网站首页 | 服务内容 | 加入收藏 | 客服电话:18531617186

中国艺星网

艺星头条
紫砂五代传人吴海龙论紫砂的发茶性

Wu Hailong, the successor of the Five Generations of Zisha, on the tea nature of Zisha


 中国艺星网/编发/愉快

Chinese art star/editor/happy


紫砂的发茶性究竟有多厉害?

Does the hair tea sex of purple arenaceous have how fierce after all?


李渔在《杂说》说:“茗注莫妙于砂,壶之精者又莫过于阳羡”,文震亨在《长物志》说:“茶壶以砂者为上,盖既不夺香,又无熟汤气”。

中国工艺美术大师吴海龙说紫砂壶优良的发茶性,是其他陶土不能比拟的。今天我们来看紫砂的发茶性究竟有多厉害,看紫砂是如何酝酿一杯好茶的。

Li Yu said in A miscellany, "Tea notes are more wonderful than sand, and the essence of a pot is nothing but Yang Envy." Wen Zhenheng said in A Chronicle of Long Things, "A teapot with sand on top will neither seize the fragrance nor taste of cooked soup".

Wu Hailong, a master of Chinese arts and crafts, said that zisha teaports have excellent tea-producing properties that are unmatched by any other clay. Today we will look at how powerful the hair of purple sand tea, see how purple sand is brewing a good cup of tea.



什么是发茶

发茶,就是茶叶加水变成茶汤的一个过程,发的是茶汤。如果仔细对比,就会发觉,用不同器皿泡出来的茶,口感是不一样的。

What is tea

Tea is a process in which tea leaves are added with water to become tea soup. If you compare carefully, you will find that the taste of tea made from different vessels is different.



我们可以从茶汤内含物质(芳香物质、酸醇成分等);内涵物质与水的结合度程度、内含物质是否能和谐、层次分明;茶汤的亲和力(自然性、适口性)几方面来分析茶汤的效果。

We can extract materials from tea soup (aromatic substances, acid alcohols, etc.); The degree of combination between the connotative material and water, whether the connotative material can be harmonious and well arranged; Tea soup affinity (natural, palatability) several aspects to analyze the effect of tea soup.



从品饮的角度来说,茶水混合度佳,茶汤协调性好,亲和适口,应该可以作为好茶汤的基础要求。

From the point of view of drinking, good tea mix, good coordination of tea soup, affinity and palatability, should be good as the basic requirements of tea soup.


紫砂卓越的发茶性

吴海龙大师表示:论发茶,紫砂的力道是先全面接触后发力,深具渗透力,善于有效的提取高质量芳香甘醇物质,很好的协调茶汤味道和亲和力,达到很好的品饮效果。

Purple sand outstanding hair tea

Master Wu Hailong said: when it comes to tea, the power of purple sand is to get in touch first and then get out. It has deep penetrating power. It is good at extracting high-quality aromatic glycol substances effectively and coordinating the taste and affinity of tea soup to achieve good drinking effect.



故发出来的茶汤,香气虽不似瓷器般飘扬,但滋味醇厚,初似不觉,忽而韵起,令人回味不已,这是它迷人之处,也深符合茶道精神,故自古以来独备受推崇

Therefore, the tea soup sent out, although the aroma is not like porcelain wave, but the taste is mellow, the beginning seems to be unconscious, suddenly rhyme, people aftertaste unceasingly, this is its charm, it is also in line with the spirit of the tea ceremony, so it has been highly respected since ancient times



具体的影响因素:

首先,壶壁吸水率较高,配合着泥料的亲和力,发茶时,水和壶壁接触后,有个缓冲。

它并没有直接发力,是先承后发力,加上泥料发茶力强,故能够先全面接触后而发力渗透。出来的结果,是茶汤中心结实,外围柔和,实现外柔内刚的效果。

Specific influencing factors:

First of all, the water absorption rate of the pot wall is relatively high, which matches with the affinity of the mud materials. When making tea, there is a buffer between the water and the pot wall after contact.

It does not have direct force, is the first to start the power, plus the mud tea strong power, so it can be fully contacted before the power penetration. The result is that the tea soup center is firm and the periphery is soft to achieve the effect of soft outside and firm inside.



