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一片芦花一季秋——著名花鸟画家王立军写意花鸟画

A piece of reed flowers in a season - the famous flower and bird painter wang lijun freehand flower and bird painting


 

中国艺星网/编发/愉悦

China Yixing network/editor/Cheerful


作者:问  之

Akik ask



著名花鸟画家王立军先生

Mr. Wang lijun, a famous painter of flowers and birds


王立军艺术简介

Introduction to wang lijun's art


王立军,生于黑龙江省拜泉县。15岁得到卢禹舜老师启蒙始学国画、书法,早年毕业于北京中国书画学校,深造于中国国家画院。现为中国国家画院卢禹舜工作室画家,中国民主促进会会员,中国楹联学会会员,人民书画院画家,黑龙江省美术家协会会员,黑龙江省中国画学会理事,黑龙江省美术家协会剪纸专业委员会委员,大庆市花鸟画家协会副主席,大庆市让胡路区美术家协会主席,大庆市让胡路区九届政协委员,大庆师范学院美术与设计学院特聘教授,齐齐哈尔书画院特聘画家。 

Wang lijun was born in baiquan county, heilongjiang province. He began to learn Chinese painting and calligraphy when he was 15 years old. He graduated from Beijing Chinese painting and calligraphy school and further studied in China national painting academy. Currently he is member of Chinese national art academies Lu Yushun studio artist, member of China council for the promotion of democracy, member of Chinese couplets society, people's painting painter, member of heilongjiang province artists association, director of the institute of Chinese painting in heilongjiang province, paper-cut artist association professional committee of heilongjiang province, daqing city of flowers and birds painter association, vice chairman of daqing city ranghulu artists association, chairman of the daqing ranghulu ninth CPPCC, distinguished professor of daqing normal university art and design institute, qiqihar painting and distinguished painter.



著名花鸟画家王立军先生

Mr. Wang lijun, a famous painter of flowers and birds


其作品曾多次参加全国、省、市性展览并获奖,曾获黑龙江省第十届“群星奖”金奖,首届黑龙江省中国画作品双年展优秀奖,第十三届当代中国花鸟画展览优秀奖,参加第二届(荣誉奖)、第六届(特邀)、第七届(佳作奖)、第八届、第九届、第十届(特邀)全国当代著名花鸟画家作品展览,第三届青岛艺博会“当代中国书画家作品邀请展”银奖(中国美协、青岛市人民政府主办),第十一届中国(深圳)国际文博会“东方墨宝”当代名家书画展金奖(文化部、人民书画院主办),2017阿斯塔纳世博会上合丝路公益国际书画艺术展(特邀),第四届“八荒通神”哈尔滨美术(中国画)双年展(中国美协主办)等重要展览。发表于《中国文化报》、《国画家》、《美术观察》、《中国书画报》、《美术报》、《美术大观》等全国六十余种专业报刊,或专题介绍。

His works repeatedly take part in the national, provincial, municipal, exhibition and won the prize, was awarded a gold medal at a heilongjiang province tenth "stars" award, the first Chinese painting works exhibition honorable mention in heilongjiang province, the 13th flower and-bird painting exhibition honorable mention in contemporary China, to participate in the second (honor), the sixth (guest), the 7th (for), the eighth, ninth and tenth (guest) national famous contemporary flower-and-bird painter works exhibition, the third session of Qingdao art fair "contemporary Chinese painter-calligrapher art invitational exhibition" silver (artists association of China, Qingdao people's government of the host), The 11th China (shenzhen) international wenbo "Oriental calligraphy" contemporary famous painting and calligraphy exhibition gold award (the ministry of culture, people's painting and the host), the world expo 2017 in astana on the silk road public international painting and calligraphy art exhibition (guest), the fourth "eight shortage through god" Harbin art, Chinese painting biennale (China committeeman of the host), and other important exhibition. It is published in more than 60 professional newspapers and magazines in China, such as Chinese culture newspaper, Chinese painter, art observation, Chinese painting and calligraphy newspaper, art newspaper and art outlook, or special introduction.



