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中国艺术名家推荐委员会主席——吴海龙

Wu Hailong, chairman of the Recommendation Committee of Chinese Art Masters


 中国艺星网/编发/愉快

Chinese art star/editor/happy



 吴海龙,中国工艺美术大师,紫砂壶型设计大师、中国 国礼特供艺术家、手工艺术专业委员会会员。中国文化遗产 保护传承人物、中阿经贸合作论坛艺术宣传大使、中国书法 文化研究所创作中心客座教授、中华民族伟大复兴杰出贡献 人物。中华民族杰出艺术家,中国囯际现代艺术研究中心终 身艺术顾问。 中国领导干部龙文化书画院紫砂艺术馆馆 长、“吴氏金鼎”品牌创始人,吴氏陶艺紫砂艺术馆馆长, 诚信紫砂艺术家。宜兴吴门,百年传承。吴氏陶艺第五代传 人吴海龙从小聪明智慧,幼随父习艺,薰艺家风,承前启后, 把吴氏紫砂绝艺发扬光大。作品均以天然原材料为主,采用 吴家传统工艺和创新技法,突出其精湛的技艺,自成一体, 独创吴氏重传统更重创新的风格。吴海龙自幼乐于收藏,从 家藏老壶中传承并创新,他设计的紫砂壶外形既尊重传统, 又“方非一式,圆不一相”,突出变化,外形既古雅时尚、 又朴实自然。其作品寓意于壶,还魂于砂,严谨而不泥古, 典雅也趣于天然。他的紫砂作品多次荣获海内外国际性及国 家级金奖,被人民大会堂、中南海艺术馆、国家博物馆、中 国农业博物馆等纷纷收藏。2017 年 9 月 19 日担任纽约美中 艺术文化交流协会执行主席。2018 年 7 月 20 日〈彩蝶壶〉 荣获中国工合一带一路艺术文化节暨手工艺大师精品展〈工 合杯〉金奖。2019 年 6 月 18 日中国紫砂,薪火相传,国家 工艺美术大师特殊贡献奖,2019 年 11 月,吴海龙大师创作 的《哈密瓜壶》在中国轻工业联合会举办的首届“百鹤杯” 工艺美术设计创新大赛中荣获“百鹤奖”。2020 年中国艺术 名家档案馆特聘请吴海龙加入〈中国艺术名家档案馆〉,终 身会员。2020 年 9 月 10 日,吴海龙大师受邀参加由故宫博 物院主办的“丹宸永固——紫禁城建成六百年”展开幕式。 其名入选〈2021 年巨献〉、建党百年、紫砂风云人物。入选 中国人物专题报道 2021 年国际艺术名家,获得首届国际艺 术家金马奖,被誉为 2021 年中国环球楷模中国工艺美术大 师,2020 东京奥运首席代表艺术家,2021 年被聘为中国人 物报道主席。2021 年建党百年国际最具影响力艺术家荣誉称 号。2021 年在 CCTV《我爱你中华》特授予华夏经典传承人 称号。2021 年被评为国际文化形象大使。2022 年全国贺岁 CCTV 时代焦点人物。 国家级工艺美术大师吴海龙是吴氏陶艺第五代传人,他 创立的紫砂陶艺品牌“吴氏金鼎壶”汇聚了百年匠心、千年 文化,以独具特色的非物质文化遗产成为国家注册商标,走 出国门,享誉全球。吴海龙还将壶艺和茶道深度融合,不仅 使“吴氏金鼎壶”赏心悦目,具有艺术价值和审美功能,而 且在赏壶品茶后养生健体。 