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巨星世界
中国工艺美术大师吴海龙作品鉴赏

Appreciation of works of wu hailong, master of Chinese arts and crafts



中国艺星网/编发/自然

China Yixing network/braiding/nature




吴海龙先生

Mr. Wu hailong



嫦娥奔月壶

Chang 'e flies to the moon


此壶采用原矿老紫泥精制而成,泥胎呈深栗色。壶身、流、把、盖全部是用极富生态的桂花桩、树皮及缠枝组成,作品是一件强而有力的雕塑,壶上的桂花是用堆花手法,将段泥的泥浆堆积塑造成型,栩栩如生。

整个壶的形态自然而富含力度;以弯曲的桂花枝为壶嘴、壶把以桂树桩衍生出的枝干,伸展自然,有如自然长成,充满了生命的活力。

壶盖处塑一玉兔,壶身疏影横斜、暗香动人,伸展自然,朴实自然,仿生性极强,充满了生命的活力,此壶整体制作到位,做工精细,以桂花的灿烂和满月表现嫦娥奔月的主题,从壶身造型到创作原意都洋溢着无比的朝气,仿佛看到嫦娥正奔着月亮而来……


This pot is made of old purple clay from raw ore. The body, flow, handle and cover of the pot are all made up of piles, bark and twigs of osmanthus flower, which is a powerful sculpture.

The shape of the whole pot is natural and full of strength; With the curved osmanthus branch as the spout, the pot to the osmanthus tree stake derived branches, stretch natural, like natural growth, full of vitality of life.

Lid plastic, the moon, the pot body thin film extremely, fragrance and moving, extend nature, naturalness, imitation of nature is extremely strong, full of the vitality of life, this pot of overall production, fine workmanship, with sweet osmanthus theme, bright and full moon chang e from the pot body shape to create original intention are permeated with enormous vitality, seems to come see the goddess of the moon is running with the moon...



哈密瓜壶

Cantaloupe pot


哈密瓜有“瓜中之王”的美称 此壶采用老段泥胎质,除了极富生态的枝蔓、还有哈密瓜上的纹理和壶钮上的瓜蒂,整件作品更是一件非常完美的强而有力的雕塑。

壶上的藤叶是用堆花手法,将本山绿泥的泥浆堆积塑造成型。作者从大自然中汲取创作灵感,本仿生作品风格自然写实,几可乱真却又极富巧思,塑镂兼长、技艺超群,开创了一代壶艺文丽工巧的风格。


Cantaloupe is called "king of cantaloupes". This pot is made of old clay clay. In addition to the extremely ecological branches, the texture of cantaloupe and the guati on the knob of pot, the whole work is a very perfect and powerful sculpture.

The rattan leaves on the pot are shaped by stacking the mud of the green mud of this mountain. The author draws inspiration from the nature, the style of this bionic work is natural and realistic, almost authentic but also very clever, sculpture and sculpture long, outstanding skills, has created a generation of pot art artistic style.



竹 节 壶

Bamboo section pot


此壶采用了原矿老紫泥精制而成,作品以竹为题材,展现了其高风亮节,铮铮傲骨的精神气概;工艺的精雕细镂,使壶的造型更加生动、形象、竹韵横生;整器的色泽,壶身饱满丰润,线条简洁而流畅,壶把、壶钮与壶嘴以竹子造型制作而成,整个壶的线条一气呵成,技艺精湛。

身为四君子之一的竹子,一直以来就是人们心里君子的化身,其气节彰显,青翠欲滴,又飘纱清逸,竹是中国美德的物质载体,是君子的象征,有顽强生命、青春永驻的寓意。竹报平安常用来祝福平安吉祥。

竹子四季常青有顽强生命、青春永驻的寓意。竹子长久以来被赋予人格化的高雅、纯洁、虚心、有节、刚直等精神文化象征。竹子精神是感物喻志的象征,也是喻物诗和文人画作中最常见的题材;它表现着自强不息、顶天立地的精神;清华其外、澹泊其中、清雅脱俗、不作媚世之态。


This pot is made of the old purple clay of the original ore. The bamboo is the theme of the work, which shows its lofty morality and integrity. Craft carving, so that the shape of the pot more vivid, image, bamboo rhyme born; The color of the whole pot, the pot body is full and moist, the line is simple and smooth, the handle, the knob and the spout are made of bamboo, the line of the whole pot is completed in one breath.

