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媒体人管敬革关于国画视界盛宴 | 时代墨韵·当代名家邀请展”之国画前景引发的思考

Media tube JingGe feast on traditional Chinese painting horizon | era, two sides of contemporary masters invitational exhibition of Chinese paintings, prospects of thinking



中国艺星网/编发/愉快

Chinese art star/editor/happy


作者 管敬革

Author guanjingge



参展书画名家

Exhibit painting and calligraphy masters


晟晟艺晟文化商城在日渐寒意的戊戌之年完美演绎艺术视觉盛宴的帽子戏法。就是昨天,一场及时的北风吹走了帝都的雾霾,迎来了冬日里难得的晴朗好天气……

下午三时许艺晟集团也迎来三件喜事,主办出两场画展和一场艺术之旅,第一场是今天上午在艺藏集团开幕的,主题为万物有灵·新锐精品油画展;第二场是今天下午在山水珍宝博物馆开幕的,主题是时代墨韵·当代名家邀请展;还有就是可谓狗年尾巴的丰收之喜,因为迎来了艺晟·北京艺术之旅的客人,远道而来的客人有幸参加这两场画展。名家荟萃、佳作云集的艺术盛会,没能赶上画展开幕式的小伙伴不要着急喔。

做为集团发言伙伴小晟晟,首先为大家送上时代墨韵·当代名家邀请展的现场盛况,万象有灵·新锐精品油画展的精彩亮点请看今天二条推文;

第二场无疑是11月17日下午,时代墨韵·当代名家邀请展在山水珍宝博物馆隆重开幕。本次画展由艺晟商业集团主办,山水珍宝博物馆承办,中华社会文化发展基金会,全国艺术品专家委员会、壹备案艺术品鉴证中心、美国世界龙凤文化艺术联合会、法国当代艺术家协会、山东大都美术馆、书画艺术版权网、北京同丰典当有限公司、中恒隆鑫(北京)担保有限公司等部门协办。

这场画展上社会各界领导、书画艺术界的专家、艺术家、收藏家、艺术爱好者云集,有近200人参加了开幕仪式,全民艺术网、搜狐视频、腾讯视频、爱奇艺、书画频道等十余家媒体对画展进行了报道。

参展艺术家方阵向我们走来,他们分别是:

武剑飞 | 杨鹤 | 严家祥 | 王顺泰 |池福云 | 韩伟华 | 析伶 | 霍伯修 | 宋闻鉴 | 张东海 | 初中海 | 田 诚 | 覃日群 | 管敬革 | 张禾

下面是出席嘉宾的全方位阵容:

中华社会文化发展基金会国宝工程公益基金会总干事 王欣

中国检验检疫学会主任 马军

中央电视台收藏讲座专家老师 吴锐

美国世界龙凤文化艺术联合会会长 刘光菊

法国当代艺术家协会主席 叶星千

安徽省人民政府驻京办书记 丁昌盛

中国美术家协会会员,历任辽宁省美术家协会副主席 卢志学

国画家,国家一级美术师,山东美术家协会会员 析伶

专业画家,国家一级美术师,中国美术家协会广西分会会员 霍伯修

中国美术家协会河北分会理事,北京中艺国画研究院院长 宋闻鉴

国家一级美术师,中国写意重彩画创始人,十大最具影响力艺术家 武剑飞

职业画家,国家一级美术师,中国美术家协会会员,中国版画家协会会员 覃日群

中国当代青年画家,“时空心灵画家”  严家祥

中国书画家杂志社副总编,CCTV闻道采编,作家报副总编,国家一级美术师 ,中央美协会员,辽宁省美协会员,中国国画院专职画家,中國美術家协会会员管敬革

国家一级美术师,北京市美术家协会会员 张东海


Sheng sheng yi sheng culture mall's growing chill the years of the reform movement of perfect deduce art visual feast hat-trick. Yesterday, a timely north wind blow off the misty fog, ushered in the winter the rare sunny weather...

