶外形既尊重传统,又“方非一式,圆不一相”,突出变化,外形既古雅时尚、又朴实自然。他对紫砂壶所用原材料也是非常有讲究的,“泥”的优劣决定着紫砂壶的品味高低,好壶必是好泥成就,唯有好泥才会制作出双透气孔结构,吸水率高,透气性强,并且“色不艳、质不腻”的好壶,吴氏陶艺百年传承一个亘古不变的习惯是今天的作品已是沉腐十年以上的老泥,致力潜于紫砂艺术的研究和创作,艺海采撷,自此技艺精进。其作品寓意于壶,还魂于砂,严谨而不泥古,典雅也趣于天然。匠人需数十年方可成就,匠心需数百年传承而来,吴海龙大师,承百年技艺,创新式风格。他的紫砂作品多次荣获海内外国际性及国家级金奖,被人民大会堂、中南海艺术馆、国家博物馆、中国农业博物馆等纷纷收藏,被泰国亲王、英国王子、美国硅谷、海峡两岸等的文化艺术大家们大加赞赏,也因一带一路文化交流被带出国门走向世界,入选 2017 年哈萨克斯坦世博会,得到来自世界各地艺术学者的认可。紫砂壶虽小,汇聚的是百年匠心,千年文化。“吴氏金鼎”品牌也被载入诚信中国万里行,走出国门,声名享誉海内外,其紫砂壶工艺品极具艺术价值和收藏价值。吴大师家风薰陶、上承下传,竭尽技艺;发扬光大、推陈出新。吴大师已近天命,紫砂艺术造诣炉火纯青、艺术上渐近"天爵"之境。他的作品在传承古典上推陈出新,在"光货"类型上外形精致、轮廓讲究,自然淳朴、简洁高雅;而在"花货"造型上师化自然,雕镂捏塑、手法丰富、带有典型的吴氏审美风格;在筋纹器造型上,筋囊纹理清晰、疏密得体,深浅自如;在提梁壶的造型上,风格高古、壶体与提梁,虚实对比分明,造型曲线流畅灵动,似流水有声、美人浣纱。虽吴大师名扬远播,但他不为俗界声名所累,在自己的艺术馆精尽艺业,把人生、艺术、紫砂揉捏一体。虽他的作品在市场上一壶难求,但他禀着"良工不示人以璞",静心做匠人,精心做艺术,淡泊名利,踏踏实实地秉承着自己:“一生只做一件事,一事只怀一颗心”的理念,沉迷于紫砂艺术的钻研和制作中。


National master of arts and crafts

Purple sand pot design master

Chinese national gift for artists

Yixing day soil, wu men out of pottery. The brand of wu zisha art gallery is :(wu jinding) century-old brand. The brand trademark has (wu men tingting) (pot sea dragon) (wu sea dragon) (trademark) the fifth generation inheritor wu sea dragon, after ceramics, purple sand has become a national art. A surplus to hold, all in a cuddle between, on the old dew against zhuang, the next bubble of the spring of Confucianism and Buddhism. Zen do not look at the world, holding a purple release tianji. Wu men yixing, one hundred years of heritage. Wu pottery calendar wu yuqing and wu family of the fifth generation of the descendants of wu hailong, premature, young with his father learning art, from a young smoked art family style, link the past and the future, the wu family skills carry forward! He was fond of collecting since he was a child, inheriting and innovating from the old pot of his family. The shape of the purple sand pot he designed not only respects tradition, but also "the square is not the same type, and the circle is not the same shape", highlighting changes. The shape is both quaint, fashionable and simple and natural. He used are recommended for raw material is very exquisite, "mud" quality decides the taste of recommended height, good pot is mud achievements, good mud is the only thing that will make a dual porosity structure, bibulous rate is high, permeability is strong, and the color is not bright, don't be bored with "the good pot, oh for ceramic art heritage in one hundred is a constant habit of today's work is heavy corrosion more than a decade old mud, committed to dive in purple sand art research and creation, art gather, since art progress. His works implied meaning in the pot, revival in the sand, rigorous and not ancient mud, elegance is also interesting in nature. Craftsmanship takes decades to achieve, and craftsmanship takes hundreds of years to inherit. Master wu hailong inherits century-old craftsmanship and innovates style. Purple of his works won numerous international and national gold award at home and abroad, is the great hall of the people and zhongnanhai art museum, national museum, the museum of Chinese agricultural collection in succession, by the prince, prince, the United States, cross-strait cultural and artistic people are in silicon valley, also due to the area along the cultural exchange is out of the door to the world, in kazakhstan world expo 2017, received the recognition from the art scholars from around the world. Although the zisha pot is small, it gathers the craftsmanship of a hundred years and the culture of a thousand years. The brand "wu's golden tripod" has also been included in the Chinese travel thousands of miles in good faith. Master wu, inspired by the family style, inherits from the past and tries his best to improve his skills. Carry forward the old and bring forth the new. Master wu has been close to the destiny, zisha artistic attainments consummate, art gradually "tianjue" of the country. His works are innovative in inheriting the classics. In the type of "light goods", they are exquisite in appearance and outline, natural, simple and elegant. And in the "flower goods" on the shape of the division of nature, sculpture, rich techniques, with a typical aesthetic style of wu; In the shape of the rib apparatus, the rib capsule texture is clear, dense and appropriate, freely depth; In the shape of the girder pot, the style is ancient, the pot body and the girder, with clear contrast between the real and the imaginary. Although master wu is well-known and widely known, he is not burdened by the fame of the common world. Although his works are hard to find in the market, he is indulged in the study and production of zisha art with the concept of "a good craftsman should not be exposed to our nature", "a craftsman with a quiet mind", "fine art", "indifferent to fame and wealth", and "steadfast".

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