As one of the four gentlemen, bamboo has always been the embodiment of the gentleman in people's mind. Its integrity is manifested, green and graceful, and floating yarn is elegant. Bamboo is the material carrier of Chinese virtue and the symbol of the gentleman. It is often used to wish peace and good luck.

Bamboo evergreen life, youth meaning. Bamboo has long been endowed with personification of elegance, purity, modesty, integrity and other spiritual and cultural symbols. The spirit of bamboo is the symbol of figurative records and the most common subject matter in figurative poems and literati paintings. It shows the spirit of self-reliance, indomitable; Tsinghua outside, Dan berth among them, elegant and refined, do not make the world.



如意菱花壶

Ruyi flower pot


此壶采用家藏本山绿泥精制而成,其筋纹随着造型形体的变化而深浅自如,筋囊线条纹理清晰,制作精工,口盖准缝,追求极致的比例分割之美。

它的造型创作理念主要是依照菱花瓣的筋瓤和纹理,经提炼加工,将其形态进行规则化,并进行艺术抽象的变形与夸张创作而成。其线条宽容得体,线面转折明确,体态形象生动,流畅自然,委婉曲折,彰显出了紫砂艺术的独特魅力与神韵。

此款筋纹器的菱花壶形态优美,造型端庄大方,古韵盎然、细腻精致,充满大自然的生动情趣和人文气息,庄重而不乏新意、大度豁达而极具阳刚之气;通体筋纹上下流转,从钮、盖、颈、腹至底,筋纹流畅至极,上下映衬、深浅合度,通体形成筋凸瓤凹的纹饰布局,此合菱上下两部分对接无痕,转角温婉,壶肩较平,工艺不凡!壶把由方菱线构成,简朴大方又便于提壶使用。

筋纹线条流畅自然,分例均等,有如一气呵成。整器似一朵含苞待放的花,腰部线条将壶身一分为二,同时从上往下的棱线凹凸有度,交错分布,给人极其震撼的视觉效果,同时将筋纹器与线圆壶的美感展现得淋漓尽致。

在壶内也有棱纹筋线,历历在目,显示手工制作筋纹器之妙。该壶比例恰当,线条清晰,造型典雅,实为匠心独运之杰作。


This pot is made of the green clay from the mountain of jiazang. Its rib lines are freely deep and shallow with the change of the shape and shape. The rib bag lines and textures are clear.

Its concept of modeling and creation is mainly based on the rib and texture of rhombo petals, which is refined and processed to make its form regular and artistic abstract deformation and exaggerated creation. Its line tolerance is decent, line surface turn is clear, figure figure is vivid, fluent and natural, euphemism twists and turns, revealed the unique charm and verve of purple sand art.

This kind of ribcage is graceful in shape, dignified and generous in shape, full of ancient charm, exquisite and exquisite, full of the vivid interest and humanity of nature, solemn and new, generous and open-minded and very masculine; From button, cover, neck and abdomen to bottom, the rib lines are extremely smooth, the upper and lower set off, the depth of fit, the whole body forms the rib convex and concave decorative layout, the two parts of this combination are butt without trace, the Angle is gentle, the shoulder of the pot is flat, the process is extraordinary! The handle of the pot is composed of square rhombohedrine, which is simple and easy to use.

Jin grain lines smooth and natural, divided into equal, as one breath. The whole pot is like a flower in bud. The waist line divides the pot body into two parts. At the same time, the angles from the top to the bottom have a degree of concavity and interlaced distribution.

In the pot also has ribbed rib line, clearly visible, showing the hand - made rib. This pot proportion is appropriate, the line is clear, the modelling is elegant, is the masterwork of craftsmanship.



彩蝶壶

Colorful butterfly pot


留连戏蝶时时舞 自在娇莺恰恰啼,此壶高雅脱俗,造型与线条浪漫抒情,从壶型看,取花香蝶至之意,花蕾结于盖顶,蝶扑于花蕾之上,以简托繁,有壶静蝶动摇藤卷叶之势,抒发了心随蝶儿上九天的喜悦心情,运用不同的泥色制作生动的表现了紫砂的工艺美,展现雅趣,让人浮想联翩!

此作品,沉稳,大度,细腻,细节刻画恰到好处,壶把、壶钮和壶嘴皆有独到之处,从自然界中吸取灵感,作品变化法度合宜、疏繁得体,令人爱不释手!


Butterfly always linger play dance at home sightings on the crow, the pot of decorous and free from vulgarity, modelling and line romantic lyric, look from the jug, take flowers butterflies to, bud knot in coping, butterfly flapping on the bud, to Jane complexity, a pot of static butterfly shaking cane leaf, elicits the butterfly with heart on nine days of joy, use different color mud produced vivid expression of violet arenaceous technology is beautiful, refined taste, let a person to extrapolate!