其次,紫砂的双气孔,发挥着两个功能,一个是气阀的功能,另外一个是气屏隔离作用。

Next, the double pore of purple sand, playing two functions, one is the function of air valve, another is the role of air screen isolation.



气阀排放出多余的热能,当然同时会带出一些飘香,但这确保了古人说的无熟汤气的功效;气屏发挥了续热作用,让茶汤有充分的时间蕴香入水。

The valve gives off excess heat and, of course, brings out some fragrance, but this ensures the efficacy of uncooked soup gas, as the ancients say; Qi Ping plays the role of heat, so that the tea has enough time to accumulate fragrance into the water.



吴海龙大师强调如果是优质的陈腐几十年的老紫砂泥料,它会更进一步的有效的提取高质量的芳香甘醇物质,然后茶汤味道按清浊规类,达到茶汤味道清晰,茶水醇厚的效果。

Master Wu Hailong emphasized that if it is a high-quality old purple clay, it will further effectively extract high-quality aromatic glycol substances, and then the taste of the tea soup according to the turbidity standard, so as to achieve the effect of clear taste and mellow tea water.



故双气孔的存在,提供了一个协调,续热力的调控,出来的茶汤有活力,而不是硬梆梆的纯味觉刺激。

Thus, the presence of double blotches provides a coordinated, sustained heat control that results in vibrant, rather than hard, pure taste stimulation.



泥料与窑火对发茶性的影响

吴海龙大最后谈到泥质和窑火,是息息相关的,足透的窑火,则是发茶质量的把关键。

好泥,关键要有丰富的砂质,坚实协调的结构。它所呈现出来的是高雅的质感,亲切的手感,其发茶性,自当更优越。

Effect of mud and kiln fire on tea production

In the end, Wu Hailong said that mud and fire are closely related. A full kiln fire is the key to the quality of tea.

Good mud, the key is to have rich sand, solid and harmonious structure. What it presents is decorous simple sense, kind feel, its hair tea sex, should be more superior.



优质泥料,必须结合足透的窑火。泥料好,吃火足的壶润泽,这对发茶很重要。

如果窑火吃不足,则泥料结构稍微松散,这使发茶力发挥得有点涣散,对高质量的芳香甘醇物质的提取,有一定的影响,茶水混合度也稍微逊色。

High quality mud must be combined with a full - cut kiln fire. It is very important to make tea with good mud and a fire-filled pot.

If the kiln fire is not enough to eat, the mud structure is a little loose, which makes the tea power play a little slack, and has a certain influence on the extraction of high-quality aromatic glycol substances, and the tea water mixing degree is also slightly inferior.



发茶性,是紫砂本质上的东西。了解紫砂的发茶性,可说是从根本上去了解紫砂了。掌握了它的规律,使我们能更合理的对待紫砂,不容易被一些表象所迷惑。

Hair tea sex, it is the thing of purple arenaceous essence. Understand the hair of violet arenaceous tea sex, can say to go up to understand violet arenaceous fundamentally. Master its rules, so that we can more reasonable treatment of purple sand, not easy to be confused by some appearance.



中国工艺美术大师。(第六届)

紫砂壶型设计大师。

中国国礼特供艺术家。

中国文化遗产保护传承人物。


吴海龙个人介绍


宜兴有天土,吴门出陶人。继陶瓷、紫砂已成国艺。一盈把握,诸子尽在一掬之间,上兑庄老之露、下泡儒佛之泉。禅意不看红尘事,一捧紫砂释天机。

宜兴吴门,百年传承。吴氏陶艺历吴余清及吴门第五代传人吴海龙,早慧,幼随父习艺,自幼薰艺家风,承前启后,把吴氏绝艺发扬光大!

早在1972年的时候,吴海龙即随父研究紫砂陶艺,40多年来虽有风风雨雨,坎坷曲折路程,但最终坚持至今,续父亲叮嘱:一以贯之传承并创新,作品均以天然原材料为主,采用吴家传统工艺和创新技法,突出其精湛的技艺,自成一体,独创吴氏重传统更重创新的风格。吴海龙大师自幼乐于收藏,从家藏老壶中传承并创新,他设计的紫砂壶外形既尊重传统,又“方非一式,圆不一相”,突出变化,外形既古雅时尚、又朴实自然。