3 PM Xu Yisheng group also have three event, hosted a two exhibition and a journey of art, is the first game this morning in the art group, the opening of the theme of all things have spirit, new classic oil painting exhibition; The second is in scenic treasures museum, this afternoon, era theme is the two sides, the contemporary masters invitational exhibition; Then there is a dog tail, the joy of harvest, because in the art, sheng Beijing tour, guests, the distinguished guests to attend the two exhibition. Famous, excellent work of art event, failed to catch up with friends don't try so hard oh exhibition opening ceremony.

As small sheng sheng group speaking partner, the first for everybody to age two sides, the contemporary masters invitational exhibition site, inclusive of spirit, a new fine oil painting exhibition to highlight see two tweets today;

Second is November 17 afternoon, age two sides, the grand opening of the contemporary famous invitational exhibition at the museum of landscape treasures. This exhibition, sponsored by the yi sheng business group, to undertake landscape treasures museum, the Chinese social and cultural development foundation, the national art committee of experts, one for the record of art authentication center, the United States the world federation of longfeng culture art, French contemporary artists association, shandong art, calligraphy and painting art copyright mostly net, with abundant pawn co., LTD., Beijing zhongheng longcin guarantee (Beijing) co., LTD., etc in collaboration with the department.

The exhibition on leaders from all walks of life, painting and calligraphy art experts, artists, collectors, art lovers, there are nearly 200 people attended the opening ceremony, the national art net, sohu video channel, tencent video, love art, calligraphy and painting, etc. More than ten media reported on the exhibition.

The artists phalanx coming to us, they are:

Wu Jianfei | Yang He | YanGuXiang | Wang Shuntai | ChiFuYun | wei-hua han | chief analysis | HuoBoXiu | | Song Wen authentication dong-hai zhang hai | | junior high school tian cheng | | QinRi group tube JingGe | John

The following is the guests to attend the full squad:

National treasure of Chinese social and cultural development foundation engineering public foundation. Wang xin is director-general

China inspection and quarantine, director of the institute Ma jun

China central television (CCTV) collection lecture Wu Rui expert teacher

The world association of longfeng culture art Liu Guangju

French contemporary artists association President Ye Xingqian

Anhui province secretary of the Beijing office of the people's government Ding Changcheng

Member of Chinese artists association, vice chairman of liaoning province artists association Lu Zhixue

Traditional Chinese painters, the national level artists, chief member of shandong artists association analysis

Professional painter, the national level artists, HuoBoXiu of guangxi branch of Chinese artists association

Hebei branch director of Chinese artists association, Beijing art Chinese painting research institute Song Wen guide

The national level artists, Chinese freehand brushwork ChongCaiHua founder, the 10 most influential artist Wu Jianfei

Professional painter, the national level artists, member of Chinese artists association, China print artist association member QinRi group

Young artists in contemporary China, YanGuXiang "space-time painter heart"

Chinese painter-calligrapher magazine deputy editor-in-chief, CCTV, wen dao editorial, writer newspaper deputy editor, the national level artists, the central artists association, member of liaoning artists association, member of China of the professional painter, member of Chinese artists association tube JingGe

The national level artists, member of Beijing artists association dong-hai zhang



此次画展诸多领导及名家强调中国水墨画在中国画史中的地位


在一部波澜壮阔的中国画史里我们可以看到,宋代文人中有人极力反对五代时期院体画的发展,从而形成发展出新“文人画派”的一个高峰期。文人画最早由苏轼提出,时人称之为“士人画”。日后不断发展中得到了文同、黄庭坚、米芾等人的倾力著文支持。

这其中最突出的代表无疑是米芾、米友仁父子。由于擅长描绘南方山水,并且特别擅长描绘烟雾缭绕、氤氲朦胧之感,其画风被称为“米氏特色云山”。除此以外,贵族阶层中也形成另一派以王诜、赵令穰等人为代表的“小景山水”的人物。

然而,此时青绿山水的发展逐渐淡漠,但仍然产生了王希孟这样的大画家。其作品《千里江山图》长达 18 米,被誉为中华“青绿山水第一长卷”。

反观南宋虽然偏安一隅,但在宋徽宗赵佶的影响下,仍然创造出主要以“院体山水”为主而影响后世多少年。突出代表是“宋四家”分别为李唐、刘松年、马远、夏圭。

自元代以后,文人山水画几经沉浮重登历史舞台成为山水画中的主流,最为典型的代表即为“元四家”:黄公望、王蒙、倪瓒、吴镇四人。

这“四家”提出以主张绘画以自娱为主的理念,并且极力营造出绘画的文学性,实现诗书画印的结合。四人中尤其以黄公望最为突出,其作品《富川山居图》被称为“中国十大传世名画”。