著名花鸟画家王立军先生接受媒体采访

Mr. Wang lijun, a famous painter of flowers and birds, was interviewed by the media



著名花鸟画家王立军先生(右)

Mr. Wang lijun, a famous painter of flowers and birds



著名花鸟画家王立军先生

Mr. Wang lijun, a famous painter of flowers and birds



《秋色》(尺寸:136cm x 34cm) 作者:王立军  (创作年代:2015

Autumn color (size: 136cm x 34cm) by wang lijun (date: 2015)



有一位画家,质朴、自然,而深刻。在一片黑土地上出生、长大、生活着。他也一样是世代辛苦农民的儿子,对这片黑土地有一种与生俱来的依恋,总是走着走着,又会回到这片土地上。他不是农民,却反比农民更加深层的无条件的热爱着。这种对土地刻骨铭心的感情,延伸为丰富、博大、历史的、当下的和未来的神圣不可冒犯的情怀。他坚持走着自己的路,画着自己的画,仅此而已……

There is a painter, simple, natural, and profound. Born, raised and lived in a black land. He is also the son of generations of hard farmers, to this black land has a natural attachment, always walk, will return to this land. He is not a farmer, but a farmer than the deeper unconditional love. This profound feeling for the land extends to the rich, broad, historical, present and future sacred and inviolable feelings. He kept going his own way, drawing his own pictures, and that was it...



《这片黑土》(尺寸:180cm x 97cm) 作者:王立军  (创作年代:2015年6月)

This black earth (size: 180cm x 97cm) by wang lijun (date: June 2015)


他的画像是在说话一样,甚至像是呼吸,自然、平淡、平和、却时时带着温暖,描述着这片黑土地上发生的事情,说着几十年自己的绘画经历,回忆着这里的曾经。他十几岁时,带着父母的希望和自己的理想,独自离开了这片土地,去远方学习绘画。看见车窗外湿地里大片大片的芦苇花,坚韧不拔的在空中摇曳着,眼睛早已模糊了,离别,不舍...所有的情感都倾注在了这片芦苇荡里,芦苇像他自己,从此,芦苇在他心里扎了根。由于真实的动情,小心翼翼、不画不行、同犁地一样一笔一画的,像土地里冒出的芦苇草,随着春夏秋冬,温柔、豪壮,像是永远都不会老去,而成为了一种深刻。这个画家就是从这片黑土地里走出来的普通无奇的王立军。

His portrait is like talking, even like breathing, natural, flat, peaceful, but always with a warm, describing what happened in this black land, say decades of his painting experience, recall here once. When he was a teenager, with his parents' hopes and his own ideals, he left this land alone and went to a distant place to learn painting. See the window of the wetlands in large areas of reed flowers, tenacious swaying in the air, eyes have been blurred, parting, not to give up... All the feelings were poured into the reed. The reed was like himself. From then on, the reed took root in his heart. As a result of the real emotional, careful, not painting, like a plow as a painting, like the land out of the reeds, with spring, summer, autumn and winter, gentle, heroic, like never old, and become a profound. This painter is the ordinary wang lijun coming out of this black land.



《这片土地》 作者:王立军  (尺寸:180cmx97cm) 创作年代:2015年3月

This land by wang lijun (size: 180cmx97cm) date: March 2015


纵观王老师的作品,我们感受到的是他对土地的爱,对生长在土地上每一个生命的尊重,哪怕是一棵小小草,草儿也有季节的情绪。有“一岁一枯荣”的愁恼,有“野火烧不尽,春风吹又生”的喜悦,这些他早已看在了眼里,王老师的《秋风容易动乡心》这幅作品里,细腻的表现了此种情意。王老师更注重写生,采用着一种“写生方式”,积淀了对生活的感受,写生经历有更为复杂更为深刻的对生活的思考。他常常抽空到全国多处地方采风,见到的高山密林,路边小花,清泉河流,松树桃枝,无不入他画眼。得意于春花秋实之中,细心体察自然,感悟花鸟之神韵,为日后打下了坚实的创作基础。只是山间草丛的蚊虫无孔不入,久坐不动,咬得身上满是伤口,还会皮肤过敏。艰苦的写生过程中,老师仍是乐在其中,坚持不懈,执着痴迷。他追求一种朴素,一种自然,他曾说“我相信绘画依靠的是感觉,是激情和灵感,而不是理论,靠的是亲身感受,生活的积累,慢慢的慢慢的才能形成自己的一点点特色,绘画不只是在概念的演绎中完成的”。画家能有这种见识,的确也显得有些与众不同,在绘画语言的建设上,王老师独树一帜。