他对紫砂壶所用原材料是非常有讲究的,“泥”的优劣决定着紫砂壶的品味高低,好壶必是好泥成就,唯有好泥才会制作出双透气孔结构,吸水率高,透气性强,并且“色不艳、质不腻”的好壶,吴氏陶艺百年传承一个亘古不变的习惯是今天的作品已是沉腐十年以上的老泥,致力潜于紫砂艺术的研究和创作,艺海采撷,自此技艺精进。

其作品寓意于壶,还魂于砂,严谨而不泥古,典雅也趣于天然。匠人需数十年方可成就,匠心需数百年传承而来,吴海龙大师,承百年技艺,创新式风格。他的紫砂作品多次荣获海内外国际性及国家级金奖,被人民大会堂、中南海艺术馆、国家博物馆、中国农业博物馆等纷纷收藏,被泰国亲王、英国王子、美国硅谷、海峡两岸等的文化艺术大家们大加赞赏,也因一带一路文化交流被带出国门走向世界,入选2017年哈萨克斯坦世博会,得到来自世界各地艺术学者的认可。

紫砂壶虽小,汇聚的是百年匠心,千年文化。“吴氏金鼎”品牌也被载入诚信中国万里行,走出国门,声名享誉海内外,其紫砂壶工艺品极具艺术价值和收藏价值。

吴大师家风薰陶、上承下传,竭尽技艺;发扬光大、推陈出新。吴大师已近天命,紫砂艺术造诣炉火纯青、艺术上渐近"天爵"之境。他的作品在传承古典上推陈出新,在"光货"类型上外形精致、轮廓讲究,自然淳朴、简洁高雅;而在"花货"造型上师化自然,雕镂捏塑、手法丰富、带有典型的吴氏审美风格;在筋纹器造型上,筋囊纹理清晰、疏密得体,深浅自如;在提梁壶的造型上,风格高古、壶体与提梁,虚实对比分明,造型曲线流畅灵动,似流水有声、美人浣纱。

虽吴大师名扬远播,但他不为俗界声名所累,在自己的艺术馆精尽艺业,把人生、艺术、紫砂揉捏一体。虽他的作品在市场上一壶难求,但他禀着"良工不示人以璞",静心做匠人,精心做艺术,淡泊名利,踏踏实实地秉承着自己:“一生只做一件事,一事只怀一颗心”的理念,沉迷于紫砂艺术的钻研和创作中。

吴海龙大师艺术年鉴。

1972年,随父研究创作紫砂陶艺。

1992年,获轻工部中国工艺美术协会颁发的"陶瓷美术设计"奖。

1997年,创办吴氏陶艺吴海龙紫砂艺术馆。

2001年,加入中国工艺美术学会。

2002年,创作的《春意》作品荣获中国工艺美术精品博览会金奖。

2003年,纪念毛主席诞辰一百一十周年获特别贡献奖。

2006年,创作的《竹韵》作品荣获中国工艺美术百花奖评选金奖。

2008年,加入江苏陶艺紫砂学会协会。

2009年,《寿桃壶》在第六届中国国际茶业博览会精品茗壶评选中荣获金奖。

2010年,《四方容天》作品容获第八届中国工艺美术博览会"中艺杯"金奖。

2011年,《秦权壶》在河南第三届紫砂艺术节参赛作品评比中,经河南省工艺美术行业协会、河南第三届紫砂艺术品博览会组委会评审荣获一等奖。

2012年,《小竹扁壶》作品在江苏省陶瓷行业协会手工制陶大塞中荣获一等奖。

2012年,《升方壶》在"博山杯"中国陶瓷艺术大奖赛评选中荣获一等奖。

2012年,《葵花壶》在江苏省陶瓷行业协会陶艺作品创新评比活动中被评为一等奖。

2012年,被评为中国工艺美术大师。(第六届)