明代时期院体画再次发作风行于世,反映在山水画中则是明初的“浙派”,主要以戴进、吴伟为代表。但明代中期仍然出现了杰出的文人画家,被称为“吴门四家”,分别是沈周、文征明、仇英、董其昌。

到了清代时间山水画逐渐失去了生机,主要是以摹古复古之风为主,后人称之的“四王”分别是:王时敏、王鉴、王翚、王原祁。他们重视笔墨,但作画日趋模式化。发展至此,山水画逐渐进入到平稳发展的时期。


The exhibition, many leaders and famous emphasize the status of Chinese ink and wash painting in China

In a spectacular Chinese painting we can see that some of song dynasty literati objections to the five dynasties period, the development of the imperial court decorative painting, thus forming a peak for the development of new "literati painting". First put forward by su shi literati paintings, people call it the "literati painting". Crew members aboard has been in continuous development in the future, huang tingjian, and others provide the led support.

One of the most prominent representative is undoubtedly MiFei, MiYouRen father and son. Due to good at depicting the southern landscape, and especially good at depicting the smoke-filled, dense hazy feeling, its style is called "mie yunshan". In addition, the aristocracy also form other with Wang Shen representative of "landscape" kei chan, Zhao Lingrang characters.

By this time, however, the development of green landscape gradually indifference, but still cause Wang Ximeng such a great painter. His works "Trinidad Jiang Shantu 18 meters, is known as the" green landscape first long ".

In contrast, the southern song dynasty, although small but, under the influence of was and still create mainly "landscape" courtyard body and affect how many years later. Outstanding representative is "song four" Li Tang, Liu Songnian, Ma Yuan, these respectively.

Since the yuan dynasty, literati landscape painting after several ups and downs on the historical stage become the mainstream in the landscape painting, the most typical representative is the "yuan four" : huang gongwang, wang meng, NiZan, wu zhen four.

Is proposed according to the "four" claim to painting concept, and to build a painting of literariness, realize the combination of poem calligraphy and seal. Especially in the huang gongwang of the four, his works "fuchuan on figure is known as" China top ten most famous paintings ".

Period of the Ming dynasty imperial court decorative painting again became popular in the world, is reflected in the landscape painting in the Ming "zhejiang", mainly represented by Dai Jin, arvin. But the mid Ming dynasty still outstanding literati painters, referred to as "four" wu, shen Chou, wen Ming, qiu ying, dong qichang.

Time to the qing dynasty landscape painting gradually lost its vitality, mainly is the capital of ancient wind restoring ancient ways is given priority to, the person of the "four Kings", respectively is: wang shih-min, king James lynch, Hui, wang yuanqi. They attaches great importance to the pen and ink, but painting is modeled. Development so far, the steady development of the landscape painting gradually into the period.

在不同的时代背景下,绘画的语言结构也受特殊的历史境遇所影响,因此,传统文化心里照应下出现了传统绘画的诗,书,画,印相结合的语言结构,这是中国绘画发展的阶段性表征。而面对当下时代的多元化发展,凸显绘画语言的形式功能,是当代水墨绘画在时代背景下的终极目标。

传统绘画的笔墨形态集书写性,意向性,偶然性,瞬间性,流变性,互渗性,随机性等多种性质为一体,经过长期的积累和磨砺,其形成了一套高度程式化的笔墨形态。以此来体现作者在绘画主题的上对自身情感意绪的阐发,对绘画语言和绘画题旨的契合以及对作品本身精神品质的体现。这样也就使得欣赏者与绘画作者在轻松理解作品的前提下能产生共鸣。而当代水墨绘画则是在“笔墨”样式上大做文章,他们不再一味谨守传统绘画法则,不再以临摹文人画笔墨样式为唯一途径,而转向研究该语言样式的成因和由此而显现出的思维规律,他们或改变传统笔墨的排列顺序,或将传统笔墨符号放大“翻译”,加上对其他画种和西方绘画形式的借取和利用,形成了与时代背景当代生活体验的相契合的心的笔墨形态。