Throughout teacher wang's works, we can feel his love for the land and his respect for every life growing on the land. Even if it is just a small piece of grass, the grass has seasonal emotions. There is "one year one withered and glorious" worry, there is "the wild fire burning, spring breeze blowing again" joy, these he has seen in the eye, teacher wang's "autumn wind easy to move the heart of the country" this work, delicate performance of this kind of affection. Miss wang pays more attention to sketching and adopts a "sketching method", which accumulates the feelings of life and makes the sketching experience more complex and profound thinking on life. He often found time to go to many places in the country, see the mountains and forests, roadside flowers, rivers, pine peach branches, all into his eyes. Proud in the spring and autumn, carefully observe nature, feeling the verve of flowers and birds, for the future to lay a solid foundation for the creation. It is the mosquito of hill brushwood is all-pervasive, sit for a long time do not move, bite the body is full of cut, return meeting skin allergy. Hard sketching process, the teacher is still happy, persistent, persistent obsession. He pursues a kind of simplicity and a kind of nature. He once said, "I believe that painting relies on feelings, passion and inspiration rather than theories, and relies on personal experience and accumulation of life to form a little bit of its own characteristics gradually. Painting is not only completed in the deduction of concepts". It is true that the painter has this kind of insight, which makes him a little unique. In the construction of painting language, teacher wang is unique.



《醉秋》 作者:王立军 (尺寸:97cm x 180cm)  创作年代:2014年11月 

Drunken autumn by wang lijun (size: 97cm x 180cm) date: November 2014


绘画成就的高低,和对绘画认识的能力相一致。老师说:“艺无止境,‘路漫漫其修远兮,吾将上下而求索’。为了多辟几条路,必须向没有人走过的地方走去”。把俗画、差画看为好画、雅画的人,永远不能画出好画来,能辨出好画、雅画的人,只要努力,就能画出好画来。画画人路子要正,首先要有好的判断力。王老师就是具有这样眼光的探索者,美在他的眼睛里,加上出生在肥硕的黑土地,那里孕育着美丽的芦苇花,这给他感受很深,心灵得到美的熏陶,又用之于画,所以他的画能给人以美的感受。

The level of painting achievement is consistent with the ability to understand painting. The teacher said: "art is endless, 'the road is long, its xiuyuan xi, I will search up and down'. To make room for more roads, one must go where no one has gone before. The vulgar painting, poor painting for good painting, elegant painting, can never draw a good picture, can distinguish good painting, elegant painting, as long as effort, can draw a good picture. Good judgment is the first requisite for a good painter. Teacher wang is an explorer with such vision. Beauty is in his eyes, and he was born in the fat black land, where is pregnant with beautiful reed flowers. This gives him a deep feeling.



《乡情》 (尺寸:180cm x 97cm) 作者:王立军 (创作年代:2014年11月)

(size: 180cm x 97cm) by wang lijun (date: November 2014)