2013年,入选《百年无锡名人图谱》。

2013年,《石瓢壶》在中国宜兴陶艺五朵金花上海展中,经严格评审荣获金奖

2013年,《名家》杂志报道。

2013年,受邀并出任中国国际交流促进会理事。

2013年,荣获教育部中国人生科学学会全国审美教育与文化产业合作组织授予的中国紫砂壶设计大师称号。

2014年,其仿古壶、六方壶、榴香壶作品在首届世界华人艺术家书画作品邀请展荣获金奖。

2014年,受聘为中国无锡书法艺专校友会北京总会艺术家联盟专家组成员。

2015年,获"中华民族伟大复兴杰出贡献人物"、"中华民族杰出艺术家"、"中国国际现代艺术研究中心终生艺术顾问。作品收录纪念抗战胜利70周年主题《中国邮册》。

2015年,《推动中国领军人物》《人民美术报》 等刊登其作品  。  

2016年,泰国亲王素博·巴莫、泰国公主巴莫·优雅、公主巴莫·雅娅等泰国皇室造访吴海龙紫砂艺术馆,进行了为期两天的参观考察。

2016年,入选《中华人民共和国年鉴》入选者(2016卷)。

2016年,《绞泥石扁壶》《四方传炉壶》作品被中南海艺术馆收藏。

2016年,被聘为求是文化中心艺术品鉴定与评估委员会委员。

2016年,《彩蝶壶》被人民大会堂收藏。

2016年,经国礼特供艺术委员会和国礼文化市场委员会评审授予《中国国礼特供艺术家》称号和《国礼特供证书》。

2016年,美国硅谷市长中国行代表团由加州议员Devon Mathis(德文·马西斯)带团、联合市市长Carol Dutra Vernaci(凯萝·魏娜齐)、 坎贝尔市市长Jason Baker(杰森·贝克)、门罗帕克市前市长/现议员Catherine Carlton(凯瑟琳·卡尔顿)、 库比蒂诺市前市长/现议员Gilbert Wong等在内的美国官员、硅谷市长、加州议员、知名企业家、知名经济学家组成的代表团一行16人专程赴吴海龙紫砂艺术馆进行文化交流。

2016年,在庆祝中国共产党成立95周年2016杰出劳动者全国劳动英模五一座谈会暨先进事迹报告会中荣获"2016杰出劳动者"称号。

2016年,《仿古壶》作品被中国农业博物馆收藏。

2016年,光明网、人民网、中国网、半月谈、新华访谈网、央视报道、中国报道、中国国际新闻网、中国文物网、中国艺星网、中新网、中国国礼官方网站、人民艺术收藏网、中华城市网、环球聚焦传媒网、国际凤凰网、天天快报、今日头条、国都智库、墨宝收藏、艺韵百科、百度、腾讯、优酷、搜狐、人民微视频、爱奇艺、土豆视频、华人频道、常熟电视台、江苏卫视、江苏国际频道等媒体纷纷对其报道

2017年,被任命为全球物联网管理委员会紫砂艺术馆馆长。

2017年,荣获第二届全球品牌大会,金丝路艺术展入选作品。

2017年,被台湾海峡两岸文化经贸科技观光发展协会特聘为驻江苏省两岸文化交流会长。

2017年,被文化部东方华夏文化遗产保护中心中国文化遗产保护研究院评为"紫砂设计与制作"类型传承人。

2017年,被任命中国领导干部龙文化书画院紫砂艺术馆馆长。

2017年,被聘为江苏省收藏家协会紫砂委员会副秘书长。

2017年,吴海龙大师凭借着精益求精的工匠精神和深耕紫砂多年的资深制作经验,其作品入选170多个国家总统总理出席的史上政治、艺术层面最高的顶级博览盛会哈萨克斯坦世博会并荣获紫砂工艺金奖、吴海龙大师也被评为2017年哈萨克斯坦世博会"特邀紫砂壶工艺艺术家"称号。