这种局部扩大,夸张,强化纯“语言”的表现,消解传统水墨的绘画程式,随意铺陈,注重点,线,面得构成要素,其笔墨形态构成了丰富的图式,没有了和谐清雅的画面而形成了一幅幅酣畅淋漓的水墨交响曲,形成强大的审美效应,由于其新的笔墨形态而富有了新的批判精神和反思格调,继而也产生了当代水墨绘画艺术应有的现代性品格。

当代水墨绘画大发展是一个艰难而持久的过程,经过若干年的发展,最能打动我们的还是那令人耳目一新的水墨张力与表现,新世纪的到来与发展,社会多元化的发展,让人忽而焦虑,忽而激愤,许多有待抒发和表现的艺术精神意旨都是随着社会的发展同步而来,不同国家和文化的影响引起了人们对自身本土文化地位捍卫的思考,而当代水墨绘画的产生,正是该形式下必然的产物。


Under the background of different times, painting language structure also is influenced by the special historical circumstances, therefore, the traditional culture under the care of the traditional painting poems in his heart, books, paintings, printed with the combination of language structure, this is the phases of the development of Chinese painting. While facing the diversified development of The Times, highlight the form of painting language function, is the ultimate goal of contemporary ink painting in the background.

Traditional painting set writing pen and ink form, intentionality, contingency, moments, rheological property, permeability and the randomness and other properties, after a long period of accumulation and hone, it developed a highly stylized ink form. In order to reflect the author on the motif of elucidating the emotion of YiXu, fit for painting language and painting theme and the embodiment of the mental quality of work itself. This also makes people understand and painting the author in a relaxed work under the premise of can resonate. And contemporary ink painting is in "ink" style, they are no longer blindly observe laws of traditional painting, and no longer with copying style of literati painting ink is the only way, and to study the cause of the language style and thus reveal the thinking law of them or change the order of the traditional pen and ink, or amplify the traditional pen and ink marks "translation", add to other forms of picture and western painting borrow and use, formed with the time background of contemporary life experience corresponds to the heart of the pen and ink form.

The local expanded, hyperbole, improved the performance of the pure "language", dispelling traditional ink painting program, optional elaborate, pay attention to the point, line, surface elements, its ink form constitutes the rich schema, without a harmonious and elegant image and form a series of comfortable ink symphonies, formed a strong aesthetic effect, due to its new ink form and rich new critical spirit and style, then also produce character, the modernity of contemporary ink painting art.

Contemporary ink painting's development is a difficult and lasting process, after several years of development, the most can impress us or that refreshing ink tension and performance, the arrival of the new century and the development, the development of social diversity, and anxiety, and anger, many spiritual purpose is to express and the performance of the art with the development of the society synchronization, and the influence of different countries and cultures has caused people to think of position to defend their native culture, and the generation of contemporary ink painting, is the inevitable product of the form.


中国的国画在古代本源于文人画,是文人墨客抒发情感一种表现形式,当时文人仕途不顺,便感物抒怀,如孤舟蓑笠翁,独钓寒江雪……其实有一种曲高和寡,怀才不遇之感,然后便引文入画,故创作出来的画比较注重画中境,境中象……近些年中国艺坛有些复古之风,往往追求此感……

China's traditional Chinese painting in ancient times this is the result of literati paintings, is a kind of expression form of letters elicits emotions, scholars at that time, his political sense object, like a boat SuoLiWeng, fishing alone like snow... Actually there is a loner, the feeling of his talent, then quotation show, so draw more attention in the territory of the created, situations like... In recent years, the Chinese art scene some wind restoring ancient ways, often pursue this feeling...

谈到中国画的创新与发展方面,一些专家学者认为:中国画应在传承传统水墨艺术基础上进行艺术本体的回归,鼓励艺术家运用不同的绘画语言去表现时代生活,并借取西方现代性元素多维多层次的对中国画进行创新改革,去探索真正属于自己的绘画语言……

When it comes to the innovation and development of Chinese painting, some experts and scholars think: Chinese painting should be on the basis of inheriting traditional ink painting art ontology of regression, encourage artists use different painting language to express life times, elements and borrow western modernity multi-dimensional multi-level innovation reform of the traditional Chinese painting, to explore the real painting language of their own...