他不以怪诞惑人,不以五色乱目,不以西法置换传统,而实实在在的在传统的道路上发展,作品里总是透露着平淡与真实。笔墨精妙,清澈晶莹,苇身讲究墨色与墨气,黑、密、厚、重的风格形式,墨色浓密厚重,而又气韵生动。画面简约而神满意足,墨色对比强烈而又和谐,色彩艳丽而显稳重,延续中国传统绘画,变古为新,在传统绘画基础上进行创新。他的画似古人又不似古人,似今人又不似今人,有古,有今,有传统,有造化,笔精墨妙,路子都很正,在作品《雾锁清秋》、《醉秋图》里展现的淋漓尽致。老师曾说过:“秋季,芦花似雪,白浪滔天,一望无际。这些为我提供了最好的创作素材。我拍照、速写,挥毫泼墨,乃心中大快。”因此,他笔下,最令人注目的还是芦苇花,似竹非竹,杂乱有序,蒙笼飘渺处,似白雪压枝,墨淡处,不灰、不平、有立体感,也正是画中芦叶景象的精心布局与精神气度,画里总是那么的深情,比如《秋水芦花鸟雀飞》《十分秋思在天涯》为之表现。他笔下,没有文人画寥寥数笔的枯瘦,在他苦心经营的画面中,处处可见他用心刻画,繁复无比的技法,连勾带点。他笔下,四时芦花,春意夏景,秋林冬雪,都是千笔万笔。以清人笔墨,运宋人画境,而泽以时代之精神气韵,他的花鸟画,值得注意的是每一幅作品,取花鸟画神韵造山水画之意境,这为之难得。比如他的《草木摇落露为霜》、《秋高图》这两幅作品,在意境上都表现出一种拥抱自然的和谐精神。这种人和自然的和谐精神,正是晋唐宋元画家超然外物的精神体现。然而,以深静平淡,纯朴天真的艺术意境,让生活在快节奏世界的人们,能在自然和谐的艺术情境中,得到精神的慰藉,其实更是一种人性与生活价值的升华,印证着自然美感的体现。

He does not confuse people with the grotesque, does not confuse people with the color, does not replace the tradition with the western law, but develops in the traditional way truly, the work always reveals the insipidity and the truth. Exquisite ink, crystal clear, reed body pay attention to ink color and ink, black, dense, thick, heavy style and form, ink thick thick, and lively. The picture is simple but the god is satisfied enough, the ink color contrast is strong but harmonious, the color is gorgeous but shows the sedate, continues the Chinese traditional painting, changes the ancient for the new, carries on the innovation in the traditional painting foundation. His paintings are like the ancients and not like the ancients, like the present people and not like the present people, there are ancient, there is now, there is tradition, there is nature, fine ink, the way is very good, in the work "fog lock", "drunk autumn" show incisively and vividly. The teacher had said: "autumn, like snow, white waves tao sky, endless. These provide me with the best creative materials. I take pictures, write sketches and splash ink. His creation, therefore, the most compelling or reed flowers, like the bamboo, the mixed and disorderly and orderly, cage ethereal place, like the snow pressure branches, the light ink, not grey, rough, have stereo feeling, it is painted in reed leaves, the careful layout and spirit of bearing, the picture is always so affectionate, such as "the autumn waters photo birds fly, is autumn thoughts at the end of the world" performance. Under his pen, there is no wither and thinness of a few strokes of literati painting. In the picture that he painstakingly created, there are numerous techniques that he depicted with his heart, which are extremely complex and complicated. Under his pen, four seasons of reed flowers, spring and summer scenery, autumn forest and winter snow, are thousands of thousands of pen. With the brush and ink of the qing dynasty and the painting of the song dynasty, and with the spirit and charm of The Times, it is worth noting that each of his flower and bird paintings takes the artistic conception of landscape painting with the verve of flower and bird paintings, which is rare. For example, his two works, "grass and trees shake off the dew and turn into frost" and "autumn heights", show a harmonious spirit of embracing nature in artistic conception. This spirit of harmony between man and nature is the spiritual embodiment of the transcendence of painters in jin, tang, song and yuan dynasties. However, it is a sublimation of human nature and life value, which proves the embodiment of natural beauty.



《依依苇间情》 (尺寸:68cm x 68cm)作者:王立军  (创作年代:2012年9月 )

"Love among the ewe" (size: 68cm x 68cm) by wang lijun (creation date: September 2012)


绘画无言,它如实的表现自己,它的结果是实在的,老师的画乃美之创造,而胜于言语。老师嘴里总说“天生一副艺术心肠”这句话,这倒印证在他自己身上了。天生的艺术心肠也是不可缺少个性与内心,思想与情感的,即意识之专一,饱满丰富之生命,是集中生命力加以表现。

Painting is silent, it is the truth of their performance, its results are real, the teacher's painting is the creation of beauty, rather than words. The teacher had always said, "nature has a heart of art," and this proved to be the case with himself. The innate artistic heart is also indispensable to personality and heart, thought and emotion, namely the single-minded consciousness, full and rich life, is the concentrated vitality to perform.