2017年,德艺双馨的吴海龙大师在中国诚信品牌万里行,被评为"诚信艺术家"称号。

2017年,《看中国·人才强国》《时代影响力》《中国梦书画艺术传承》《中国艺坛》等纷纷报道。

2017年,被四川文化艺术学院汤用彤国学院 ,聘为客座教授。

2017年,在宜兴博物馆举办的 民间传统工艺美术博览会 中《一带一路》作品荣获金奖,并受到李昌鸿等大师的盛赞。

2017年,《仿古壶》作品被英国王子爱普所宫收藏。

2018年,应邀参加全国人大会议中心举办的中国国际经济合作论坛。

2018年,《黄河之声》主办吴海龙大师紫砂论坛研讨会。

2018年,紫砂壶作品彩蝶壶荣获中国工合一带一路艺术文化节暨手工艺术大师精品展“工合杯”。

2018年,受邀参加榜样春晚,荣获榜样艺术家称号。

2018年,被国家发展与改革委员会主管的中宏网文化频道聘为“中华信用文化艺术鉴定体系”专业鉴定师。

2018年,被全国职业信用评价网评为中华传统工艺大师称号。

2019年,被聘为东方华夏文化遗产保护中心,陶瓷文化遗产保护项目办公室苏皖(南京)基地专家。

2019年,荣获中国传统艺术传承人数据库颁发的《名家风采》荣誉证书

2019年,被中阿经贸合作论坛组委会授权为《中阿经贸合作论坛》艺术宣传大使

2019年,荣获第十三届全国人大二次会议,全国政协第十三届二次会议,全国两会重点推荐“人民艺术家”荣誉称号。

2019年5月,文化部文化艺术人才资料数据库非物质文化保护证书。

2019年6月,在建国70周年评选授予(人民功勋艺术家)荣誉称号。

2019年6月18日,中国紫砂,薪火相传,国家工艺美术大师,特殊贡献奖。2019年,作品哈密瓜壶荣获中国轻工业联合会首届“百鹤杯”工艺美术设计创新大赛百鹤奖。


Chinese arts and crafts masters. (sixth session)

Zisha kettle design master.

Chinese national gift for artists.

Protection and inheritance of Chinese cultural heritage.


Wu hailong personal introduction


Yixing has a day soil, wu men pottery. After ceramics, purple sand has become a national art. A full grasp, all the sons in a cuk, on the old lu zhuang, under the bubble Confucianism and Buddhism spring. Zen does not look at the world of mortals, a zisha release tianji.

Yixing wu gate, one hundred years heritage. Wu's pottery calendar wu yuqing and wu men the fifth generation successor of wu hailong, early wisdom, young with his father learning art, from the young art family style, connecting the past and future, wu's unique art to carry forward!

As early as in 1972, wu purple sand pottery namely the father research, more than 40 years, though there are ups and downs, frustrations, but ultimately insist, continue father told: a consistent, inheritance and innovation work are given priority to with natural raw materials, adopting posed to the traditional technology and innovative techniques, highlight its exquisite craft, self-contained, original oh heavy traditional more hit new style. Master wu hailong is fond of collecting since childhood, and inherits and innovates from the old pot in the family. The shape of the zisha pot he designed respects the tradition, and "square is not the same, round is not the same", highlighting the changes. The shape is both quaint, fashionable, and simple and natural.

He used are recommended for raw material is very exquisite, "mud" quality decides the taste of recommended height, good pot is mud achievements, good mud is the only thing that will make a dual porosity structure, bibulous rate is high, permeability is strong, and the color is not bright, don't be bored with "the good pot, oh for ceramic art heritage in one hundred is a constant habit of today's work is heavy corrosion more than a decade old mud, committed to dive in purple sand art research and creation, art gather, since art progress.

Its works implied meaning in the pot, return to the soul in sand, rigorous but not mud, elegant also interesting in nature. Craftsman needs decades to achieve, craftsman needs hundreds of years to inherit and come, master wu hailong, inherits century-old skills, innovative style. Purple of his works won numerous international and national gold award at home and abroad, is the great hall of the people and zhongnanhai art museum, national museum, the museum of Chinese agricultural collection in succession, by the prince, prince, the United States, cross-strait cultural and artistic people are in silicon valley, also due to the area along the cultural exchange is out of the door to the world, in kazakhstan world expo 2017, received the recognition from the art scholars from around the world.

Although zisha kettle is small, what gather together is a hundred years originality, a thousand years culture. "Wu's golden tripod" brand is also included in the integrity of China wanli travel, go abroad, famous at home and abroad, its purple sand pot crafts are very artistic value and collection value.

Master wu's family style embalming pottery, inherited from the next generation, to the best of his skills; Carry forward and bring forth the new. Master wu has been near the destiny of heaven, purple sand art attainments, art gradually close to the "heaven jue". His works are classical in the inheritance of the new, in the "light goods" type exquisite shape, contour exquisite, natural simplicity, simple and elegant; And in "flower goods" modeling on the teacher nature, carving and shaping, rich techniques, with a typical wu aesthetic style; In the shape of the rib, the rib sac has clear texture, proper density and easy depth. In the shape of the girder pot, the style is ancient, the body of the pot and the girder, and the contrast between virtual and real is clear.