媒体人画家管敬革

Painter tube JingGe media people


一些书画家及领导认为中国画展其宗旨"以展促创、创研结合"的方式对提升艺术家创研能力的重要意义。参展艺术家创作成果的集中展示,同时又是艺术家与学者、专家进行批评、交流、互动的方式,希望今后的展览能得到大家一如即往的支持。

Some artists and leadership think China to show its tenet "in" exhibition to promote, and research combined with "the way to improve the artist and the significance of research ability. Participating artists results, at the same time, artists and scholars, experts, and criticism, communication, interactive way, hope to get your future exhibition to support.




各位参展画家一直在自然界中寻觅自己的艺术语言来表达自己对大自然的感受。从周围的自然环境中的事物,譬如树木,花草,池塘,飞鸟……中汲取灵感,通过仔细观察和结合个性化的绘画语言,造型上的抽象与笔墨的渲染,增加语言本体的鲜明性,独特性和趣味性,以展现大自然的变幻无穷与无限活力,这是我近几年来创作的一个主要方向。这样会创作出更加有新意新构思的画。

Each participating artists have been looking for his own artistic language to express themselves in the nature of the feeling of nature. From the surrounding natural environment of things, such as trees, flowers and plants, pond, the birds... Draw inspiration, through careful observation and in combination with personalized drawing language, abstract and ink rendering on modelling, increase the clear of language ontology, uniqueness and interest, to show nature's infinite change and infinite vitality, this is my creation of a main direction in recent years. This will create more creative new ideas.




参展作品

The pictures






媒体人画家管敬革

Painter tube JingGe media people



媒体人管敬革采访策展人冯雨馨,冯雨馨强调要为艺术家搭建艺术平台,让好的书画作品走向全国,走向世界,并且为签约画家做好壹备案工作。

Media people tube JingGe interviewed curator Feng Yu jasmine, Feng Yu xin emphasizes building art platform for artists, makes good painting and calligraphy works towards the nation, moves towards the world, and for signing artists to do a good job of one for the record.



媒体人管敬革与参展画家

Media people tube JingGe and painter


管敬革在接受记者采访时说:中国的国画应该打破一些传统框框,创新一些新思想新思维绘画,将传统的水墨与西画色彩融为一体,分娩新的作品,新作品的诞生如刚初生的婴儿,有一种丝丝阵痛,因为它是经过思想的沉淀,提炼,分娩而成,尤其色彩的浙变,会使这个作品更加有生命力。

Tube JingGe said in an interview: China's traditional Chinese painting should break the traditional frame, innovation some new thoughts new paintings, traditional ink painting and painting color, delivery of new works, the creation of a new work such as just born baby, there's a bit painful, because it is through thoughts of precipitation, refining, childbirth, and especially the color of zhejiang, can make the work more vitality.



名家展会议盛典

Famous exhibition meeting awards



名家展会议盛典

Famous exhibition meeting awards



媒体人管敬革与CCTV藏宝专家吴锐

Media people tube JingGe Wu Rui with CCTV treasure experts



中国彩墨山水的思考

Chinese calligraphy, thinking


谈到当代的重彩山水,需要追溯到传统的青绿山水。


青绿山水自隋唐开始,一直到北宋末年,曾经在宫廷中盛行一时。特别是初唐时期的李思训和李昭道父子,将青绿山水推到了一个历史高度。


北宋以来,随着文人画的兴起,水墨山水开始逐渐代替青绿山水。就这样,青绿山水被排挤出画坛。


近代以来,由于张大千、贺天健等前辈的努力,青绿山水得以继续发展。


近年来,彩墨画在文化复兴风潮中获得前所未有的大发展,中国彩墨画在全世界范围内获得广泛认可,颇受广大藏友欢迎,未来升值潜力巨大,而现在正是入手的绝佳时机。


彩墨画巧妙地将中国的水墨和西画中的色彩融为一体,形成漂亮的雅俗共赏的混血儿,逐渐被社会认可,从高层到低层,喜欢的人越来越多,确实是个难得的好商机。


远观几千年来山水国画发展史,细心之人不难发现古人高手多以冷峻幽情的抒发家国与个人的情感为主,其中代表以八大山人、唐寅、郑板桥等不得志的民间文人画家。与那些沉醉为君王颂歌型的青绿山水多以宫庭画师形成鲜明对比,其中金陵和嶺南两个门派占据风靡着书画江山许多年……