《早春时节》 作者:王立军  (尺寸:180cm x 97m)  创作年代:2013年4月 

Early spring by wang lijun (180cm x 97m


老师的绘画,造型纯朴,运笔健爽,且诗书画结合,色彩古朴雅致,意境清肃,有行云流水的生气,自然平和,深得传统文人画的精髓。老师的诗词亦有相当功底,具有文人画家的素养,对花卉自然神态的把握,每张画都非常干净。聚之性情,又有神明相连的气势。风气韵度,风采情韵相连。容易把人带进遥远的意境里面,强调精神的力量。利用精湛的技巧,写心中意气,陶写性灵,似文人画神情,技巧又在文人之上,节奏韵律感,空间形式美,创造了完美的空间意识。王老师笔下的芦花将是写意花鸟画的未来。

The teacher's paintings are simple in shape, healthy in brush strokes, and the combination of poetry, calligraphy and painting. The colors are simple and elegant, the artistic conception is clear and solemn, and there is the vitality of flowing water and natural peace, which is deeply rooted in the essence of traditional literati paintings. The teacher's poems are also quite basic, with the literacy of literati painters, the natural expression of flowers to grasp, every painting is very clean. Gather temperament, and the momentum of the gods linked. Style charm, style charm linked. Easy to bring people into the remote artistic conception, emphasizing the power of the spirit. The use of exquisite skills, the hearts of the heart, tao writing spirit, like the literati painting expression, skills and on the literati, rhythm and rhythm, the beauty of space form, to create a perfect sense of space. Teacher wang's reed flowers will be the future of freehand flower and bird painting.


甲午年四月二十二日完稿

Completed on April 22, 2014



著名花鸟画家王立军先生部分作品欣赏

Mr. Wang lijun, a famous painter of flowers and birds, appreciates some of his works



《不是春光胜似春光》(尺寸:136cm x 68cm) 作者:王立军 (创作年代:2015.4

"Spring is better than spring" (size: 136cm x 68cm) by wang lijun (date: 2015.4)



《绿色家园》(尺寸:68cm x 136cm) 作者:王立军 (创作年代:2014.9.)

Green home (size: 68cm x 136cm) by wang lijun (date: 2014.9.)



《暖阳》(尺寸:136cm x 68cm)作者:王立军  (创作年代:2015.5.3

Warm sunshine (size: 136cm x 68cm) by wang lijun (date: 2015.5.3



《绿荫黑土》(尺寸:136cm x 68cm) 作者:王立军  (创作年代:2015.4

"Shady black earth" (size: 136cm x 68cm) by wang lijun (date: 2015.4)



《这片土地》(尺寸:136cm x 68cm) 作者:王立军  (创作年代:2015.4

This land (size: 136cm x 68cm) by wang lijun (date: 2015.4



《北方北方》 (中国画) 作者:王立军  (尺寸:68cm x 136cm) 创作年代:2011年  

North, north (Chinese painting) by wang lijun (size: 68cm x 136cm) date: 2011



《草木摇落露为霜》 作者:王立军 (尺寸:68cm x 136cm)  创作年代:2013年5月 

Wang lijun (size: 68cm x 136cm). Date: May 2013



《秋光》(尺寸:180cm x 97cm) 作者:王立军  (创作年代:2015年9月)

Autumn light (size: 180cm x 97cm) by wang lijun (date: September 2015)



《一年容易又秋风》 (尺寸:136cm x 68cm) 作者:王立军   (创作年代:2015.5.3

An easy autumn wind in a year (size: 136cm x 68cm) by wang lijun (date: 2015.5.3



《一湖秋色》 (尺寸:180cmx97cm) 作者:王立军 (创作年代:2015年6月)

A lake in autumn (size: 180cmx97cm) by wang lijun (date: June 2015)



《秋高图》 作者:王立军 (尺寸:68cm x 136cm) 创作年代:2013年5月 

Autumn heights by wang lijun (size: 68cm x 136cm) date: May 2013



《霜重色愈浓》 (尺寸:100cm x 50cm) 作者:王立军 (创作年代:2015年10月)

(size: 100cm x 50cm) by wang lijun (date: October 2015)


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