Although master wu's fame spread far and wide, but he is not tired by the fame of the vulgar world, in his own art museum fine arts, life, art, purple sand kneading together. Although his works in the market a pot of difficult to find, but he has a "good work not to show to the uncultivated", quiet heart to do artisan, careful art, indifferent to fame and wealth, step by step adhering to their own: "life only do one thing, only one heart" concept, addicted to the study and creation of purple sand art.

Master art yearbook by wu hailong.

In 1972, he studied and created purple clay pottery with his father.

In 1992, he was awarded the "ceramic art design" award by China arts and crafts association of the ministry of light industry.

In 1997, wu shi pottery art wu hailong purple sand art museum was founded.

In 2001, he joined China arts and crafts association.

In 2002, his work "spring" won the gold medal of China fine arts and crafts fair.

In 2003, he received the special contribution award in commemoration of chairman MAO's 110th birthday.

In 2006, his work "bamboo charm" won the gold award of the hundred flowers award of Chinese arts and crafts.

In 2008, he joined jiangsu ceramic purple sand association.

In 2009, the peach pot won the gold medal in the 6th China international tea expo.

In 2010, sifang rongtian was awarded the gold medal of "zhongyi cup" in the 8th China arts and crafts fair.

In 2011, qin quan pot won the first prize in the competition of the 3rd henan zisha art festival, judged by henan arts and crafts industry association and the organizing committee of the 3rd henan zisha art fair.

In 2012, "small bamboo flat pot" won the first prize in jiangsu ceramic industry association hand-made pottery plug.

In 2012, it won the first prize in the "boshan cup" Chinese ceramic art grand prix.

In 2012, sunflower pot was awarded the first prize in the innovation competition of ceramic works held by jiangsu ceramic industry association.

In 2012, he was awarded as the master of Chinese arts and crafts. (sixth session)

In 2013, it was selected into "wuxi celebrity map for one hundred years".

In 2013, stone and gourd vase was awarded the gold medal in the exhibition of five golden flowers of yixing pottery art in Shanghai after strict evaluation

In 2013, the magazine reported.

In 2013, he was invited and served as a member of China association for promoting international exchanges.

In 2013, he was awarded the title of China zisha kettle design master by the national association for aesthetic education and cultural industry cooperation of the Chinese society for life science of the ministry of education.

In 2014, his works such as antique pot, six-square pot and eclog-scented pot won the gold medal in the first world Chinese artists' invitational exhibition of calligraphy and painting.

In 2014, he was appointed as a member of the expert group of artists union of the Beijing association of alumni of wuxi calligraphy art school.

In 2015, he was awarded "outstanding contributor to the great rejuvenation of the Chinese nation", "outstanding artist of the Chinese nation", and "lifetime art advisor of China international research center for modern art". Works include the theme of commemorating the 70th anniversary of the victory of the war of resistance against Japanese aggression.

In 2015, his works were published in leading figures in promoting China and people's art daily.

In 2016, Thailand's royal family, including king subo bama, princess bama grace and princess bama yaya, paid a two-day visit to the zisha art museum in wuhailong.

In 2016, selected as a candidate of the yearbook of the People's Republic of China (volume 2016).

In 2016, "flat clay pot" and "sifang huan furnace pot" were collected by zhongnanhai art museum.

In 2016, he was appointed as a member of the art appraisal and evaluation committee of qiushi cultural center.

In 2016, it was collected by the great hall of the people.

In 2016, he was awarded the title of "Chinese national special gift artist" and "national special gift certificate" by the national special gift art committee and the national special gift culture market committee.

In 2016, The mayor of silicon valley line Chinese delegation by the California legislators Devon Mathis (devin Mathis), joint of tour, mayor of Carol Dutra Vernaci (Carol Wei Naji), Campbell's mayor Jason Baker (Jason Baker), a former mayor of menlo park/mp now Catherine Carlton (Catherine carton), former mayor of cupertino/mp Gilbert now A delegation of 16 including Mr. Wong and other U.S. officials, the mayor of silicon valley, lawmakers from California, well-known entrepreneurs and economists went to the zisha art museum in wu hailong for cultural exchange.