近看现代山水笔墨发展不乏吴昌硕、齐白石、李可染、张大千、关山月等大师首开浓墨重彩山水的先河,把带有鲜明中国丹青符号的绘画推向一个前所未有新高度。再看在现实中的国内外书画收藏家眼里:工笔、小写意和大写意的山水画各领风骚几多年!在此背景我沉醉主攻很多人都喜欢的我这种彩墨画,用彩与墨的叠加再现祖国风貌。


When it comes to contemporary of landscape, need to trace back to the traditional green landscape.

Green landscape since sui and tang dynasties, until the song dynasty, once in the court. Especially in the period of the tang dynasty Li Sixun and Li Zhao father and son, have pushed the green landscape to a historical height.

Since the northern song dynasty, along with the rise of literati paintings, ink landscape began to gradually replace the green landscape. So, green landscape is out of the painting.

Since modern times, such as chang, He Tianjian elder, green landscape to be able to continue to develop.

In recent years, ink and colour painting in cultural Renaissance agitation gain unprecedented development, the Chinese ink and colour painting wide recognition in the world scope, is quite popular with the masses of Tibetan friend, future appreciation potential is tremendous, and now is the start of a good opportunity.

Ink and colour painting skillfully blends the colors in Chinese ink painting and painting, forming a beautiful fit hybrids, gradually recognized by the society, from senior to junior, more and more of the person you like, is really a rare good opportunity.

Distance for thousands of years history of landscape painting, careful of the person is not difficult to find the ancients master how to cool the hard-currency elicits the home countries and personal emotion is given priority to, with eight representative among them mountain man, tang Yin, banqiao frustrated folk literati painters. With the drunk for king carol green landscape by court painters in contrast to the more, the jinling and lingnan two factions in the calligraphy and painting for many years...

Close to the development of modern landscape painting has fostered numerous eminent people like wu changshuo, qi baishi, Li Keran, chang, guan shanyue master the first successful landscape, with the distinctive Chinese painters symbols of painting to an unprecedented new level. Again see the calligraphy and painting collectors at home and abroad in the reality the eye: fine brushwork and freehand brushwork in traditional Chinese painting and landscape painting the excellences of spring a few years! In the background I drunk on a lot of people like me this kind of ink and colour painting, color and ink superposition represent the country style.



柯沛鸿教授对画家管敬革冰雪画的评议:


冰雪画家管敬革,冰雪画大家于志学的学生,中国人民大学研究生,长期生活在北国,体验银妆素裹之美,但我在画家管敬革的雪景前面还是精神为之一振,还是被她独有的审美视角所吸引,因为这是管敬革自己发现的雪景,她在雪中发现了,表现了宇宙间最宝贵的东西:生命和感情。


管敬革在选材的问题上常说:“我们要建立自己的审美体系,要和别人不一样,艺术要有个性,又要有共性,在个性中求共性,在共性中求个性。”她主张“别人画的我不画,别人不画的我画,有人画的她则变,要善于在空隙中生存”。 “画传统,画别人,不如画自己”。要“紧紧抓住自己的感觉,不要重复别人的感觉”。这一席话深深的打印在我的脑海里。东北是管敬革感受最深的题材之一。儿时,一年到头盼冬天,到了冬天盼下雪,天下大雪盼过年,家家户户贴门联,放鞭炮,舞龙灯,看花灯、花船,孩子们堆雪人,打雪仗,其乐无穷。那东北民宅徽式建筑成群,宅、祠、塔、坊、亭、桥、楼阁成组,内设天井照壁,四水归一的封山式;那穿斗式抬梁式的混合框架,月梁起拱、梭柱分级、斗拱雀替的结构风格特异,奇特玲珑,在大雪纷飞的笼罩之下,在冰枝玉叶,瓦角溜冰的装饰下,分外妖娆辉煌。这下都可以用冰雪画的“矾墨”语言来表现“东北丰年瑞雪的佳景”。


纵观管敬革冰雪山水画,山河一色,日月无光,行人差旅缩颈揣手,一片孤冷寂廖,满眼静谧.可是一反常态,管敬革的冰雪画在“雪”景之外,独辟蹊径在“冰”上造意,丰富了冰雪画的内涵,为东北带来了独特的异域韵味和扑面的丝丝清凉.