This work is composed, generous and delicate, with proper details. The handle, knob and spout of the pot are unique, drawing inspiration from the nature. The change of the law of the work is appropriate, and the variety of the work is decent.



松鼠葡萄壶

Squirrel grape pot


此款经典造型款松鼠葡萄壶,选用松鼠和葡萄作题造型,用原矿老紫泥精制而成,壶身上的细节,壶身略呈圆润代表和谐美满,壶把、壶嘴呈苍老古韵的根藤形态,三弯五曲地盘绕在壶体上,造型形象而生动,树的孔洞和肤质褶皱更显古朴的韵味,小松鼠攀爬于壶上,十分生动自然,活灵活现。

自然界的万物是紫砂花货创作取之不尽的灵感源泉,将自然物象去粗取精,经艺术提炼加工,方成紫砂艺术品.将松鼠、葡萄的自然情趣移植到紫砂壶上,松鼠是一种非常有灵性的小动物 它驯良 乖巧 机灵,鼠的生育能力极强,加上葡萄多籽,寓意多子多福,是比较传统的吉祥的象征。葡萄种下一颗小小的籽,却可以结出成千上万的果实,又象征着家中一生万,子孙兴旺,也有一本万利的寓意。


A classic modelling squirrel pot of grape, squirrels and grapes for modelling, with run of mine ore old refined but become, purple clay pot body on the details of the pot body are slightly fruity represents harmony happy, in the pot, spout ancient old root cane, three bending five piece to coiled on the pot body, shape and vivid image, tree holes and skin fold more show the charm of of primitive simplicity, the little squirrel climb on the pot, very vivid and natural, lifelike.

Nature of all things is purple flower cargo inexhaustible source of inspiration, will be natural object pursuit, the artistic refined processing, is purple sand art. The squirrel, grapes are recommended, transplanted to the nature of the squirrel is a very a small animal with spiritual it trained clever clever, rat's fertility is extremely strong, coupled with grape seed, meaning many children, is a traditional auspicious symbol. Grapes planted a small seed, but can bear thousands of fruit, and symbolizes the family life, offspring prosperity, there is a moral meaning of one after another.



四方传炉壶

Pass the kettle from side to side


此经典器形,其制造型取材于青铜器,敦厚朴实,寓圆于方,此器的壶腹外鼓,形状以方器为基本形,但方中寓圆,比一般方器多了一份圆润之美。就制作的难度来看,四方传炉壶的成型难度相当高,甚至可谓是紫砂陶器中,最具挑战性的几个器形之一。采用镶身筒技法作成粗坯,再将上下左右逐一拍圆,所以从纯手工制作的壶内部四侧,一般都可看出四条泥片相接的突起接线。而壶嘴的造型难度亦高,方中带园,圆里寓方,在处理上倍增挑战。况且壶嘴攸关全壶气势、整体造型,更涉及实用层面(如出水是否顺畅有力、断水是否果断不留茶涎),所以此壶的壶嘴最能看出技艺修为与美学涵养,亦往往是鉴赏艺术家制器真伪的重要参考。

壶盖延续了全器造型特微,所以多为方型圆角,制作精良的壶盖要能四面通转无碍,且面面俱到,能接续全壶气韵。取决的标准除了要能便于掀盖、隔热,更需顾及与器身的整体搭配协调与否。

四方传炉壶既俗称四脚猪,其“猪脚”自然是最明显的特徽。几乎所有的传炉壶式的底足皆采“钉足”形式,且多属短柱型,即使是小小的钉足,各家作法亦见差异,有的耿直如圆柱,有的则呈倒梯形,更有的尖削如粽角,各有千秋。

全器上自壶钮,下到底足,无一不是浑圆蓄劲,倍增温润。是集实用性和工艺性于一体的收藏佳品!


The shape of this classic vessel is made of bronze ware. It is simple and honest, round and square. The shape of this vessel is square, but round and round. In terms of the difficulty of making the pot, the molding difficulty of the four-side oven is quite high, and it may even be said that it is one of the most challenging shapes in purple clay pottery. Adopt the technique of inlay barrel to make a rough billet, and then round the top and bottom one by one, so from the inside of the hand-made pot four sides, generally can see the four mud pieces of the protruding connection. Moreover, the modeling difficulty of the spout is also high, with a garden in the middle and a square in the middle. Moreover, the spout is related to the whole pot's vigor and overall shape, and is also related to the practical level (such as whether the water is smooth and strong, whether the water is cut off without any tea). Therefore, the spout of this pot can best be used to show the cultivation of skills and aesthetic conservation, and is often an important reference for appreciating the authenticity of the artist-made pot.