吴海龙善于挖掘和总结吴氏前辈的养生经验,有一套独 特的保健理念。他深谙壶艺,也熟知茶道。因为紫砂壶的实 用功能,首推以壶煮茶泡茶。捧壶论紫砂,饮茶谈茶道,使 壶艺与茶道融为一体,是一种高雅的文化艺术活动,凝聚了 古代先贤的文化智慧。进入现代文明社会,呼应现代人新的 生活方式,满足日益进步的物质需求和精神追求。吴海龙追 本溯源,由壶艺推究茶道。他认为,茶起源于中国,兴盛于 唐宋,吸天地之精华,伴日月而生长。 随着茶文化的不断拓展,紫砂文化随之兴起。宜兴紫砂 壶享有“世间茶具称为首”之美誉,究其原因,在于其与茶 文化的深度融合中,呈现出在材质、工艺、使用功能及文化 上无可比拟的优势。紫砂泥矿土是宜兴特有的一种含铁质、 黏土质和粉矿岩的自然特殊矿土,被称为“岩中岩”“泥中 泥”。紫砂矿土经风化、粉碎、炼制后的泥料具有可塑性强、 干燥收缩率小及透气性好的特点。细细欣赏他的每一件作 品,从壶身、壶钮、壶嘴至把手,都是相互呼应,相得益彰, 构成一个和谐完美的艺术整体。这里,我们不妨一起来欣赏 他的两件代表作品。 其一是“哈密瓜壶”。吴海龙选用了温润细腻的黄龙山 段泥,以新疆出产的哈密瓜为壶体,以瓜的枝、藤、叶分别 作为壶的把手、壶嘴、壶钮,以不同颜色的段泥装饰壶体纹 理,采用立体造型的手法,把饱满的枝叶通过壶把巧妙地覆 盖到壶面上,丝丝入扣,惟妙惟肖。哈密瓜粗糙的表皮、鲜 嫩的枝叶,逼真细腻、婀娜多姿,在大自然中焕发出蓬勃向 上的生命气息,高奏出一曲生机勃勃的田园牧歌。那小小的 一把壶,既是大自然产物的真实写照,又是创作者才思的艺 术结晶。 其二是“彩蝶壶”。吴海龙采用虚实结合的手法,以一 个花瓣为壶面,以一只舞动的花蝴蝶为壶钮,以花藤叶蔓作 为壶把壶嘴,前后呼应。正面欣赏,花瓣盛开,藤摇叶卷, 一只花蝴蝶翩翩而来,舞动着伏扑于花蕊之上,尽情吮吸着 大自然的芬芳。壶型饱满,线条挺括,删繁就简,高雅脱俗。 几种不同色彩的泥料丰富了整体造型,十分和谐,给人带来 一幅风拂花香、蝶飞春暖的美丽图景。动与静的结合更使人 赏心悦目。以上两件作品都在国家级比赛中荣获金奖。 “吴氏金鼎壶”成型以后,吴海龙小心翼翼地加以干燥 到一定程度后,进入老窑烧制,其窑温必须保证在 1150 度 以上。其绞泥壶用的是祖传配方,每一件泥在色彩的搭配和 份量的分配上都有不同变化。均以纱布包裹数天后打压,而 且都是双面绞泥,穿透力非常强,烧制也不容易开裂。 吴海龙还十分讲究茗壶的取水和用水。取来的泉水出于 紫砂水缸,然后以他的养生壶烧煮沸腾后,再加以过滤。壶 里的茶水取其 5 公分以上部分,因为在 5 公分下的茶水含有 超量的重金属元素。 他依据日趋盛行的“茶道”,采用多样化的制壶手法, 设计制作出与新的饮茶方式相匹配的茗壶杰作。或雕或缕, 或捏或塑,他将一段段紫泥演绎为一件件精美的保健艺术 品,既有养生实用功能,又有赏心悦目的审美价值。他制作 的养生光器外形精致,轮廓分明,简洁高雅。他出品的养生 花器造型逼真,纹理清晰,疏密有致。他仿效苏东坡制作的 提梁养生壶,造型高古,壶体与提梁虚实对比,直线干净利 落,曲线流畅奔放,静如高僧静坐,吉祥安逸;曲似美女浣 纱,流水有声。