管敬革东北雪山画作品充满个性、充满内涵、充满思想性和民族性,既继承了传统精髓又富有自主创新精神。他的用墨、用色超凡脱俗、恣情挥洒,把传统笔墨与自然物象以及自身感悟都鲜明地展现在了宣纸上,既随意写景,又以景造意,法自然而不刻意雕饰,创作出的作品不仅力量雄健、气势恢宏,而且清爽淳朴、境界高远。


冰雪画,是于志学创立的国画新技法,管敬革尽得于老真传,更是利用这些技法创立了全新的彩墨冰雪画画法。突破了传统的中国画,在冰雪画上传承级不断创新,独创中国画“白的体系”画作。纵看个拍卖市场中,冰雪画着实出尽了风采

,开启了艺术品投资的新篇章,故管敬革冰雪画是收藏界的下一匹黑马,开启冰雪画另一新纪元。

目前管敬革又研究开发了蓝色梦系列国画,在色彩上有了大胆突破。

评论家丹青飞狐发微信:管敬革的冰雪画在色彩上已突破了时间与空间的界限,是一种中国艺术大胆探索和革新,是中国新青年画家的典范。


Professor KePeiHong painter tube JingGe snow drawing review:


Painter pipe JingGe snow and ice, ice and snow painting Yu Zhixue student, graduate student, renmin university of China, long live in the north, "the beauty of experience to be dressed in white", but I in front of the painter tube JingGe snow still feel refreshed, and was attracted by her unique aesthetic perspective, because it is found that snow tube JingGe yourself, she found in the snow, represents the most precious things in the universe, life and emotion.


Tube JingGe on select material often said: "we want to set up their own aesthetic system, and others are different, the art should have personality, and should have in common, in seeking common personality, personality in common." She argues that "others paint of I don't, they don't draw my picture, she was drawing is changed, must be good at to survive in space". "Painting tradition, others as yourself". To "hold fast to their feelings, don't repeat others' feeling". This words deeply printed in my mind. The northeast is one of the subjects felt most keenly tube JingGe. Childhood, hope all the year round in the winter, to look forward to snow in winter, the snow look forward to Chinese New Year, every household paste couplet, set off firecrackers and WuLongDeng, watching lanterns, the dollar, the children make a snowman, snowball fights, fun. The northeast residence hui style architecture in groups, curtilage, temple, tower, fang, pavilions, Bridges, pavilions group, internal patio zhaobi, four water to a mountain type; The ChuanDouShi carry the hybrid framework of beam, beam arch camber, prism grading, stone for the structure of the finches specific style, unique and exquisite, in the shadow of heavy snow, the ice jade leaf, the adornment of the tile Angle skating, especially enchanting. It can be used under the ice and snow painting "alum ink" language to express the "northeast harvest snow charming".

Across the tube JingGe snow and ice landscape painting, was day, the moon and sun light, pedestrian travel neck ChuaiShou, a solitary cold quiet liao, eyeful is quiet. But, tube JingGe of ice and snow painting outside the "snow" scene, going on the "ice" meaning, enrich the connotation of ice and snow painting, in northeast China has brought the unique exotic flavor and pungent filar silk cool and refreshing.

Tube JingGe northeast snow mountain works full of individual character, full of connotation, full of thoughtful and nationality, inherited the traditional essence and rich spirit of independent innovation. His ink, artificial coloring, free from vulgarity hither, all the traditional pen and ink and natural object and its comprehension vividly demonstrated in the paper, arbitrary landscapes, with JingZao, natural and not sedulous carve, created works not only power of powerful and imposing manner, fresh and simple, high.