The lid continues the shape of the whole pot is very small, so most of it is square and round. The well-made lid should be able to run smoothly in all directions, and cover all aspects, and can continue the charm of the whole pot. The standard that depends on wants to be able to facilitate besides lift cover, adiabatic, need to consider more the integral collocation that is coordinated with implement body is not.

The four-legged pig is commonly known as the four-legged pig, and the pig's foot is the most obvious sign. Almost all pass the bottom foot of type of boiler pot all collect "nail foot" form, and belong to short column more, even if be small nail foot, each course of action also sees difference, some geng is straight if column, some show inverted trapezoid, more some point is cut if cast Angle, each have his own character.

The whole pot from the button, the bottom foot, there is not a round energy, double moist. Is a collection of practicality and technology in one of the collection of good!



虚扁壶

Virtual flat pot


“造型扁一分,成型难一分”,是紫砂制作公认的行话。虚扁壶以简练的线条构成淳朴凝重的形体,深厚且具神韵。壶腹扁圆,压盖子母线吻合严密,壶钮形似倒置壶身。壶流自壶上腹胥出,浑若天成。壶把粗细渐变,端稳大方。

此壶采用紫砂原矿老段泥精制而成,古朴自然,意韵深长。

“简而化之、返璞归真”的境界堪称紫砂艺术最臻于完美的艺术。此壶以“光润、玉韵、素雅”而见长,气度非凡、力量无限,形态鲜明生动、线条流畅呈现出素雅之美,一壶在手,仿佛达到了《老子》中所谓的“见素抱朴,少私寡欲”的至高境界!

此壶给人一种虚怀若谷、逍遥自在的感觉。他鲜明的个性以及美观的造型,彰显了紫砂壶艺“素雅、古朴、庄重、秀丽、柔美”的艺术特征,是一种自然而永恒的艺术追求、令人玩味不尽。“虚扁壶”的壶型继扁,整个壶的横向感觉张力十足,壶流坚挺,具有挺拔向上的气势;耳把椭圆,与壶嘴同样呈外伸之势,流畅的壶把给人一种圆滑中庸的取向,端庄、圆润、饱满,不媚不俗,高贵之奇尽在无言之中;“虚扁壶”的嘴头处理干净利索,略累下沉,呈外伸飞逸之势,扁远钮与壶身相应和;足挺立,端庄高贵;整把壶线条明细、扁而不虚,为经典而简单的虚扁式样,实用而雅致,细节精致,大处舒展,实为赏心悦目的壶器。


"Shape flat one minute, forming difficult one minute", is purple sand production recognized jargon. Virtual flat pot with simple lines to form a simple dignified form, deep and with verve. The pot belly is flat, the pressure cover bus is closely matched, the pot knob looks like the inverted pot body. The pot flow from the pot on the belly xu out, muddy if heaven. The pot gradually changes in thickness, and the end is steady and generous.

This pot is made of clay from the old section of purple sand ore.

The state of "simplicity, simplicity and simplicity" can be called the most perfect art of purple sand art. This pot with "smooth, jade charm, simple and elegant" and long, bearing extraordinary, infinite power, vivid shape, smooth lines show the beauty of simple and elegant, a pot in hand, as if to see the so-called "plain, less private and less desire" the highest realm!

This pot gives a person a kind of empty bosom if valley, carefree and comfortable feeling. His distinctive personality and beautiful shape, highlighting the purple sand pot art "simple and elegant, simple and simple, grave, beautiful, soft and beautiful" artistic characteristics, is a natural and eternal artistic pursuit, people will not be able to think. The pot shape of "virtual flat pot" is followed by flat. The whole pot feels full of horizontal tension. The ear handle is oval, and the spout is also extended outwardly. The smooth handle of the teapot gives people a smooth and moderate orientation, dignified, round and full, not pleasing and not vulgar. The mouth of the "flat pot" is handled cleanly and neatly. It is slightly tired and sinking, and it shows a tendency of outward extension and flight. The far button is flat and corresponding to the pot body. Feet upright, dignified and noble; The whole pot line details, flat and not empty, for the classic and simple virtual flat style, practical and elegant, exquisite details, large stretch, really pleasing pot.


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