Wu Hailong, Master of Chinese arts and crafts, master of purple sand pot design, Chinese national gift special artist, member of manual art professional Committee. Chinese cultural heritage protection and inheritance figure, Art Publicity Ambassador of China-Arab States Economic and Trade Cooperation Forum, visiting professor of Creation Center of Chinese Calligraphy Culture Research Institute, outstanding contribution to the great rejuvenation of the Chinese nation. Outstanding Artist of the Chinese nation, lifetime art consultant of China International Modern Art Research Center. Chinese leading cadres dragon culture calligraphy and painting academy purple sand art museum curator, "Wu jinding" brand founder, Wu pottery Purple sand art museum curator, integrity purple sand artist. Yixing Wumen has been inherited for a hundred years. The fifth generation of Wu pottery wu Hailong smart wisdom, young with his father to learn art, fumigating family tradition, link past and future, the Wu purple sand unique art carry forward. The works are based on natural raw materials, using wu's traditional technology and innovative techniques, highlighting its exquisite skills, sui sui, original Wu's emphasis on tradition and hit the new style. Wu Hailong is fond of collecting since childhood, and inherits and innovates from the old pot hidden at home. The shape of the purple sand pot he designed respects tradition, and "the square is not one type, the circle is not the same phase", highlighting changes, and the appearance is both elegant and fashionable, and simple and natural. Its works implied in the pot, reviving in the sand, rigorous but not mud, elegance is also interesting in nature. His purple sand works have won many international and national gold awards at home and abroad, and have been collected by the Great Hall of the People, Zhongnanhai Art Museum, National Museum of China, and China Agricultural Museum. On September 19, 2017 he served as executive Chairman of the U.s.-China Art and Cultural Exchange Association in New York. On July 20, 2018, "Colorful Butterfly Pot" won the gold medal of "Gong he Cup" in the Belt and Road Arts and Culture Festival and Master craftsmen Exhibition. June 18, 2019, China Purple sand, passing on the torch, national Arts and Crafts Master special Contribution Award, In November 2019, Master Wu Hailong's "Hami melon pot" won the "Hundred Cranes award" in the first "Hundred Cranes Cup" Arts and crafts design innovation Competition held by China Light Industry Federation. In 2020, The Archives of Chinese Art Masters will invite Wu Hailong to join the Archives of Chinese Art Masters as a lifelong member. On September 10, 2020, Master Wu Hailong was invited to attend the opening ceremony of "Danchen Yonggu -- The 600th Anniversary of the Forbidden City" hosted by the Palace Museum. His name was selected as "2021 Grand Contribution", the centenary of the founding of the Party, zisha man of the Year. Selected as 2021 International Famous Artist of Chinese Characters Special Report, won the first Golden Horse Prize of International Artists, known as 2021 Chinese global model Of Chinese Arts and Crafts master, 2020 Tokyo Olympic Games chief representative artist, hired as the Chairman of Chinese characters report in 2021. In 2021, it will be honored as the most influential Artist of centennial International. In 2021, he was awarded the title of Inheritor of Chinese Classics by CCTV "I Love You China". In 2021, he was named international Cultural Image Ambassador. 2022 National New Year's Eve CCTV era spotlight. Wu Hailong, the national master of arts and crafts, is the fifth generation successor of Wu's ceramic art. The purple clay ceramic art brand "Wu's Golden triding Pot" founded by him gathers the originality of one hundred years and the culture of one thousand years. It has become a national registered trademark with the unique intangible cultural heritage, and enjoys global fame abroad. Wu Hailong also deeply integrates pot art and tea ceremony, which not only makes "Wu's golden tripod pot" pleasing to the eye, with artistic value and aesthetic function, but also keeps healthy after enjoying pot and tasting tea. Wu Hailong is good at digging and summing up the experience of keeping in good health of wu's predecessors and has a set of unique health care ideas. He is well versed in pot art and tea ceremony. Because of the practical function of the purple sand pot, the first to pot tea tea. It is an elegant cultural and artistic activity, which embodies the cultural wisdom of ancient sages. Enter the modern civilized society, echo the new way of life of modern people, meet the increasingly progressive material needs and spiritual pursuit. Wu Hailong traces back to the origin and