Snow and ice, as Yu Zhixue creating new techniques of Chinese painting, tube JingGe to old chuan, but also make use of these techniques created new colors on ice and snow painting method. Break through the traditional Chinese painting, in snow and ice level on passing on continuous innovation, unique traditional Chinese painting "white system" paintings. Longitudinal to see the auction market, ice and snow painting really show the elegant demeanour

, opened a new chapter to art investment, the tube JingGe under the ice and snow painting is part of a dark horse, open ice and snow painting a new era.

The tube JingGe and research and development the blue dream series of traditional Chinese painting, have made a bold breakthrough in colour.

Critics write themselves' letter: tube JingGe of ice and snow painting on colour has breakthrough the limit of time and space, the bold exploration and innovation, is a kind of Chinese art is the quintessence of China's new young artists.



媒体人画家管敬革

Painter tube JingGe media people


中国党建画院长张文祥唯美画派创始人张文祥评画家管敬革创新冰雪画一《蓝色梦》


我是唯美画派创始人张文祥。这么些年来,看到美术界,书法界,一些以丑为美的作品,心里非常的感慨,现在在这个美术领域里,追求所谓的前卫抛弃了传统,这是我们的这个时代美术不是美术了,而是丑术。在这个问题上我前思后想成立了唯美画派。

这几年来我看到我的学生管敬革创作了一批唯美的国画作品,以蓝色为底色的冰雪山水画,使我眼前一亮,这就是唯美主义的作品,这就是她对美术这样的一个唯美的追求,承继传统又打破了传统,形成了自成一家独特唯一的风格,作为画家有这一点独一性的创作风格就够了,但是,她还在继续在探索中创作出更多更好的作品。

希望我的学生管敬革画家以此为目标,画出更唯美的作品回报祖国,画出他心中的美丽的中国梦。


Chinese painting party director zhang aestheticism painting founder zhang a review of the ice and snow painting a painter tube JingGe innovation "blue dream"


I am a aestheticism painting founder zhang. Years, see the fine arts, calligraphy, some ugly as the beautiful works, in the mind very regrets, now in the field of fine arts, the pursuit of the so-called avant-garde abandoned the traditional, this is our art of the era is not art, but ugly. On this issue I thought into established the beautiful painting.

I see my students over the years tube JingGe created a group of beautiful traditional Chinese painting works, to blue as the color of snow and ice landscape painting, make me shine at the moment, this is the work of aestheticism, this is her pursuit of the art of such a beautiful, inherit tradition and broke the traditional, a formed its own unique style, as a painter has this uniqueness of the style is enough, but she is still in continue to explore to create more and better works.

Tube JingGe painter hope that my students as the goal, draw more beautiful work return the motherland, to draw the beauty of the Chinese dream of his heart.



媒体人画家管敬革

Painter tube JingGe media people


一次画展,不完全展示国画作品,而是以展促进画家用一种更新颖独到的绘画语言方式去进行新的探索和更有张力和亲和力的创作,好的作品如饕餮盛宴,可以传万代依然是不朽之作……媒体人管敬革

A exhibition, do not fully show the traditional Chinese painting work, but the exhibition to promote a painter with a more novel and unique way of painting language to a new exploration and more tension and the creation of affinity, good work such as feeling feast, can pass ten thousand generation is still a masterpiece... Tube JingGe media people



管敬革唯美创新国画作品一蓝色梦系列

Tube JingGe aesthetic innovation of the traditional Chinese painting works a blue dream series


管敬革唯美创新国画作品一蓝色梦系列

Tube JingGe aesthetic innovation of the traditional Chinese painting works a blue dream series

管敬革唯美创新国画作品一蓝色梦系列

Tube JingGe aesthetic innovation of the traditional Chinese painting works a blue dream series

管敬革唯美创新国画作品一蓝色梦系列

Tube JingGe aesthetic innovation of the traditional Chinese painting works a blue dream series



管敬革唯美创新国画作品一蓝色梦系列

Tube JingGe aesthetic innovation of the traditional Chinese painting works a blue dream series



管敬革唯美创新国画作品一蓝色梦系列

Tube JingGe aesthetic innovation of the traditional Chinese painting works a blue dream series



管敬革唯美创新国画作品一蓝色梦系列

Tube JingGe aesthetic innovation of the traditional Chinese painting works a blue dream series






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