In 2016, in celebrating the 95th anniversary of the founding of the communist party of China, he was awarded the title of "2016 outstanding worker "in the national labor model May Day symposium and advanced deeds report.

In 2016, the antique pot was collected by the China agricultural museum.

In 2016, kwangmyong, People's Daily, China, China comment and interview with xinhua net, CCTV reported, China reported, China international news and China cultural heritage, Chinese art starnet, news agency, China appointed official website, people's art collection network, the city network, universal focus media network, phoenix international network, letters every day, today's headlines, countries think-tank, calligraphy collection, art rhyme encyclopedia, baidu, tencent, youku, sohu, people's micro video, iQIYI, potatoes, video, the Chinese channel, television in changshu, jiangsu satellite TV, jiangsu international channels, and other media reported on it

In 2017, he was appointed director of zisha art museum of the global Internet of things management committee.

In 2017, won the second global brand conference, jinsi road art exhibition selected works.

In 2017, he was appointed as the President of cross-strait cultural exchange in jiangsu province by the cross-strait cultural, economic, trade, science and tourism development association.

In 2017, he was honored as the inheritor of "purple sand design and production" by the Chinese academy of cultural heritage protection of Oriental Chinese cultural heritage protection center of the ministry of culture.

In 2017, he was appointed director of zisha art museum of dragon culture painting and calligraphy academy.

In 2017, he was appointed deputy secretary general of zisha committee of jiangsu province collectors association.

In 2017, wu master craftsman with excelsior spirit and deep violet arenaceous senior production experience for many years, their works to be included in the President's prime minister, more than 170 countries are attending the highest level in the history of politics, art of the top level of the expo event kazakhstan and won the violet arenaceous technology expo gold medal, master wu has also been rated as "invited artists recommended process" 2017 world expo in kazakhstan.

In 2017, master wu hailong, who is both virtuous and artistic, was awarded the title of "honest artist" when he traveled wanli, China's honest brand.

In 2017, there were many reports on "China: a country with strong talents", "the influence of The Times", "the inheritance of Chinese dream calligraphy and painting art" and "Chinese art circle".

In 2017, he was appointed as a visiting professor of tongguo college of sichuan university of culture and arts.

In 2017, One Belt And One Road won the gold medal in the folk traditional arts and crafts fair held by yixing museum, and was highly praised by masters such as li changhong.

In 2017, the antique pot was collected by prince epcot palace.

In 2018, he was invited to attend the China international economic cooperation forum at the National People's Congress center.

In 2018, the voice of the Yellow River hosted master wu hailong's purple sand forum and seminar.

In 2018, the purple sand pot was awarded the "gonghe cup" by the art and culture festival of China's gongyi belt and the fine arts exhibition of masters of manual arts.

In 2018, he was invited to participate in the model Spring Festival gala and won the title of model artist.

In 2018, he was appointed as a professional appraiser of "China credit culture and art appraisal system" by the China national development and reform commission.

In 2018, he was awarded the title of master of Chinese traditional craft by the national professional credit evaluation network.

In 2019, he was employed as an expert of jiangsu and anhui (nanjing) base of Oriental Chinese cultural heritage protection center and ceramic cultural heritage protection project office.

In 2019, it was awarded the honorary certificate of "famous style" issued by the database of Chinese traditional art inheritors

In 2019, he was authorized by the organizing committee of china-arab economic and trade cooperation forum as the artistic publicity ambassador of china-arab economic and trade cooperation forum

In 2019, he was awarded the honorary title of "people's artist" by the second session of the 13th National People's Congress, the second session of the 13th national committee of the Chinese people's political consultative conference (CPPCC).

In May 2019, intangible cultural protection certificate of cultural and artistic talent database of ministry of culture.

In June 2019, he was awarded the honorary title (people's artist for meritorious service) on the 70th anniversary of the founding of the People's Republic of China.

On June 18, 2019, zisha, China, passed on from generation to generation, national arts and crafts master, special contribution award. In 2019, the works of hami melon pot won the first "hundred cranes cup" industrial art design innovation competition of China federation of light industry hundred cranes award.


关于我们 | 免责声明 | 隐私保护 | 法律顾问 | 联系我们 | 广告服务 | 人才招聘 | 付款方式
中国艺星网 版权所有 冀ICP备19031654号