studies the tea ceremony by pot art. He believes that tea originated in China and flourished in the Tang and Song dynasties, absorbing the essence of heaven and earth and growing with the sun and moon. With the continuous expansion of tea culture, zisha culture rises. Yixing purple sand pot enjoys the reputation of "world tea ware known as the first", the reason lies in its deep integration with tea culture, showing incomparable advantages in material, technology, use function and culture. Purple sand mud is a kind of natural special mineral soil containing iron, clay and silt, which is called "rock within rock" and "mud within mud". The clay after weathering, grinding and refining has the characteristics of strong plasticity, low drying shrinkage and good air permeability. Carefully appreciate each of his works, from the body, button, spout to handle, are echoing each other, complement each other, constitute a harmonious and perfect artistic whole. Here, we might as well enjoy his two representative works together. One is the "cantaloupe pot." Wu chose Huang Longshan period of mud of wen run is exquisite, produce of hami melon in xinjiang as the pot body, with melon, vines and leaves respectively as, spout, pot pot handle knob, embellished with different color piece of clay pot body lines To use the technique of three-dimensional modelling, the full of branches by pot up neatly Cover the pot, interesting, perfectly. The rough skin and tender branches and leaves of hami melon are lifelike, delicate and graceful, radiating vigorous upward breath of life in nature and playing a lively pastoral song. That small pot is not only the true portrayal of the product of nature, but also the artistic crystallization of the creator's ingenuity. The second is "colorful butterfly pot". Wu Uses the technique of combining the virtual and the real, with a petal as the surface of the pot, a dancing butterfly as the button, and rattan and leaf as the spout of the handle. Positive appreciation, petals in full bloom, rattan shake leaf roll, a flower butterfly fluttering and come, dancing fu pu on the flower, sucking the fragrance of nature to the top of one's bent. Pot full, crisp lines, simplified, elegant and refined. Several different colors of mud enrich the overall shape, very harmonious, to bring a beautiful picture of wind blowing flowers, butterflies flying spring warm. The combination of motion and stillness is more pleasing to the eye. The above two works won the gold medal in the national competition. After the "Wu's golden tripod pot" is formed, Wu Hailong carefully dries it to a certain extent and then enters the old kiln for firing. The kiln temperature must be guaranteed to be above 1150 degrees. Its clay POTS use a heirloom recipe, and each piece of clay has a different color scheme and weight distribution. Wrapped in gauze for a few days of pressure, and are double-sided mud, penetration is very strong, firing is not easy to crack. Wu Hailong also pays particular attention to the water intake and use of the tea pot. The spring water was drawn from a purple clay tank and then boiled in his health-preserving pot before being filtered. Take more than 5 centimeters of tea in a pot, because tea under 5 centimeters contains excessive amounts of heavy metals. Based on the increasingly popular "tea ceremony", he used a variety of pot making techniques to design and produce masterpieces matching the new way of drinking tea. Carved or wisp, or pinched or molded, he interprets sections of purple clay into exquisite health care artworks, with both practical functions of health preservation and aesthetically pleasing values. He made the appearance of the health light device delicate, clear, simple and elegant. He produced a lifelike shape, texture clear, dense. His imitation of su Dongpo made the girder health pot, the shape of ancient, the pot body and the girder false and real contrast, straight line clean, smooth and bold curve, quiet as a monk sitting, auspicious and comfortable; Song like beauty silk washing, running water sound.
















 著名国礼艺术家·紫砂艺术大师吴海龙先生

Mr. Wu hailong, famous Chinese artist and master of zisha art



吴海龙作品

Works by wu hailong



吴海龙作品

Works by wu hailong



吴海龙作品

Works by wu hailong



吴海龙作品

Works by wu hailong



吴海龙作品

Works by wu hailong



吴海龙作品

Works by wu hailong



吴海龙作品

Works by wu hailong



吴海龙作品

Works by wu hailong



吴海龙作品

Works by wu hailong



吴海龙作品

Works by wu hailong



吴海龙作品

Works by wu hailong



吴海龙作品

Works by wu hailong



吴海龙作品

Works by wu hailong



吴海龙作品

Works by wu hailong



吴海龙作品

Works by wu hailong



吴海龙作品

Works by wu hailong



吴海龙作品

Works by wu hailong



吴海龙作品

Works by wu hailong



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